Archived Posts from this Category
Archived Posts from this Category
The name is “Ma’velous”. We’re not sure if this is a New Yorker thing — like when Monday Night Football legend, Al Michaels, tries to pronounce the ‘h’ in the word “huge.” But the owner, Phillip Ma, is a self-fashioned coffee geek with apparently enough money for high-end coffeemaking toys but no real prior training in a formal retail coffee environment.
Is this a liability? Definitely in the beginning, but it’s hard to say in the long run, as Blue Bottle‘s James Freeman got his start as a coffee hobbyist. Even the legendary Alice Waters started her influential empire of local, organic California cuisine with no formal culinary schooling nor restaurant management training.
Located in a rough-around-the-edges neighborhood — just one block from SF’s amputee panhandler Mecca along the base of South Van Ness Avenue — this spot is part night club, part wine bar, part coffee lounge. Among the many unusual things about this place is that it is a night-time coffee lounge.
Yours truly may recall fond memories of late-night, up-and-coming jazz acts at the long-since-defunct (and increasingly legendary) Ajax Lounge in San Jose, where I would down a couple of sub-par double espresso shots after midnight and still sleep soundly by 2am. But for most people, the caffeine jolt of the ideal coffee experience is decidedly a morning thing.
Coffee six ways? That’s what they offer between an espresso machine, Hario V60 pour-overs, Chemex, French Press, a Japanese siphon bar, and a Kyoto slow-drip coffee maker. “This will allow aficionados to taste the full complexity of each coffee, its natural sweet, fruity, acidic or buttery finish without cream or sugar. No bitterness here,” claims their Web site.
As for the coffees themselves, they offer everything from Intelligentsia‘s Black Cat, Intelligentsia’s Bay Area acquisition of Ecco Caffè (their Kenya, Ethiopia, Honduras, Guatemala El Tambor, and El Salvador roasts, to name a few), and coffee from Tim Wendelboe. Which makes the opening of this café rather exciting for us: even if they have only three different grinders, this is the first notable espresso bar in San Francisco to offer coffees from multiple roasters since the untimely death of Café Organica in 2006.
Yes, they spared no expense here — down to the Dyson hand dryers for the staff behind the counter. The interior is dark with artistic murals, a few red leather booths, painted black wood walls, a high ceiling, red acrylic chairs, and a short bar seating area at the front entrance. They have a wine list and a cheese list in addition to their “caffeine list,” and the table service even pours water out of a Chemex.
After a few dry runs on private media openings in the past couple of weeks, last night (Thursday) was their informal public opening night. So service was bound to be sketchy, and it most certainly was: six people squirming behind the tiny counter, customers trying to squirm past the narrow pathway by the front of the counter, limp-wristed espresso tamps, slow-moving lines, and a pre-infusion-controlled espresso machine that required a bit of time to calibrate and was only yet dialed-in for a handful of their available coffees.
Local street artist, Eddie Colla, whose mural decorates the wall and the staff T-shirts, was present for the opening event, adding to the mob scene. But even for all the confusion and early kinks, there’s a lot here worth checking out.
For the most part, the Intelligentsia Black Cat is their default espresso (rated in the linked review at bottom). But as with these pressure-controlled espresso machines, don’t think that there’s only one flavor profile per coffee. Our first shot of the Black Cat was set at a 199-degree brewing temperature with four
pounds bar of pre-infusion pressure. The resulting shot was an even, lighter, medium-brown-colored crema with a nose that was slightly tarry.
The flavor was primarily sweet tobacco, with some edges across the flavor profile to remind you that this was a blend and not a single origin shot. Still, it is a far cry from the Black Cat shots we’re used to at Chicago’s Intelligentsia — with it’s textured, darker crema that practically leaves a blackened ring around the cup and a pungency-heavy flavor to match.
But as if to prove a point, Phillip offered me a follow-up shot of Black Cat made at a different profile: a 200.5-degree brewing temperature with six
pounds bar of pre-infusion pressure. This shot was a bit closer to the Black Cat “at origin” we’re used to: a much headier crema, more caramel flavors, and a more traditional, more rounded flavor and a slightly darker crema.
Their machine was also tuned for the Ecco Caffè Guatemala El Tambor single origin shot, which came with a mellow aroma, a lighter crema, and served sweet and bright with just a touch of sourness — very much in the tropical fruit vein. We originally thought they managed to manipulate a shot of Black Cat to taste like a Central American single origin shot until we discovered it actually was a Central American single origin shot. (Whew.) Served in classic brown ACF cups.
It’s hard, and unfair, to judge a place entirely on its opening day to the public. There’s a bit of tuning that’s still needed in the espresso shots, and there’s currently a high emphasis on tuning for brighter shots with coffees that sometimes perform better with greater fidelity at less acidic flavor profiles.
Sure, the place is overly enamored with coffee’s gadgetry du jour. But just the ability to sample some Black Cat — forget even at different extractions, or even the yet-to-be-readied Wendelboe coffee or the five other brewing methods available — makes this worth a return visit if for no other reason. Then add that it’s the rare coffee bar offering beans from multiple sources, the novelty of a coffee nightclub, and a decent opportunity to compare pressure profiling on the same coffees — even if it isn’t necessarily making better shots.
Read the review of Ma’velous.
Lately we’ve been thinking about quality coffee’s current obsession with all-things-technology. While there’s arguably more science than art to making good coffee, the current climate seems to have pushed any art aside. It reminds us of civilization at the turn of the 20th century, when society held a common belief that technology was going to solve all our problems. Right before the mechanized killing of World War I, the Industrial Revolution giving way to the Great Depression, and the invention of the atomic bomb.
So today we witness a lot of obsession over incessant measurement — sometimes merely in the pursuit of more measurement, and even to the level of confusing the act of measurement for actual science. This technological obsession also manifests itself by a holy-grail-like belief in the new espresso machine that will revolutionize coffee. All of which creates a lot of interest in coffee but has rarely created better coffee — or at least better coffee experiences.
As a result, quality coffee feels a bit soulless and sterile these days. This sterility has even gone mainstream in a mass-produced way, at least at the general consumer end, most notably in the form of espresso pods, single-serving coffee devices, and superautomatic espresso machines. Hence this reactionary article in last week’s New York Times: In Defense of Old-Fashioned Espresso – NYTimes.com.
How might we overcome this clinical obsession and save the soul of good coffee? A few months ago, Ben over at Chemically Imbalanced proposed a very thought-provoking (and discussion-provoking) idea of Le Coffeeing — a sort of coffee variant on France’s recent and reactionary Le Fooding culinary movement. Le Fooding may be a weak analog for what coffee needs, but the inspiration behind Le Coffeeing carries a lot of merit.
We’ve recently been thinking about the potentially constructive parallels between the wine and coffee industries (at least where they make sense), and today’s coffee vanguard has a lot more in common with Napa winemakers than they do with the stodgy-but-vaunted restaurant establishment of France. This is why we caught a glimpse of potential quality coffee salvation in yesterday’s Wall Street Journal article on Napa Valley Wine’s Retro Dudes | Jay McInerney on Wine – WSJ.com.
The Retro Dudes of Napa are more than familiar with Napa’s cathedrals to perfectly manipulated premium wines — for example, high-performance Cabernets that smack you in the face like a plumber’s wrench made of fruit and oak. What makes the The Retro Dudes interesting is their “passion for quirky, individualistic, artisanal wines” — pursuing neglected wine varietals, blending their wines in Old World ways, keeping the skins on their grapes for natural fermentation rather than the modern technology of controlled yeast additions, and generally “rejecting some of the technological winemaking of the modern era in search of wine authenticity (and presumably, drinkability)”.
Today coffee lovers are bombarded with hype about the pressure profiling technology of new $18,000 espresso machines, $20,000 Japanese siphon bars, $11,000 superautomatic Clover brewers (i.e., until Starbucks purchase of the company made them uncool), disproportionate fawning over $100-per-pound Cup of Excellence microlot winners that devalues all runners-up, and $400+ gadgets providing digital readouts of your total dissolved solids and extraction yields that risk making statistical gymnastics the ends rather than the means to better coffee. The pursuit of the mythical perfect coffee may be giving us more to learn and experience, but it’s also sapping the soul and even the enjoyment out of the beverage.
Here’s to hoping that a generation of Coffee Retro Dudes can come to the rescue before its too late.
It wasn’t long ago that the word obsession conjured up much more negative connotations in society. Today obsession is practically treated like a virtue — something to aspire to — and it can apply to something as neurotically trivial as the cup of coffee you drink when you are traveling.
Case and point with an article posted today on Boing Boing: My quest for the ultimate travel coffee setup – Boing Boing. And you can overlook Boing Boing’s nerd factor; it’s not like they’re the only ones covering obsessive travel coffee setups. (This also published today: How to Have Good Coffee While Traveling | Serious Eats.)
So when does obsession go from a cute hobby to seek out the “perfect” coffee to a Sisyphean road to Lithium treatment? One unhealthy sign is when you’re carrying a suitcase dedicated to your home coffee.
A big reason why we’ve been quiet around here of late is that we recently spent a few weeks traveling in the remote Portuguese archipelago of the Azores. In particular, we spent the bulk of our time on the sleepy island of São Jorge — where, on an island about twice the size of San Francisco, there are less than 10,000 residents, more than twice as many cows, and Internet access barely exists beyond its tiny airport.
Friends planning to visit us while we were there asked, “Should we bring coffee?” Even in the middle of nowhere, this is still Portugal. And the typical coffee was better than anything you can typically get in the U.S. (Expect a coffee-related article on the Azores in the near future.)
This recent example illustrates what’s lost when people insist on taking their lives with them everywhere. What happened to the joy of discovery in travel? Why go to places like the Azores to ensure that you have your daily supply of Chipotle burritos and Intelligentsia coffee? Why demand the same exact dining experiences you can get back home in your suburban backyard? Call it the “When in Rome, why seek out an Olive Garden?” rule.
Yes, a lot of coffee in the American backwoods, and the rest of the world, is terrible. But with a little research with this thing called the Internet, you can actually learn something new in the process. I may have stumbled on some of the most foul and unrecognizable coffee in the world when I was traveling outside of Prague’s Vyšehrad back in 1995 — it was like large-grit sawdust suspended in boiling water. But the fact is I can still remember that experience. Fondly even (albeit comically). That’s more than I can say for the hundreds of Intelligentsia shots I’ve had over the years.
But set aside any xenophobia diagnoses for a moment. Obsession over coffee travel setups also raises the question of whether these people actually like coffee to begin with. For example, we could argue that the author of the Boing Boing article doesn’t really like coffee. Because when the only coffee you can tolerate is a very specific kind made a very specific way, reduced to an obsessed miniature slice of the wide spectrum of experiences that coffee has to offer, it’s only that tiny bit that you actually enjoy. And that’s not coffee — that’s some other craving you’re feeding.
Because public coffee knowledge is in such a state of transition these days, reading mass media articles about coffee can be a little like being in a parent support group. Sometimes you’re new to a subject area, and you might find commiseration among other people going through the same new learning experiences. At other times you might already be familiar with a topic, and it’s a bit like having a two-year-old and hearing your friends gush over the experience of being the first-time parent of a newborn. (Throw in a little patronizing bit of, “Oh, how cute…”)
Now whether you’re the parent of a newborn or of a teenager with a driver’s license, we’ve often liked the no-nonsense, fad-skeptical coffee articles published by the Seattle Weekly. Today’s piece explores the importance of coffee grinders: The 2010 Grinder Smackdown: Coffee Gets Combative – Seattle Restaurants and Dining – Voracious.
Comparing a La Marzocco Swift grinder and a Mahlkönig K30 Vario, the author discovers how much the choice of grinder can influence the quality and properties of the resulting espresso shot. We’ve always emphasized how a solid grinder is often more important than the quality of your espresso machine.
The author also reflects upon the wisdom of, “The more you know, the more you realize you don’t know.”
Today Tim Wendelboe — World-Barista-Champion-turned-microroaster (and major influencer of the recently reviewed Espresso Lab Microroasters) — posted a rather thorough first-thoughts review of the new La Marzocco Strada on his official blog: Tim Wendelboe » Blog Archive » La Marzocco Strada – first thoughts. Of particular interest are some of his insights about the machine’s sensitivities and peculiarities regarding pressure profiling — the holy-grail-du-jour of cutting-edge espresso machine pushers and the people who fawn over them. To briefly quote him in the post:
“I think one needs to have a clear vision of what the espresso should taste like before one starts playing with profiles.”
Recent coffee industry drooling over pressure profiling is just one of the latest examples illustrating how much the industry currently values experimentation over standards and convention. Which isn’t necessarily a bad thing, but it comes with tradeoffs. And conventional wisdom of the quality coffee industry did not always lean this way.
For example, I use a manual lever espresso machine at home — and have for many years. And for many years, even going back to the 1990s, many respected experts at the time told you that your best espresso — whether made at home or in a professional coffeehouse — should be made with a semi-automatic machine that controlled the pressure of the pulled shots. Use a pump; set it and forget it. The conventional wisdom back then?: allowing the machine to fix the pressure made for one less variable where the barista could screw things up.
This wasn’t necessarily bad logic, considering that espresso is a notoriously fickle product of many steps where something can go terribly wrong at every turn. After all, it’s for this reason we made espresso our yardstick for judging retailers who make coffee.
But more control always seems like a good thing until you might step back and question the results. The California Initiative System may have seemed like an awesome idea until you look back and see how it’s made our state ungovernable. This philosophical flip-flop towards pressure control illustrates how much we’ve swung the pendulum in the opposite direction. Without question, at some point in the future, we will come full circle again.
Quick!: name a city that’s surrounded by the exquisite natural beauty of mountains and seas, with brightly painted houses that decorate quaint neighborhoods, with great food everywhere you turn, with a nearby wine country consisting of hundreds of vineyards and many nationally renowned restaurants, with hipsters who frequent farmers’ markets in transitional neighborhoods, with a diverse racial mix from black to white to Indian to Southeast Asian, with the nation’s most vibrant gay population, with a touristy waterfront featuring seals on piers and a ferry that takes you to a famous prison island, and with a whole lot of really good coffee.
Why, it could only be Cape Town, South Africa.
Alright, that was a trick question: San Francisco’s Pier 39 has sea lions, not seals per se. But the point being that for anyone from our fair city, many aspects of Cape Town will seem very familiar. But there are also significant differences.
If you’re talking liberal laws, it’s probably not a major surprise that gay marriage is legal in South Africa. What may be more of a surprise is that, for the 2010 FIFA World Cup, the South African constitution had to be temporarily suspended around the soccer stadiums for FIFA security purposes. (We can’t say enough good things for how festive the South Africans were as hosts to the World Cup, btw.) Years of abuses under Apartheid made many personal searches — ones we’re quite accustomed to in the U.S. — illegal. The 14-year-old South African constitution is one of the most liberal in the world.
On the other hand, there’s the old local joke that rock and roll never dies, it just tours South Africa. (“Hey, was that really Bryan Adams I just saw in town the other day?”) And given the nation’s history of economic disparity and its 25% unemployment rate, there are the major issues of poverty and security.
Some expected us to witness crushing poverty and aggressive homelessness in Cape Town, but it’s hard to say that it is any worse than SF. In the month we spent around Cape Town’s central business district (CBD) — a.k.a. the City Bowl — we were approached by all of one person for money. Yet security is a big concern among the locals and it’s an even bigger industry.
Even with all the truly great options in town to satisfy any SF food snob, food is handled a bit differently here. Some of the best sushi in town can be found in Italian restaurants — sushi being a decidedly California thing in Cape Town, and less of a Japanese thing. Which also explains why the grocery stores sell flour tortillas under the name “California wraps”. (To make matters worse, in turn, one of the more famous Italian restaurants in town has a German name.) This theme of playing a bit fast and loose with labels and names will again come up with coffee later in this post.
Speaking of coffee, like Italy or Australia or New Zealand, the baseline quality standards in South Africa are clearly better than in the U.S. You can walk into just about any random store and trust that you’ll get a rather acceptable espresso, whereas this practice is still ill-advised even in San Francisco. But, as in places such as Italy, examples of very good espresso are a rarer find — even in the biggest cosmopolitan cities. But with a little research and a few contacts, we were able to identify some of the best places in Cape Town.
A few things come to mind specifically about the espresso here. WEGA machines are ubiquitous. The coffees tend to emphasize more rich-bodied flavor than the wilder, bright coffees you may come to expect from Africa, but there are exceptions. And the cappuccino here almost always comes with a very Portuguese dusting of cocoa powder; you quite literally ask to have for one without it.
And somewhat contrary to an earlier post of ours, you can find the cappuccino quite often on café menus — even perhaps moreso than flat whites, and especially at the cafés that are a little less obsessed about their coffee. However, most places do treat the cappuccino and flat white interchangeably. Which leads us to our next topic of discussion…
After spending a month in South Africa, it made sense that this is the nation that gave us “red espresso” — or Roobios tea. Even if you like the tea, as we do, the term “red espresso” comes off as unnecessarily deceptive and has never sat well with us. Just because you can stick something into an espresso machine does not make it espresso. Which reminds us a little of eggspresso — or should that be “yellow espresso”? And yet “Red Cappuccino” is also a registered trademark.
Now if you thought coffee’s wine analogy was a bit over the top, over the past several years South Africa has developed something of a niche market for coffee-flavored wine. They’ve been growing wine grapes around Cape Town since 1655, but it wasn’t until 1925 that a Stellenbosch professor crossed the fragile pinot noir grape with the heartier cinsault (known locally as hermitage) to create a local cultivar called pinotage.
In 2001, noted pinotage maker Diemersfontein Wines came out with the original “coffee chocolate pinotage”, and they’ve popularly released one every year since. Meanwhile, imitators came to the fore in the form of Cappupinoccinotage from Boland Cellars, Café Culture from KWV, the Vrede en Lust Mocholate (a malbec), etc. The original Diemersfontein coffee pinotage wine maker, Bertus Fourie — literally nicknamed “Starbucks” for that reason — has moved on to Café Culture and now Barista Wine (we are not making this up), where he holds the title of “Head Barista” and their Web site offers a Nespresso Le Cube D180 sweepstakes.
Coffee pinotage is sometimes called the red wine for coffee addicts, and it certainly doesn’t come without some controversy from the purists, but it’s really more the red wine for coffee drinkers who don’t like red wine. That said, there’s room for everybody’s tastes. We’ve long stated that Starbucks’ stroke of genius was in convincing millions of customers who don’t like the taste of coffee that they actually do. While coffee pinotage doesn’t use any actual coffee for flavoring, the taste aims for the consumer are the same.
Now despite all the wine-growing activity around Cape Town and a number of its very good wines, many South African wines are still (IMO) global underachievers and/or acquired tastes. Having tried a 2007 Diemersfontein coffee pinotage and a 2009 Barista pinotage, we were reminded of all the beer + coffee combinations that have failed over the years … the “coffee stouts” where the results were second-rate as a beer and second-rate as coffee, rather than something better than the sum of its parts.
Of course, we live in a diverse, global culture that sometimes wants their wine (or beer) to taste like coffee, their coffee to taste like chocolate and hazelnuts, and their chocolate to taste like bacon. So why not skip the middleman and market bacon wine? Sure, it might be a curious novelty to hear Céline Dion perform an album of songs by fellow Canadians Death from Above 1979, but it’s no stretch to presume that it will optimally satisfy neither fans of Céline nor Death from Above 1979.
As Oscar Wilde famously once said, “Be yourself; everyone else is already taken.” This South African dimension to the coffee-wine analogy largely fails coming from a different angle.
A little more towards the authentic in the African continent, in the category of “now why don’t we do that in America?”, we did enjoy the occasional Ethiopian coffee ceremony — even if it originates on the continent’s opposite side of the equator. At a restaurant such as Cape Town’s Addis in Cape, we enjoyed an odd mix of Frankincense, popcorn (?!), and coffee served from a Jabena pot.
While the coffee undergoes some of the oldest and crudest handling and brewing known to man, the resulting cup is quite flavorful. Perhaps more importantly, the ceremony uniquely resonates with coffee culture, capturing much of the wonder that’s truly native to coffee without the creatively lazy marketing contortionists who squeeze coffee’s square peg into wine tasting’s round hole through the mutant coffee cupping fad in America. But alas, Californication applies to coffee cupping here just as it does to sushi and flour tortillas in South Africa.
At the coffee chain level, Vida e Caffè serves as an example of how Starbucks and even Peet’s fall short. Even Woolworths W Café serves both espresso and cappuccino in a paper cup that run circles around Starbucks.
While at the “artisan” end, there are places like TRUTH. that seem to go through the Third Wave motions, but with much success. And then there are places like Origin Coffee Roasting, who not only broke quality coffee ground in Africa in 2006, but they established a roasting and training operation that most American coffee entrepreneurs have only talked about. And then there’s Espresso Lab Microroasters, who show some of the most cohesive and comprehensive vision for what a quality coffee operation could be — while making espresso as good as anything in SF.
The wine may have room for improvement compared to what San Franciscans are used to, but everything else about Cape Town makes it a fantastic and compelling place to be — including the coffee.
|Name||Address||Neighborhood||Espresso [info]||Cafe [info]||Overall [info]|
|95 Keerom||95 Keerom St.||Gardens||6.40||7.00||6.700|
|Blue Cat Cafe||Shop 10a, Gardens Shopping Centre, Mill St.||Gardens||6.60||5.00||5.800|
|Bread Milk & Honey||10 Spin St.||Gardens||7.30||7.50||7.400|
|Café Chic||7 Breda St.||Gardens||3.40||4.50||3.950|
|Cookshop||117 Hatfield St.||Gardens||7.10||7.80||7.450|
|Crème Café & Espresso Bar||Shop 11, Gardens Shopping Centre, Mill St.||Gardens||4.60||5.00||4.800|
|Deluxe Coffeeworks||25 Church St.||City Bowl||7.40||7.80||7.600|
|Depasco Café Bakery||Shop 5, Buitenkloof Studios, 8 Kloof St.||Gardens||6.80||7.00||6.900|
|Espressamente||Shop number F&B1, Cape Town International Airport||Cape Town Intl Airport||6.90||7.20||7.050|
|Espresso Lab Microroasters||373-375 Albert Rd.||Woodstock||8.60||8.80||8.700|
|Fego Caffé||Shop No. 6160, Lower Level, Victoria Wharf||V&A Waterfront||5.80||6.00||5.900|
|Jardine Bakery||185 Bree St.||City Bowl||6.70||6.80||6.750|
|Jardine Restaurant||185 Bree St.||City Bowl||6.90||7.00||6.950|
|Melissa’s The Food Shop||Shop 6195, Lower Level, Victoria Wharf||V&A Waterfront||5.20||5.50||5.350|
|Mugged Style Cafe (aka “Mugged on Roeland”)||Shop 1, Perspectives Building, 37 Roeland St.||East City||6.70||7.00||6.850|
|Origin Coffee Roasting||28 Hudson St.||De Waterkant||8.20||8.00||8.100|
|Osumo||49 Kloof St.||Gardens||6.80||7.00||6.900|
|Saeco Caffè||15 Orange St.||Gardens||6.70||7.50||7.100|
|Sevruga Restaurant||Shop 4, Quay 5, Victoria Wharf, V&A Waterfront||V&A Waterfront||6.80||7.00||7.200|
|Tribeca Bakery||106 Main Rd.||Kalk Bay||7.40||8.00||7.700|
|TRUTH.coffeecult Depot||Dock Rd., V&A Waterfront||V&A Waterfront||7.60||5.50||6.550|
|TRUTH.coffeecult Roasterspace||1 Somerset Rd.||Green Point||7.40||7.20||7.300|
|Vida e Caffè||Wembley Square||Gardens||7.00||7.50||7.250|
|Vida e Caffè||Shop 6100, V&A Waterfront||V&A Waterfront||7.00||6.80||6.900|
|Vida e Caffè||Shop 1, Mooikloof, 34 Kloof St.||Gardens||7.00||6.80||6.900|
|W Café||72 Longmarket St.||City Bowl||8.00||6.20||7.100|
This unusual, two-story café resides at the base of the ultra modern, five-star 15 on Orange Hotel. On the upper floor, it has a serving area with a two-group Saeco Steel SE 200 at a bar, a number of black tables and chairs, a branded lit display, a couple of Saeco home machines on display, a fashionable clothing and jewelry shop, and a few baked goods under glass. Outside there’s a patio with three plastic chairs and café tables under parasols advertising Saeco. Downstairs there’s more black tables and chairs and an array of several home Saeco machines for demonstration.
Together the place is wrapped heavily in Saeco red & black branding, giving it a Segafredo Zanetti-like feel. But this café, currently unique in the world, is Saeco’s showcase for their machines and coffee — a sort of counter to the Nespresso showrooms planted all over the world.
Despite the hip, modern feel of the place, the friendly barista leaves the portafilter handles cooling in the drip tray. But when the machine is in service (there are few customers ever in here), they pull shots of Saeco coffee (also sold here in kilo-sized bags) into plastic, transparent, double-walled Bodum cups. You can see a good 2mm layer of even, medium brown crema.
But despite the rich aroma and good looks, the flavor is a bit of a disappointment: flat, a little tarry, but otherwise pungent cloves. Served on a silver platter with a large glass of water. R12, or about $1.55.
Read the review of Saeco Caffè in Cape Town, South Africa.
Whereas we’ve written an SF-oriented post on the common cues for recognizing a good or bad espresso, today’s WAtoday (Western Australia) features an article on how to spot a dodgy coffee: Perth’s Best and Worst Coffee.
We’ll simply quote it here:
Mooba Subiaco manager Hannah Cameron told WAtoday.com.au the top five ways customers can see that the coffee you are about to buy is not going to be top quality:
1) Beans are not ground on demand. Good baristas only grind the beans when they are needed. Ground coffee goes off in no time at all, if ground coffee is sitting in the coffee beans dispenser walk away now.
2) The shot is poured out of the machine too fast. A quick coffee is not a good coffee. Don’t be impatient. If your shot gets poured into the cup from the machine in under 10 seconds it won’t be good. The best take 20-40 seconds to filter through the coffee.
3) Don’t buy it if the barista does not use a clean milk jug, if they re-heat milk, add cold milk onto already heated milk and heat again or have a massive milk jug to heat heaps at a time.
4) If the bench is not clean, there are coffee grounds everywhere, the milk wand is caked in milk or anything looks unclean get out now.
5) If their machine looks like you could buy it for $100 don’t bother. Most top-quality Perth baristas use Synessos, the best machines in the world. If your barista used one of these you have a good chance that the final product will be tasty.
We pretty much agree with all of these points. However, we’d like to add a qualifier to the last one. Using a machine that looks worth about $100 is less of the cause and more of the symptom.
In the right barista hands, we’ve had very good espresso shots pulled from older refurbs or even cheaper machines. The real cue is a place that cares so little about their espresso quality that they cut as many corners as possible. This explains SF’s problem with La Spaziale machines: it’s not the machine that’s the problem, it’s the people who are buying them.
Yesterday’s Sydney Morning Herald published a curious fad-contrarian article under the subhed of “Espresso lovers are fighting the siphon and filter revolution”: Shots fired in retaliation.
Now the idea of a “siphon and filter revolution” is still a bit silly to us, given that siphon brewing has been around since the 1830s and filter coffee for even longer. For example, we’ve lost count how many times we’ve seen people “ooh” and “ahh” geek-out over recent Chemex brewer coffee references as if they we witnessing something revolutionary. This despite the fact that I have several uncles-by-marriage who have been using Chemex brewers for longer than most of today’s baristas have been alive.
However, filter coffee has undergone something of a public interest revolution. This has been another dimension to our theory about exploratory coffee fads, such as an obsession with single-origin coffees and medium roasts. What’s old becomes new again as coffee lovers experience the natural progression when seeking out the next “new” thing: something to learn from and to be stimulated by, even if it’s your immigrant uncle’s coffee.
So we have things like London’s Penny University, who are focusing on the new faddish thing (for UK standards) by offering only filter coffee and not espresso. This makes as much sense to us as the concept behind Scott Rao’s Everything But Espresso book. Instead of defining what you are, you define yourself by what you are not.
Now don’t get us wrong. We love filter coffee in its various trend-friendly forms. But if the Third Wave was supposed to be about enjoying coffee for its own sake, why are we setting up so many rules about what not to offer and what not to do? The traps of single-origins-only, medium-roasts-only, or filter-coffee-only are just as badly restrictive and closed-minded as having only blends, dark roasts, and espresso at our disposal.
Back to yesterday’s article, unfortunately it doesn’t express that “backlash” very well — instead favoring its own, counter-fads such as the Strada, the Slayer, etc. More to the point, we need more people speaking out saying, “But I like my espresso. Why is it suddenly passé?”
Two curious, seemingly unrelated posts appeared simultaneously in the news yesterday. One on La Marzocco‘s new Strada machine and all its variable-pressure-control glory: Ristretto | Strada – T Magazine Blog – NYTimes.com. The other, Esquire installment #3 from Todd Carmichael, about the ridiculous MSRP/retail prices for professional espresso machines and what most people in the industry actually pay for them: Espresso Machine Advice – Do I Need an Espresso Machine? – Esquire. What both articles speak to is the gadgetization of coffee. In fact, the Times‘ series, “Ristretto,” is dedicated to the gadgetization of coffee.
Sure, CoffeeGeek.com has been around for ages, and there’s plenty of shop talk in there about this or that device. The difference now is that the New York Times is writing about pressure profiling in professional espresso machines, and Esquire is talking about the logistics and financials of installing a Synesso for home use.
What happened? Why does a layman consumer reading the Times or Esquire need to know about the pre-infusion of a Slayer machine? Particularly given that these details seem to be of far greater interest to bored baristas and their armchair brethren than to consumers who cannot discern any noticeable improvement in the resulting retail cup.
Gadgetization — a fetish for devices and technology within a hobby — has infiltrated everything from golf to home cooking. But its more than consumer markets being created for suspect products such as electric garlic peelers. (Think the unwashed product-hawker SCAA conference floorshow bearing down directly on consumers.) It’s the blogosphere committed to paradoxes like “high-tech [sic] Chemex brewers” — things my in-laws have been using since before 99% of America’s baristas had even been born.
Earlier this year, when some writers bandied about the hyperbole that “fourth wave coffee has arrived” with the release of the Slayer machine, we wrote about the true origins of the term “Third Wave coffee.” In hindsight, our ridicule of this “fourth wave coffee” claim may have been premature. Because if coffee’s Third Wave is about appreciating coffee for its own sake, perhaps any Fourth Wave is about appreciating the devices and technology behind making coffee for their own sake. That is: no coffee required.
In other words, coffee’s waves seem to have evolved enough to render any actual coffee irrelevant to its enjoyment.