It’s a tiny space that took over for the former Tully’s Coffee on this spot, located at the entrance of the East Lobby of 225 Bush office building. They have window counterspace seating among six stools, and that’s it. The rest is the service area, a rear wall of Counter Culture Coffee beans, and a wall of merchandising off to the left. And yes, finally coffee roasted on the East Coast is making its way further out West.
While they mostly focus on coffee (hence the name), they’re also known for locally-sourced pastries and Strauss soft-serve frozen yogurt — the latter likely being an evolution from when Coffee Bar once entertained the idea of hosting a Swiss-made Pacojet machine to produce on-demand ice creams and sorbets.
Using a three-group La Marzocco GB/5 — with The Promise Ring cranking on the soundsystem — they pull espresso shots from a couple of bean options. When we visited, it was Counter Culture Coffee’s standard Toscano blend and their (very bright) Ethiopian Idido.
The barista staffers here are far better than most places at walking you through your options. (Imagine that: great customer orientation and Counter Culture Coffee combined together!). The resulting Toscano shot is pulled on the short side with a medium, textured brown crema. It’s a proper extraction of two sips with a sharp acidity and a limited balance beyond the mid-palate, giving more flavor emphasis in the resinous/black currant realm. Definitely a refreshing option with something different to offer.
Read the review of Coffee Cultures.
In the space that was formerly Nervous Dog Coffee, Andrea de Francisco brings her culture from São Jorge island in the Azores to San Francisco. She’s the former manager of the Lower Haight‘s Grind Cafe, so she also brings an emphasis on coffee and not just food.
But first, a minor detour on financing. Last month we wrote about some of the funding options coffee businesses take on to expand their operations: venture capital, franchising, business loans, good old-fashioned profit re-investment, etc. However, cafés and device-makers alike have recently turned heavily to crowd-sourcing options, such as Kickstarter. Cafe St. Jorge opened by raising some $30,000 through a Kickstarter campaign.
If this trend hasn’t raised eyebrows by now, it should. Kickstarter has rapidly become a funder of last resort, charity disguised as investment. Kickstarter funders enter agreements with no expectation of getting their money back, which has great appeal for the project. But the strings that come attached with business loans and more traditional funding models have their advantages too; e.g., someone is vetting your business plan for financial sustainability, incentivized investors may have access and can open doors for its growth.
Of course, local SF restaurant openings have long embraced the habit of taking on private investors who generally assume they’ll never see their money again in exchange for some regular discounts and privileges. This isn’t that different from what Kickstarter offers. But we get the sense that the risks and rewards are much less clear in a new model like Kickstarter, and any business scheme of seemingly “free money” smacks of all the things in our human financial history that have ended quite badly. Even if you just might get a RoboCop statue out of it.
Adopting its Azores theme, the place is well-branded with a classic Portuguese blue tile (azulezos) motif. There are benches and narrow café tables, white walls, and dark wood floors to match the tables. Old family photos adorn one wall, along with a shelf of logo cups, Portuguese olive oil, honey, and Stumptown Coffee for retail sale. They sell toast, salad, sandwiches, and some Portuguese pastries (especies, pasteis de nata, bolo de arroz, etc.).
As for the espresso (or bica, being the Lisboeta word), it’s deliberate and well thought-out: meticulous shot pulls from a light blue, three-group La Marzocco FB/80. It’s a short shot with an even medium brown crema and a potent Stumptown finish of bright, acidic herbal notes.
They rotate the blend here (Holler Mountain, etc.) so the result can vary a little. Served in Espresso Parts cups. They even acknowledge the less-than-ideal-but-sometimes-necessary special to-go espresso on their menu.
A little pricey for the neighborhood, but worth the end product. Milk-frothing tends to show decent microfoam in reserved proportions (and served in Tuxton cups).
Read the review of Cafe St. Jorge.
Because many of you are rightfully tired of us harping on the same topics (as are we!), today we introduce a refreshing guest post from Samantha Joyce (by way of Seattle Coffee Gear’s Brenna Ciummo) on espresso: crema, in specific. — TheShot
Crema means cream in Italian, the mother tongue of espresso. It is the light colored foam at the top of your espresso shot like the head of foam on a beer. It is also something of a misnomer, and that adds to the heated arguments surrounding it. Is it a good thing or a bad thing to have in your demitasse? Some say crema is sweet and some say it is bitter. People tend to fall into three heavily fortified battle camps: mixers, scoopers and hoarders. This radical polarizing effect leads to different espresso preparations and feeds the flames of controversy.
Crema forms as water from the boiler of the espresso machine is forced through the ground coffee in the portafilter under pressure. This combines a natural post-roast out-gassing of CO2 with the magical compounds inherent in the coffee. The coffee varietal used and the way it was processed contributes to the crema yield. Crema is visible in a shot glass as a “Guinness effect” of bubbles that rise and form a head on the espresso shot. Some of the arguments presented are purely semantic over the scientific processes involved in this combination of heat, water and coffee. I’ve heard it called colloidal foam, an emulsion and micro-bubbles. Whatever words you care to use to describe the tango dance of gas, carbohydrates, proteins and oils in your espresso shot glass is fine with me. If you happen to be more scientifically inclined then by all means put on your safety goggles and start your Bunsen burner. It is the taste, not the molecular evaluation, which concerns me.
Some think that mixing the crema into the body of the espresso makes a more enjoyable and more homogenized taste sensation. Those who subscribe to this camp generally do not take note of the quality or quantity of the crema produced with the espresso shot. They speed up a naturally occurring phenomenon by manually re-incorporating it. To me, this is akin to putting sushi in a blender. I would like the mouth feel and complexity of the layered elements, but you may not. It is okay. We are all unique snowflakes.
In some cafes they unceremoniously scoop the crema off the top and serve the espresso naked. Great! I would love to try that. I drink Americano coffee and according to 2007 World Barista Champion James Hoffman “scoopin” takes the bitterness out of that beverage. He was a big proponent of crema previously and has now joined the crema abstainers camp. Here I think that it depends on the coffee varietal, the way it was processed and the intended beverage to determine if skimming the crema off the top before it dissipates is worthwhile.
For those who chase after the Holy Grail of sweet crema here is a tip: It is going to be found in the fourth dimension. No TARDIS is required to go there. It helps if you pull your own espresso shots or stand elbow to elbow with your barista. Noted coffee expert David Schomer explains,
“It is important to consider this in enjoying caffe espresso as a culinary art, for the full flavor and silky texture: you must enjoy it immediately. Two quick sips from the hand of the barista, at the bar. The first sip is bracing, all the sass with lighter body, in the final sip are the sugars, which invariably sink to the bottom of the cup.”
The fleeting nature of crema changes from one nanosecond to the next as it devolves into its component parts. Our sense of taste is unique to each of us. Exactly when we tasted the crema will also change our perception of how it tastes.
There are many caveats when it comes to the enjoyment of crema. Let me call out the shortcuts that some use to achieve (gasp!) faux crema. Pressurized portafilters and superautomatic espresso machines may aerate the coffee during extraction. Charlatans! This gives the look of crema without any taste since it is quite literally full of hot air. It’s okay to do this but don’t marvel aloud at the quality and freshness of your nondescript grocery store coffee. It is just lipstick on the pig. Real crema is impacted by the following variables: Quality coffee beans, processing method, roast date, roast color and espresso brew method. It does make for a lovely photo opportunity though, as fake crema seems to last a little longer.
Guaranteed in your own gustatory experience you will find espresso shots with very little crema that taste amazing and you will find thick crema that can be sweet or tangy or both. This is the wonder of espresso. There are so many variables and personal preferences involved that it is a shame to live with absolutes. I feel I can’t take sides on this debate. I need further first-person crema research. I need to visit all of the purveyors with staunchly held crema beliefs in order to taste the “proof” of their theses. Will you join me for an espresso?
Samantha Joyce is a writer for Seattle Coffee Gear and enjoys sharing her knowledge of all things coffee.