Archived Posts from this Category
Archived Posts from this Category
Opening in July 2011, this new coffeehouse expands Glen Park‘s neighborhood coffee offerings. It’s located a little off the beaten path, nearest a freeway exit from the Glen Park BART station. Outside they have a couple of sidewalk tables. Inside is a modern, semi-sterile interior of orange and gray walls and exposed chrome and stainless steel.
They proudly display the bios and details of their suppliers on the walls, from Mr. Espresso coffee to the two-group, chrome Faema E61 machine to the Grass Valley artist who made the Cup sculpture that overhangs the shop’s entrance outside. They also sell Mr. Espresso coffee beans with the Cup label stuck on the package.
Using their coffee and shiny E61 (and Mazzer and Macap grinders), they pull a very short shot with a potent, darker brown crema. It’s surprisingly not syrupy, given the pour size. It’s actually a little ballzy to make an espresso this short in this neighborhood, so kudos to them. It has a potent herbal flavor of cloves, etc., that’s missing a little top-end brightness in the cup. Their milk-frothing is decorative but unusual and on the thick side.
Maybe it isn’t as unique as having a Cafe Bello — which has long established its own unique flavor profile and style by locally roasting their own for a number of years. (Helping to fend off that espresso sameness issue.) And maybe the location isn’t perfect and the interior is a little sterile. But they still make a good espresso.
Read the review of Cup.
The story of coffee at Specialty’s Café & Bakery reflects the story of San Francisco’s consumer tastes for retail coffee.
A decade ago, Specialty’s ran a small chain of bakery/cafés with coffee service areas. Some locations, like this one on Pine St., even dedicated a coffee bar area for customers during their morning caffeine rush. Using older Faema machines and Prebica beans (one of “The Big Four” as part of Sara Lee), they pulled espresso as double-shot defaults that, while not terrible, weren’t good either.
Then something weird and unexpected happened. In the Fall of 2003 — years before Blue Bottle even existed in San Francisco, other than as the coffee force behind Frog Hollow Farm at the just-then-opened Ferry Building Marketplace — Specialty’s replaced their Prebica supplies with Intelligentsia coffee. As longtime fans of the then-Chicago-only roaster, we were rather ecstatic. We saw the introduction of Intelligentsia as the first real escalation of what we then coined “the SF coffee wars“. This despite the fact that virtually no one in San Francisco knew anything about Intelligentsia at the time.
Specialty’s got their bean sourcing right. These were, after all, the same guys who were providing beans to Canadian national barista champions at Caffè Artigiano in Vancouver at the time. But they shot themselves in the foot, quality-wise, by replacing all their semi-automatic Faema machines for push-button, super-automatic Franke machines. While this gave Specialty’s greater consistency and allowed unskilled employees to operate their espresso machines, it completely dumbed down their coffee service and squandered any quality advantages they had using Intelligentsia coffee in the first place. We experienced one anomaly where they produced “Top 20″-level espresso, but revisits proved that to be a fluke.
As San Francisco coffee snobbery has been on the rise, most recently Specialty’s opted to up their game another level. At this sort of “mothership” of the local Specialty’s chains, they’ve gone all-out with a full-service, manually crafted coffee bar. How often do you see places weaned off super-automatic machines and back on to “big pants” espresso machines? Not often enough, as today this location sports not only a shiny red, dual-group La Marzocco FB/70 machine and a Hario V-60 pour-over bar (plus various Intelligentsia Coffee offerings for retail sale), but they also brandish glowing Intelligentsia signage where even the Specialty’s brand name takes a back seat. It’s as if Specialty’s became more serious about coffee the more their customers became more serious about coffee.
Unlike when this location first opened with a dark interior and nice floors that looked of cherry wood, they have since brightened up the space with lighting and a more modern layout. Still, there are long lines at lunch, and paying for a coffee sometimes may require you to wind through the whole line (instead of short-cutting to a dedicated coffee service line). Inside, there’s counter window seating — with one side overlooking the sidewalk and the other overlooking courtyard seating on its Century St. side (formerly home to a Starbucks hutch and then Abigails).
Their switch from their Faema machines to Frankes made them dull (all that factory-produced sameness and uniformity) but more consistent: a mellow espresso with a moderately rich, medium brown crema, plus an herbal/spice flavor. The new, semi-automatic FB/70 has raised their game, but the consistency isn’t there yet. They’re still not maximizing the result, given all the pedigree going into the cup. It lacks some flavor potency and breadth: largely centering around an earthy pungency, despite the fresh-looking, medium brown mottled crema and white ACF Intelligentsia-branded cups (formerly paper only).
They have come so far, and yet still have much to go. Given the trendlines and directions for one of the more forward-thinking small chains in the area, you have to place bets on the coffee getting better more than it is likely to decline. Even so, with the occasional rumor of Intelligentsia opening an owned-and-operated location in S.F., what are the odds that Intelligentsia would do to Specialty’s what Blue Bottle Coffee did to Frog Hollow Farm several years ago?
With a name that sounds a lot naughtier for the neighborhood standard, Hooker’s Sweet Treats has probably disappointed more than a few thrill-seeking passersby in the Upper Tenderloin/Lower Nob Hill area. (What some realtor wannabes call the “Tendernob”.) But for those who venture here for coffee and confections, it’s something of a destination.
Opening almost exactly a year ago, this dark, small 700-square-foot chocolate/salt caramel confectioner is run by David “Hooker” Williams. It also sports an impressive coffee setup, showcasing some of the beans from friends and local, recent roasters Sightglass Coffee Roasters.
The small space is decorated with vintage wallpaper on the walls, old wooden benches, vintage Cracker Jack boxes on display, and something of an old mariner theme with pelicans carved in wood. They have a single bench for seating on the sidewalk out front. Inside, there is a long table with a shared bench and some chairs — in addition to window counter seating among three stools.
Using a two-group La Marzocco Linea, the owner pulls shots of Sightglass’ Owl’s Howl espresso blend. The resulting shot is somewhat bright without being ridiculously so (as often happens in SF). It comes with a richly colored, mottled medium and dark brown crema that only comes from fresh-roasted coffee supplies. They pull doubles as a default into black ACF cups, and while the pour is of a modest size it lacks real body or heft. The flavor suggests some cedar and a touch of honey over some basic pleasant spiciness. Not particularly rounded, but not too narrow.
It isn’t even close to one of the best espresso shots you ever had, but it will do — particularly in a neighborhood not known for good coffee options. That and we celebrate the addition of another quality local roaster to the mix of options at Bay Area cafés — particularly while the risks of roaster hegemony reign high
Read the review of Hooker’s Sweet Treats.
икониSince we’ve long tired of reading about Stumpgate, it’s time to change the coffee conversation. So instead of the global growth and ubiquity of Stumptown Coffee Roasters, we turn our attention to something closer to home: the growth and ubiquity of Blue Bottle coffee.
This relatively new neighborhood café caters to local UCSF medical students with a modernized coffee pedigree. There are a few sidewalk tables along Judah St. out front that are rarely used. Inside the space is a bit schizophrenic, starting with the bright, clean room with several tables upon entry with its wide windows facing Judah St. It’s typically filled with laptop zombies where conversation is almost discouraged.
Beyond that is the small serving area for waffles, lunch bites, and coffee — including a two-group La Marzocco Linea machine and a set of four Blue-Bottle-branded Bonmac drippers. In the back and somewhat below is a darker, more social, lounge-like space. It typically has fewer customers in daytime hours. They also have a wall of wine selections.
They pull espresso shots with an even medium brown crema of decent thickness. It’s served as a slightly high pour, even for a doppio, but the body is still good. It has a fresh Blue Bottle flavor that’s a cross of smokiness and stone-fruit, and it’s not overly bright. Served in classic brown Nuova Point cups.
A solid espresso, definitely. But one we feel we’ve tasted many times before in a consistently growing number of places in San Francisco — a city that yearns to celebrate its diversity.
Read the review of Dash Cafe.
Some Mission residents are enthralled that they finally host a decent coffee shop that doesn’t require disinfectant. Opening just this month, this corner café has bright, large windows and decorative touches: wooden counter seating in front, a converted salon room in back with a marble fireplace, a decorative sofa, and ornamental flowers. Also towards the back is a handful of square tables and the occasional laptop squatter. There’s also a few wooden chairs on the sidewalk out front.
Using a red, two-group Rancillio at the front counter, they pull shots of espresso with an even, textured crema of modest thickness. Pulling (imported and thus notoriously stale) Lavazza coffee, there is some notable freshness missing in the cup: the crema runs short and the flavor profile runs more narrow.
That said, the owner/barista is methodical and improves what would otherwise be a weaker cup. It has an herbal pungency that differs from a typical Lavazza shot in this city, but it’s not necessarily that much better. It has less of the distinctive Lavazza flavor and a bit more smoke and toast. Served in Lavazza-logo IPA cups. That a popular SF neighborhood, just a half-mile from the original Ritual Coffee Roasters, could be excited about a coffee shop like this proves that good coffee is far from ubiquitous, even in a town like San Francisco.
Read the review of Fiore Caffè.
Earlier this week, KRUPS, that bastion of great coffee, announced the winners of their National “Cup O’ Joe Awards”: Revealed: Nation’s best coffee shops – This Just In – Budget Travel. Now if only this announcement had anything legitimately to do with good coffee. Heck, if only KRUPS had anything legitimately to do with good coffee.
Of course, what we really have is one of the oldest tricks in the PR playbook: fabricate some kind of award (the broader the better — for potential distribution), issue your press release, and pray that it gets picked up in your target markets. The technique works, because we’re picking up the story here. Just probably not in the way KRUPS’ marketing department intended.
Over the past 20 years, KRUPS has probably done more to disappoint more home espresso consumers than any other company, and a multitude of American landfills contain much of the evidence. To counter this reputation, KRUPS has resorted to associating itself with “upmarket” coffee — such as years of sponsoring barista championships. Here KRUPS created a new Cup O’ Joe Awards out of thin air to honor the nation’s best coffee places — and to remind consumers to keep filling their landfills with KRUPS coffee equipment (and not just KRUPS waffle makers and deep fryers).
One signature of the fabricated press release award is when the award winners have never heard of it. Another is carpet bombing high density population centers (i.e., home espresso machine consumers) to maximum effect. Thus KRUPS ignores Portland, OR, quality coffee’s Biggie Smalls, while New York City, quality coffee’s Jay-Z, gets awards for each of five boroughs.
And when it comes to the criteria for why one place inches out another in a given market for this coveted award, we learn the criteria involves “mailers, street teams and social media pages.” It’s Battle of the Bands all over again.
From their press release: “Krups USA polled 250 coffee-toting New Yorkers on the streets of each borough to discover their picks for the city’s best sips.” Can you imagine a SCAA barista champion crowned without the use of scoresheets — but instead by some quasi-magical popularity contest involving random street interviews, mailings, and Facebook Likes?
The San Francisco award went to Blue Bottle Coffee, which is hardly unwarranted. But KRUPS awarding the nation’s best coffee shops is a bit like Chef Boyardee awarding America’s best Italian restaurants.
Growing up as a teenager, I always hated those “Battle of the Bands” contests. Because — despite my odd musical tastes, from the Dream Syndicate to Mötorhead, at a time when most teens wanted the inoffensive sounds of Huey Lewis & the News — I quickly learned that these contests were never about talent. They always ended up awarding whomever could best rally their peeps in what was really a rather cliquish popularity contest.
As I got older, I noticed that the same popularity contest problem was at work behind every “America’s favorite” marketing campaign. Seriously — like how could McDonald’s honestly be the best meal money can buy in this country? Quality and volume rarely go hand-in-hand.
Which brings us to this bit of an SF popularity contest for coffeehouses: SF’s best coffeehouse winner(s)! : On The Block: SFGate. TheFrontSteps.com, essentially a real estate sales blog, received some critical mass attention for their contest. For a more complete list of the top 65, minus a couple dozen places with single votes: Winner: The Best Coffee (House) In San Francisco, And The Rest | theFrontSteps.
Just as entertaining, perhaps, is seeing how many commenters on either post fit into our “The 10 Types of Commenters on Coffee Articles.”
The contest winner? Philz Coffee — a local chain of pour-over bars long fronted by Phil Jaber, whose shtick of fashioning himself as the Willie Wonka of coffee has long earned him something of a cult following. But despite making some of the most notoriously wretched and vile espresso in the city, we’ve always thought they made a good cup of coffee.
Is Philz the best coffeehouse in the city? The answer sort of depends on whether you think Scientology is the best religion. But at 27.87% of the votes, with the distant #2 at 8.04%, Philz clearly mopped up the place.
Even so, part of us secretly roots for Philz — despite a cult-like atmosphere that creeps us out and keeps us from setting foot in them anymore. They’ve been a kind of MySpace to the Facebook of the self-annointed Third Wave coffee set — i.e., an out-of-favor rebel that serves as a foil to the many copy-cats who fashion themselves as the true coffee rebels and revolutionaries.
Philz has been doing the hand-made, individual pour-over coffee thing for years before many of the independent coffeeshops even acknowledged the existence of filter drip coffee. And to this date, Philz oddly sticks to their black magic blends — a stark contrast from the many aspiring coffeeshops that (mistakenly) believe coffee quality is directly proportional to the number of ethics descriptors and isolated geographic designations associated with their green beans.
“The more you can isolate a genetic strain to a handful of coffee plants, the better the cup.” Or so goes the prevailing logic at many of Philz’ competitors — and it’s a complete crock that even the ever-popular wine analogy doesn’t live up to.
Heading further down the list we encounter Bernie’s at #2. We like Bernie’s, even if we only rate their espresso as tied for 89th out of 683 rated SF coffeehouses. But going back to the Battle of the Bands analogy to start this post, anyone who knows anything about Bernie’s knows their #2 ranking has more to do about Bernie herself and the neighborhood than it does about their coffee.
We’re perhaps more perplexed by the extinguished campfires often served as espresso by Martha & Bros, listed at #6…
Taking up the space that was formerly Daniel Creamery and its cheese production, the Summit has tall ceilings in a wide open space converted for café and art space use. The main seating area is littered with rectangular tables and chairs with plenty of wall outlets and laptop zombies — making you feel like you just entered a community college computer lab.
Around the edges are walls of artwork (aka the Peek Gallery) that currently feature various hand-painted signs from New Bohemia mocking the abuse of “real”, “genuine”, and “authentic” labels — and making us think of SF’s Eat Real Festival. Artwork celebrating the abuse of labels here seems more than a bit ironic, given that The Summit bathes itself in the labels “local”, “seasonal”, and “craft.”
Ahhh, craft. Previously the domain of garbage men restyled as “sanitation engineers,” wordsmithing is a growth market in today’s coffee industry. We have kiosks now being called coffee pop ups. And this year the term “artisan coffee” has been abandoned in favor of “craft coffee.” Which is not to be confused with Kraft coffee, otherwise known as Maxwell House. Are you sure you’re following all this yet?
The Summit offers a basic (seasonal) café menu and desserts in addition to a coffee menu that features Blue Bottle, using their 17-ft Ceiling blend for espresso. The Summit also features barista Seán Wilson, who trained under Eton Tsuno at the defunct (and much missed) Café Organica — arguably SF’s first real multi-roaster café back in 2005. There’s also a front counter with stool seating and a four-group La Marzocco behind it.
The barista takes his sweet time but produces a worthy shot. It could have a more substantial body, but it has a frothy, darker brown, even crema of some thickness. It manages also to avoid being too acidic until the bottom of the cup, otherwise exhibiting a balanced, herbal-leaning flavor with some sweetness throughout. Served in colorful retro cups made in Turkey for Ikea.
They’re not performing miracles with Blue Bottle coffee here. However, they are aiming for, and succeeding at, a flavor profile that raises The Summit above most other BB resellers.
Read the review of the Summit SF.
Three years ago we identified something we called the low budget, ghetto chic conceptual art cafe — the said concept being consumers having to pay for full-priced espresso with the hipster privileges of having zero amenities. Last year some ad wizard decided these borderline coffee favelas should be called “coffee pop ups” (also formerly known as “kiosks”). Which is a little like calling a cardboard refrigerator box in a Tenderloin doorway a “housing pop up.”
Which brings us to Grand Prix — the latest in a local, faux independent chain of makeshift, Lambretta-themed kiosks that includes Vega at Langton, Special Xtra, and the original Cento. Giving the Azul Lounge a day job before it becomes a bar at night, Grand Prix has earned the title of coffee pop up in the local press.
Tucked away in a corner off of Grant Ave., you walk to the end of the short alley and up the few steps into the bar to find a stand-up coffee bar sporting a two-group La Marzocco Linea with Grand Prix branding. Inside it’s bar-dark, with dark wood and low lighting and typically barriers from reaching the rest of the bar.
There’s a short hallway in which to stand, but there is not much in the way of seating. Owner John Quintos is on a mission from God to make coffee lovers feel awkward and uncomfortable everywhere he possibly can — helping them to get over their shyness of ordering their coffee “to go” in paper cups, despite its many quality detriments.
Sarcasm aside, they pull shots appropriately short with a mottled medium brown crema of decent thickness. There’s almost no sweetness to the cup, however — unlike the espresso at its sister cafés. Thus it exhibits a narrower flavor profile, which also is lacking a bright edge. Not the best of the lot — Grand Prix is decidedly one of the weaker siblings — but it will do if you’re nearby. Particularly if you like drinking things out of paper containers while sitting on the sidewalk.
Read the review of Grand Prix.
Locals rave about this coffee cubbyhole, which opened in July 2010, and you can see why. This colorful stretch of Mission St., in the heart of the Mission, has a dearth of decent coffee shops. At least ones that don’t serve ashy, overextracted dreck.
This tiny shop offers four metal stools at a short counter at the far side of the entrance. Otherwise this place is mostly serving space behind the counter and a small area to walk inside to order. It operates as a one-man coffee bar courtesy of the engaging neighborhood owner/barista, Nabeel Silmi. There’s little to eat, save a few pastries and chocolate bars, so the focus is on the coffee. They also sell French press coffee, Hario drippers, etc.
Using a three-group La Marzocco Linea, Nabeel uses Four Barrel beans to pull modest-sized shots with a mottled lighter and darker brown crema in classic brown Nuova Point cups. It’s not quite the brightness bomb you might expect from Four Barrel, but it is a strictly acidity-forward cup that’s lacking some body and balance. That imbalance is undoubtedly coming from Four Barrel’s roasting and blending preferences rather than how the shot itself is pulled. It has a good herbal pungency with some cloves and a bright molasses-like edge of sweetness.
While the shot lacks some breadth of flavor and the space is tiny, this is clearly one of the best options for a good quality espresso along Mission St.
Read the review of Grand Coffee.