Archived Posts from this Category
Archived Posts from this Category
You may not have noticed it through most of the usual “coffee media” channels, but this past Saturday San Francisco hosted CoffeeCon‘s first-ever road tour. You might recall our coverage last year of CoffeeCon 2013, held at its Warrenville, IL mothership. In its fourth year, CoffeeCon has been enough of a success at addressing unmet coffee consumer interest to take the show nationally for the first time — with SF on July 26, NY on October 11, and finally in L.A. on November 8.
CoffeeCon is somewhat unique as a consumer-oriented coffee event, where layman coffee lovers and enthusiasts can participate without being overlooked for coffee professionals or shunned by trade show hucksters. We may have derided the widespread abuse of the term “Third Wave” as self-promotional marketing babble for some eight years now. But if there was ever an experience that epitomized coffee lovers “enjoying coffee for its own sake,” this has to rank right up there.
They held it in SOMA’s Terra Galleries art gallery/event space, which operated with a surprisingly heavy security detail. A great number of area coffee purveyors came to show off their goods to attendees — including roast-to-order Artís in Berkeley, Blue Bottle, Chromatic, De La Paz, Equator, Flywheel, Four Barrel, George Howell (from MA), Henry’s House of Coffee, Mr. Espresso, Old Soul Co. (a gem from Sacramento), Peerless, Ritual Roasters, Sightglass, and Verve. A favorite overheard non-sequitur of the day reflected the variety on display: “Oh, there’s Blue Bottle… but I can get that anywhere.”
Besides sampling a lot of coffee, attendees could also take courses, experience hands-on demonstrations of consumer equipment, hear talks from professionals (CoffeeCon has contractually locked up much of George Howell‘s speaking tours), and even check out home roasting equipment in the outdoor space.
We caught Mr. Espresso’s Luigi di Ruocco‘s “Italian Espresso” talk and even had an epiphany or two. For example, the Italian art of balance in espresso blends makes all the more sense when you think of how many each Italian sips in a given day. Punchy, overbearing brightness bomb shots would create more palate fatigue if experienced multiple times daily. It also dawned on us how important a rounded espresso flavor profile is to end a meal on as a complement, rather than competitor, to the food you’ve just eaten.
KitchenAid was one of the event’s key sponsors, and they announced a new home coffee brewer currently in factory production. It attempts to automate manual pour-over coffeemaking with an enclosed system of water-pulsing that follows a programmable pour-vs.-steep algorithm. In that sense, it seems a little like a consumer version of Clover‘s Precision Pour Over concept, which has seemingly gone dark over the past couple of years.
While KitchenAid has been long known for its mixers, it first got into the coffee business with the A-9 and A-10 coffee mills back in 1937. They still do amateurish things, such as exclusives with Williams-Sonoma (who notoriously offer some of the most overpriced and most substandard/landfill-bound consumer coffee appliances on the market). But in recent years KitchenAid has introduced decent-for-the-price-point Pro-line Burr grinders and other worthy consumer coffee products targeting what they now, unfortunately, call the craft coffee market.
Side note: the term “craft coffee”, appropriated from the beer world, is really just a pound-for-pound stupidity surrogate for the ever-more-embarrassing “Third Wave” term these days. Use of the term is made all the worse by the decades-old homonym, “Kraft coffee“: i.e., the Big Four coffee purveyor more commonly known as “Maxwell House.” This is akin to the craft beer market calling itself the “blue ribbon beer market”. *Facepalm*
So it’s with curious irony, lost on KitchenAid, that they’re now offering an appliance that push-button automates a manual pour-over in the name of craft coffee. (And not an Alanis Morissette “irony” either.)
As a home-grown event with little professional event staffing, CoffeeCon seemed to experience a bit of chaos outside of its mothership confines for the first time: running out of badge-holders, a lack of pre-event press, some improv when an occasional speaker didn’t show on time, and a couple of classrooms separated only by a hospital-room-like thin cloth barrier. The last one generated audible cacophony when the class next door would roar with coffee grinders. But all in all, the event was anything but disappointing.
We even reconnected with Aleco Chigounis, whose coffee sourcing we’ve long been big fans of. He’s since established Red Fox Coffee Merchants. (No relation, however, to “This is the Big One. Elizabeth, I’m coming to join you, honey!“.)
Originally opened as Caffe Sportivo circa 2008 with a strange homage to a fitness joint (due to a physical trainer who ran the place), this independent coffeehouse introduced better coffee standards to Redwood City — a Peninsula town that locals often jokingly call “Deadwood City.” (…If you must compete with “Shallow Alto” — i.e., Palo Alto.)
In 2012 the same owner changed the name and the vibe of this place to something closer what it is today: a darker corner coffeehouse with a focus on coffee, wine & beer (and minimalist food items), and live music nights. Perhaps in this game of perpetuating bad puns, this place could carry the nickname “Black Yard Coffee Co.” Basic black is sort of the theme here.
The focus here on coffee now is oddly fortuitous given its address (Brewster Ave.). While there is some token outdoor café table seating under parasols along two sides of the building with limited parking in the rear, the vibe is really inside this place. It’s dark: the interior has long sofas and counter seating beneath tinted windows. And black everything: tables, floors, chairs, painted wall sections, etc. The laptop zombie presence is noticeable without being overwhelming — perhaps due to the emphasis on live and recorded music.
They emphasize their Stumptown Coffee supplies, using multiple roasts for their V60 pour-over service. For espresso they use a highly customized three-group Synesso machine at the bar, pulling shots with an even, medium brown crema. It has the expected Stumptown brightness and a flavor of apples, spices, herbal pungency, and some molasses with a potent body as well. Served in black (of course) classic ACF cups with no saucer.
This is solid coffee for an area where that can be still a bit hard to find.
Read the review of Back Yard Coffee Co. in Redwood City, CA.
Gary Rulli apparently wasn’t quite satisfied by operating the Emporio Rulli café along the Stockton St. side of Union Square. He expanded to the Powell Street side of the square around the holidays of 2012 with this addition, branded distinctly separate from the rest of the Emporio Rulli chain. Bancarella means “stand” in Italian — as in a coffee stand. But it’s much more than that, located in a pleasant, almost exclusively outdoor space next to the discount theater ticket outlet, across of the Westin St. Francis hotel.
There’s outdoor sidewalk patio seating under canvas parasols in the Union Square courtyard, enclosing the handful of tourists here (typically) by short plexiglass barriers. Everything is branded Bancarella here, down to their bags of La Piazza Blend coffee, so it’s almost as if they’re hiding any Rulli connections here. But the quality is pretty good regardless.
Inside the small service area there’s a small counter offering desserts, sandwiches, salads, and Italian wines. Behind the counter is a three-group, white La Marzocco Strada and a Mahlkönig K30 twin grinder — next to a service window that hands out orders like an ice cream truck.
They pull modestly sized shots with an even, medium brown crema. It has a well-blended flavor that’s smooth, carries some wood, but is mostly spices and light pepper. There was a somewhat foul or off aftertaste when we sampled it, which is probably not something we presume as consistent. It seemed like a coffee defect — like a squonky bean or two made it past sorting and into our shot. But the effect was mild, and our ratings only accounted for that a little bit. Otherwise, the body is a touch weaker than it should be, but the cup overall is made pretty well.
Served in Barcarella-logo Le Porcellane d’ANCAP cups. They also offer good latte art and higher-quality milk frothing. There is little to distinguish Bancarella much from its Emporio Rulli brethren, but who cares about branding when the coffee is good.
This small café on Geary Blvd. opened in early 2013 with the most unlikely of ambitions: serving quality coffee in this part of town, where value is normally prized heavily over quality. It’s hardly unique in this regard, as that’s also something that’s been attempted years before — e.g., Velo Rouge Cafe (and its now hackneyed bicycle theme). Even so, it’s been years since we’ve seen someone successfully repeated it.
It’s a bright, quiet space indoors with white walls and tall windows along Geary Blvd. In front there’s window counter seating, and along Spruce St. there are three smaller tables — often occupied by laptop zombies. Thus seating in this small place is at a premium. Besides coffee, they also offer Dynamo Donuts (on weekends only) and baked goods from Devil’s Teeth Baking Co.
In addition to pour-overs of some Ritual single origins, they serve espresso from a two-group La Marzocco Strada at the bar with an even, textured medium brown crema over a shorter two-sip shot. Using Ritual’s seasonal The Golden Bough blend (nice Virgil reference, btw) on our visit, the shot has a modest body with a bright flavor of apple and roasted hazelnut.
There’s a sharp acidity with some midrange but little offered at the low end of the flavor spectrum. Served in Le Porcellane d’ANCAP cups with a small Ball jar of tap water on the side.
They also offer good, even milk frothing with rosetta latte art: it runs a bit milky for a cappuccino, but it’s hard to complain when it’s made well otherwise. The small crew of attentive baristas help make the place stand out.
This café is the brainchild of former middle school teacher and Ritual Coffee barista, Kevin “Tex” Bohlin. Starting as a pop-up in SF’s South Park (which has since closed in Dec. 2013), this over-designed flagship café opened in Oct. 2013 to a considerable amount of gushing praise.
It took over the former Teashi spa, and the spirit of past mani/pedis and Brazilian waxings still sort of haunts the place. On the sidewalk out front there’s limited wooden café table seating. Inside in front there’s window counter seating for four on stools right next to shelves of coffee merchandising, just shy of the long service counter.
It’s a long space that is deceptively airier than its limited seating would suggest. There’s an array of a few café tables against a shared wall bench; these are typically the domain of laptop zombie squatters. Further back there’s an upstairs under bright skylights that offers two larger, semi-private tables.
Here there is an overwhelming sense of someone’s idyllic vision that a café should be more like an Apple Store. There are stark, plain walls and wood grain paneling plus a wannabe kanketsu “service philosophy” of removing as many barriers as possible between barista and customer.
This is exemplified by their unique, Modbar-like espresso machine: a two-group, under-the-counter job either called the Jepy Minim (per the engineer/designer John Ermacoff, aka Jepy) or the Ghost (per project designer Ben Kaminsky). It’s the guts of a perfectly acceptable Synesso Sabre, but Frankensteined beyond recognition as a sacrifice to form. This worship at the Holy Church of Makerdom might promise greater temperature control, etc., but what only matters to us as coffee lovers is what it produces in the cup.
They specially source limited coffees and roast them through Ritual Coffee Roasters for their own private label, and our review here is of their Little Brother Espresso — which comes at a whopping $3. (They also served a Costa Rica Los Crestones for $4.) It’s served slightly full with an even, medium brown crema. There’s a balance to the flavor with hints of bright fruit, but there’s primarily a mid-palate of herbal pungency.
In short: it’s a very good shot. But for all the pomp, technology, design, and the price, it doesn’t measure up to expectations — failing to rank in the Top 35 of SF coffee shops. We need to revisit to ensure we didn’t catch them on an off moment, but that would be surprising given they’ve been open for eight months and their machine has dialed down espresso shots to a push-button level. The good news for Saint Frank is that there are clear opportunities to improve. (That might also include banning all employees here from openly calling it “spro”, dude.)
This will read like an attack on Kevin when he’s done some very interesting things with unique coffees, and he’s certainly trying things. Yet Saint Frank is also symptomatic and emblematic of what seems so very lost and misguided with what the industry holds as the new standard of coffee shop today. Among all the toys and distractions of late, coffee quality in the cup seems to have again taken a back seat.
If you’re going to charge $3 for an espresso, it should at least break the Top 35 in the city. Among the 700 active espresso purveyors currently surveyed in SF, Saint Frank’s standard espresso shot is the most expensive in the city that’s served outside of a restaurant setting. (Presuming the Nespresso Boutique & Bar qualifies more as a restaurant, where you’re paying more for white tablecloth service and a global smoke & mirrors marketing campaign.)
We should all be paying more for coffee — but for better coffee. Based on our ratings, it’s not better. For the reported pedigree of their sourced coffees, it doesn’t even have a different or unique flavor profile. So what exactly am I paying extra for?
First, there’s the promising lure of shiny new equipment and it’s empirically consistent failure to deliver better coffee. In the past we’ve noted the likes of Sightglass who have been guilty of this for years. In Saint Frank’s case, it’s not even so much a “better brewing” sales come-on than superficial aesthetics: i.e., a low-profile workspace primarily conceived to address the First World coffee problem where my barista doesn’t get to see more of my crotch.
Fortunately the Modbar isn’t weighed down by outrageous costs — you can get a full system for under $10k. Hopefully Saint Frank’s custom lookalike (the Jepy Minim or Ghost, depending upon whom you ask) follows suit in that department. But with new, “revolutionary” ways to brew coffee even more perfectly being announced every week, we’ve often wondered if any of the takers ever get the chance to dial-in on them, with a serious dose of experience, before they roll on to the next big thing — looking to technology to bail them out from substandard practices.
This is a little of what former USBC champ Kyle Glanville recently called the “fancy equipment arms race”: “People are spending shit tons on machines to brew coffee when they should be investing in their own palates and understandings of flavor, and the knowledge of how coffee brewing actually works”
So what about making your café look like an Apple Store? Blue Bottle Coffee has been compared to the Apple of coffee shops, and they’re even sporting Apple-inspired service table designs. And CoffeeRatings.com has had plenty of good things to say about Blue Bottle.
Except Blue Bottle’s resulting coffee quality is noticeably better than Saint Frank’s. Now any café owner is entitled to invest hundreds of thousands of dollars in a custom espresso machine, killer grinders, and a Zenlike service design experience. But if it doesn’t translate to a better cup of coffee, those costs are being passed on to me to satisfy completely different concerns. You’d be better off having your baristas selling me $400 sweaters.
What results is a place that seems enamored with all the trappings of what’s expected of a wannabe Fourth Wave coffee place, but with no improvement in the coffee itself. Which suggests more of our cynical definition of a Fourth Wave coffee shop from four years ago. We then joked that if the Third Wave was about letting the coffee speak for itself and enjoying coffee for its own sake, the Fourth Wave was about appreciating so much of the gadgetry and trappings surrounding coffee service that any actual coffee was no longer required.
But can any of us blame Kevin? The status quo of the industry’s most popular coffee media encourage this focus. For example, a Dear Coffee, I Love You seems to care more about subway tiles than coffee roasting. While Sprudge heavily promotes their “Buildouts of the Summer” promotional series as if coffee were a construction project. And in professing “we would never grade coffee shops”, Sprudge seems too terrified to lift a judgmental finger to critique any of the coffee and potentially hurt someone’s feelings.
This leaves a massive void of any popular critical thought about retail coffee quality. Instead of learned coffee professionals, this gap is filled instead by the arbitrary standards of “top 20 coffee shops in America” lists on popular news and travel web sites — often written and compiled by interns most enamored by double-tall, four-pump vanilla caramel macchiatos in paper to-go tubs, whose understanding of coffee quality extends little beyond the MSRP price tags of the commercial coffee machine fad of the month.
Or worse: the void is left to the whims of the “man in the street” on review sites like Yelp!: where electrical outlets for laptops, cute baristas who flirt, and cheap extra large muffins count for more than any coffee quality.
Imagine a perverse wine world where the like likes of Wine Spectator or Wine Enthusiast gave everything identical 90-point scores while devoting the bulk of their writing to the wood and fixtures used to build their tasting rooms and the designers of their high-tech wine openers. It’s of little surprise that we have ended up with coffee writing that reads more like an interior design arms race sponsored by Home Depot®. Meanwhile any actual quality judgement on coffee is suppressed to the level of American youth soccer: everybody is recognized with a trophy just for participating. Why even bother with the farce of barista competitions if “everyone is a winner”?
Over a decade ago, one of the major inspirations for creating CoffeeRatings.com was our immense frustration with all the existing books and online reviews of coffee houses at the time: it was impossible to find any critical reviews of coffee places that critiqued any actual coffee. Most of the attention was spent on ambiance: the style of the clientele who hung out there, what novels they read, and how good the bagels were. With all the attention now given to new machines, service counter layouts, and who makes the wooden countertops, we seem to have relapsed to those more ignorant days.
I never thought I’d miss what six years ago I called the Malaysian street food experience. Then the environmental design slight-of-hand was in making you feel like a hipster for sipping your espresso while sitting on a cinder block in an alley filled with spent heroin needles. Even so, at least the quality of the coffee still ran as the headline. Today I’m not so sure anymore. Maybe it’s time to go back to those days.
A project of husband & wife team Lauren Crabbe (former Blue Bottle lead barista) and mixologist Michael McCrory, the couple followed the well-travelled “free money” route of Kickstarter to open this this neighborhood café and roastery in March 2014.
It’s located in a corner shop with a small storefront but long interior that extends well back to their converted 5-lb Probat LE5 roaster. In front as you enter, there’s communal seating at a larger wooden table just behind their large glass windows overlooking the street corner. There are also a few stool seats along the long wall beneath wide white shelving of retail coffee merchandising, across from the service counter.
Overall, the store can only handle a limited number of simultaneous customers: it feels deceptively large, but large swaths of the floorspace are dedicated to the service counter. But of the few seats available inside, almost none of them laptop zombies — which helps create more of a communal feel for the space.
The highlight of the service counter is the impressive three-group, manual Kees van der Westen Mirage Idrocompresso Triplette espresso machine secured from Blue Bottle’s SFMOMA location (since under much reconstruction). They use Mazzer and Astoria grinders, and for their espresso they pulled shots of their Short Strand blend: a combination of washed Ethiopia Yirgacheffe and natural Brazil from Daterra Farms (sourced as greens via InterAmerican). Michael was roasting some of the Daterra Brazil at the time of our visit, noting its lack of “peanut” character typical of its brethren.
They pull shots with a mottled medium brown crema of good thickness. It comes with a pungent aroma and possesses a fruity brightness with sharp acidity, but yet it’s backed up with a solid body from its Brazilian base. It’s a vibrant and lively shot, which is quite excellent even if it’s lacking a little balance. Served in hand-fashioned ceramic cups created by SF-based Douglas Dowers and served on a wooden plank with a glass of mineral water on the side.
It’s a seriously solid espresso, and its enjoyed within an authentic experience that seems delightfully ignorant of many of the new coffee shop trends and expectations from the more fashionable parts of the city.
In fact, it wasn’t until we tallied up our scores after the fact that we noted our ratings tied it for the best espresso shot in San Francisco. It’s an excellent shot, but it definitely warrants a revisit to ensure consistency. Or at least I need to ensure I wasn’t just in a giddy coffee mood at the time.
Today’s Stanford Daily published an article on the Stanford Coffee Symposium that we held this past weekend: Stanford Continuing Studies hosts coffee symposium | Stanford Daily. In addition to the featured speakers mentioned in our earlier post, the event showcased espresso drinks and coffees meticulously prepared by Mr. Espresso, Barefoot Coffee Roasters, Centro Agroecológico del Café A.C. (CAFECOL, from Mexico), Coupa Café, and Café Venetia — plus an overall event coffee service provided by Peet’s Coffee & Tea.
Exclusively for the event, Richard Sandlin of Fair Trade USA (and the Bay Area Coffee Community) and Stephen Vick, green coffee buyer for Blue Bottle Coffee, jointly developed a custom coffee evaluation session where some 200 students tasted three very different coffees from different regions — each personally sourced by Stephen and prepared by Blue Bottle baristas. Richard and Stephen encouraged the students to identify & associate flavor descriptors for each coffee and compare their tasting experiences with those of their own.
I was pleasantly surprised that the Stanford University team transformed the classic, 1938-built Stanford Graduate School of Education building, with its modest power & water supply, into something that could support an event of this size: with modern espresso machines and a demanding cupping-like event with three different hand-crafted coffees served simultaneously to some 70 people in three shifts.
Although I was mostly busy helping to keep things running smoothly behind the scenes, I still managed to learn quite a bit about coffee history, the coffee genome, the impacts of coffee on labor and certification practices in Latin America, and how to measure biodiversity and its effects on coffee production. That said, my favorite event logistics non-sequitur of the day had to be: “I found out that the golf cart wasn’t stolen.”
A big thanks to everyone who helped pull off a educational, fun, and highly caffeinated celebration of coffee that also increased our mindful appreciation of it.
Long before there was Coffee Bar, Mr. Espresso continually wrestled with the “last mile” of retail coffee delivery. All their quality efforts sourcing, roasting, and blending coffee could be undone by poor storage, an inexperienced barista, or a poorly maintained espresso machine. By opening Coffee Bar, Mr. Espresso could take more direct control of that last mile and better showcase their coffee.
Equator Estate Coffees is another local roaster that hasn’t quite yet had the retail coffee outlet to truly show them off. This was a particularly nagging issue for us on CoffeeRatings.com, where over the years we noted their industry accolades but were continually challenged to find just one among dozens of example outlets where their roasts didn’t underwhelm us.
Equator co-founder and master roaster, Brooke McDonnell, sometimes took to the comments on our blog posts to debate the variances in personal tastes. She was right that personal tastes vary, and none are necessarily more “right” or “wrong” than others.
Sure, we’ve been known to pause over the likes of Stumptown Coffee Roasters — who while clearly in the upper echelon of coffee quality always seemed to rank in the lower end of that class. Someone certainly has to, so why not them?
But if Stumptown marked a natural statistical outcome when forced to jockey for rankings within subjective personal tastes, Equator represented nothing short of an anomaly for us. Ultimately, we had more or less come to the conclusion that our perception-of-quality disparity had less to do with our own coffee palate and more with their relatively loose controls over the supply and delivery chain at the retail end.
Opening in June 2013, Equator Coffees at Proof Lab Surf Shop represents a joint venture where the roaster finally got their own “reference quality” coffee bar. Located at one of the main divides in Mill Valley between traffic into “downtown” and traffic towards Muir Woods and the California Highway 1 beaches, this red-painted wooden shack at the head of a part-gravel parking lot beckons surfers and coffee lovers alike. It seems like an odd place for a surf shop (Proof Lab, in back): sandwiched between the Bothin Marsh and Coyote Creek with no sign of sand for miles. But the surfers (and boarders) come.
There’s a cement patio in front, enclosed from the highway by standing surfboards and a surf-board-inspired outdoor table. The rear entrance to the building has seating among white-painted metal café tables and chairs — and a surfboard table. Inside there are several small wooden café tables set against a wall of Hurley surf advertising. (With surfboards in the rear.) One wall is dedicated to retail sale of various coffees and home brewing equipment.
Using a red, two-group La Marzocco Strada machine, they pull shots with a mottled, textured crema of a medium and darker brown. It looks robust and organic, has a decent body, a full aroma, and a well-blended flavor of herbal pungency mixed with some spices, heavy cherry-like fruit (perhaps just a touch too much fruit for my tastes), and some honey-like edges. Served in white logo Espresso Parts cups with very necessary sparkling water on the side.
It’s a solid cup. It has great visual appeal and seems like it has all the ingredients for excellence. However, you might say the enigma continues a little: as good as it is, it still falls on the weaker side of excellence with still some room for improvement.
Haight Street has taken decades to emerge from its Summer of Love bender. Despite locals declaring “the Death of the Hippie” and the end of an idealized Haight-Ashbury by October 1967, runaway teens and drug addicts continued to flock to the neighborhood seeking social escape while lacking any support networks.
By the time I first visited the area in the late 1980s, the stories of wars between drug dealers, crime epidemics, and kids on LSD falling to their deaths out of Victorian windows had long since vanished. But the chronic problems of homelessness and drug addiction remained. Other than seeing live music at the I-Beam or experiencing the camp of Rock & Bowl (now Amoeba Records), this part of the neighborhood was something you generally avoided after dark.
Today, things are very different. In place of the sketchy Cala Foods (whose closing was celebrated by locals), there’s now a Whole Foods. Gentrification hasn’t scrubbed everything clean, but at least the Golden Gate Park area across the street no longer looks like a refugee camp from a condemned methadone clinic.
And located in a large, tall space adjacent to the Whole Foods parking lot — at what used to be the San Francisco Cyclery — is Flywheel Coffee Roasters, opening in April 2012. They have added to the growing coffee legitimacy of the Upper Haight by roasting their own beans — using a Portuguese Joper Roaster in the back.
The space has a sunny entrance with tall windows facing west over Stanyan St. Inside there is counter seating along the windows, simple stool seating at taller tables, and several other tables indoors. Out back there’s something of an enclosed deck that’s exposed to a little bit of the occasional outdoor breeze. Up wooden stairs is a low-ceiling space with a bit of coffee roasting supply storage.
The laptop zombie quotient is on the high side here (ah, the price of gentrification). This gives it a rather cavernous, library-like feel. They offer cold brew drippers ($4), syphon-brewed coffee ($5), Hario V60 pour-overs, and a new three-group Faema Enova for espresso drinks.
They pull shots with a mottled medium brown crema of some coagulated thickness. It tastes of cloves and other, deeper herbal pungency without much spice nor tobacco: it’s actually a rather narrow, limited flavor profile with little roundedness. This perhaps reflects their usual choice of single origin coffees from Colombia, Kenya, Ethiopia, etc. Served in black Espresso Parts cups with a short glass of mineral water on the side.
It may be far from the better espresso shots in town. However, that a decent coffee house serving decent coffee could exist here was difficult to imagine 25 years ago. At least that much is progress, and we always have a soft spot for truly independent cafés.
This original Stanza Coffee location opened in April 2012 with the explicit purpose of showcasing coffee roasted from outside the Bay Area. As such, it’s unfortunately another example of a coffee shop that has defined itself in the negative: i.e., not by what it does and what it stands for, but rather its identity is wrapped up in what it does not do.
We’re big believers that the best coffee shops — or the best of anything, really — simply chart their own course instead of reacting to what others are doing. Defining your own identity as a foil against what others are up to unwittingly puts your own business strategy into your competitors’ hands. That’s driving from your rear-view mirror.
But if anything, that we now have coffee bars specializing in exclusively imported coffee is a healthy sign for local roasters.
Formerly the confectioner, Coco-luxes Haight Street Boutique, this is a small space along Haight St. with dark raspberry walls, dark wood, beat-up upholstered black chairs, and tables in front converted from the tops of barrels. Further back past the short service counter is an almost diner-like lunch counter where laptop zombies crouch over electrical outlets, sucking much of the life out of the place.
Using a white, two-group La Marzocco FB/80 at the bar, they pulled shots of Intelligentsia’s Black Cat that came with a very even, medium brown crema. While it smelled like it could have been an undetonated brightness bomb, it pleasantly (and not surprisingly) was not: a softer Black Cat flavor of some mild spices and some herbalness in a rounded balance. They serve it with a short glass of still water on the side of their white notNeutral cups.
Despite its good qualities, it is far from the more flavorful and best espresso shots in town. With a mission to showcase roasts from outside the area, they modestly live up to the task but do not take it over the line of excellence. It’s hard to say if the results would be significantly better if they focused more on themselves and looked over their shoulders a little less.
That said, we continually wish we could conveniently sample more coffees roasted outside of the area. We’ve been fans of the multi-roaster concept for years — from Ma’velous through the defunct likes of Café Organica. Hopefully Stanza Coffee will continue to fine-tune their operations to better showcase these imports.