Archived Posts from this Category
Archived Posts from this Category
Saveur is one among many “gourmet” food, wine, and travel magazines (as much as we hate that hackneyed 80′s word) — but with a specific focus on international cuisines. “Saveur” being French for “flavor”. Now whether “Saveur Sav” would be a clock-and-beret-wearing member of France’s answer to Public Enemy is still up for debate. (Oui, garçon!) But the cover story for their latest (October ’08) issue is “The Breakfast Issue.” And while many of us will take issue that “coffee: it’s not just for breakfast anymore,” they feature a series of articles on coffee in the print magazine and as Web exclusives.
The main print article reviews nine different coffees from nine different specialty roasters, representing a rather broad spectrum of roasted coffee available for home brew: 9 Great Coffees – Saveur.com. And we sure do mean “broad”. It includes the usual suspects — the likes of Counter Culture, Stumptown, Intelligentsia, and 49th Parallel. But there’s also the unorthodox choice of traditionalists Sant’Eustachio il caffè and even the “mass production” coffees of Green Mountain and Peet’s.
On one end of the spectrum they’ve got Newman’s Own Organics, and at the other end they’ve got Intelligentsia’s Panama Hacienda La Esmeralda (a batch of which we reviewed last year as roasted by Peet’s). Though to once again invoke the ever-tiresome wine analogy, we’ve noticed a trend where Esmeralda has become something of the Silver Oak cab of the coffee world: i.e., a great product, but one burdened with a status symbol brand name that people commonly latch on to when they know little else about the beverage. (Well, at least it isn’t kopi luwak.)
In Saveur.com’s online exclusives, they review an additional 14 coffees (More of Our Favorite Roasts – Saveur.com) and offer a coffee glossary (A Glossary of Coffee Terminology – Saveur.com). There’s even a brief interview/book promotion piece from Counter Cult member and Third Wave choir girl, Michaele Weissman: A Flawless Cup – Saveur.com.
We know plenty of stories about coffee retailers and roasters going to origin, but here’s a story of origin coming here instead: Colombian coffee icon defies Starbucks doldrums – International Herald Tribune. As reported in today’s International Herald Tribune, the Bogota-based chain, Juan Valdez Cafe, is owned by thousands of Colombia coffee-growing shareholders.
We’ve written prior about Colombia’s National Federation of Coffee Growers and their Juan Valdez-branded cafés. What’s also notable is that they are continuing their expansion plans — plans that seem to run counter to Starbucks‘ public lament that the current economy is a coffee retailer’s economic Dust Bowl.
Thanks to Starbucks, rumors of the demise of the quality coffee shop have been greatly exaggerated. And it’s not just the opinion of one Juan Valdez. Also in today’s news from London’s Evening Standard, reports that consumers aren’t retreating to the more economical options of coffee’s more recent Dark Ages: Coffee shop boom time as chains defy crunch | News. And just as some readers here suggested, consumers aren’t getting their preferred coffee fix by playing home barista more often either.
We previously wrote of our annoyance with the old and ever-popular yarn spun by wannabe personal finance gurus who constantly tell us we can become millionaires by quitting our daily coffee habit — or by replacing it with home-brewed coffee. For the record, we have a lot of coffee both out (as evidenced by CoffeeRatings.com) and in the home. But we’ve always thought that home-brewed coffee is hardly the magic path to champagne wishes and caviar dreams. This time we do a little of the math to show why.
Many of these personal finance hacks first fail to recognize that coffee, for at least some people, is one of life’s small pleasures. The idea of giving it up entirely makes about as much sense as giving up other “superfluous” things in life — such as haircuts, your child’s dance lessons, and cable TV. Once you get past that logic, the debate then becomes about the private jets you’ll be able to afford by making your own coffee or espresso at home instead of paying Starbucks each time for the mythical $32 coffee beverage. (Hey … inflation. OK, so we’re exaggerating about the $32 beverage to make a point. But then again, so are they.)
We recently came across a blog post, similar to the thousands of others just like it, where a “home savings tip” savant posted on how she saved a “small fortune” by switching from her thrice-weekly Starbucks habit to a stove top Bialetti coffee maker at home.
Small fortune, eh? Let’s do the math. A $4 bucket of Starbucks’ pumpkin-pie-flavored Cool Whip, purchased three times a week, will set our home-savings-tip heroine back about $12 a week — or about $600 a year.
A new Bialetti will set her back about $20 — which is nice and cheap compared to some of these ridiculous $1,200 hulking piles of home espresso machine plastic that typically produce shots inferior to even Starbucks’ dubious standards (Jura, anyone?). Then add a chop grinder for about $30, and her capital outlay comes out to be about $50.
Now since fresh roasted coffee is like fresh baked bread, the supply needs replenishing every couple of weeks before it goes stale. So if she’s buying Starbucks’ coffee (and it is pretty much already stale when you buy it), that should set her back about $6 for a half pound. Then add some incidental charges for milk, pumpkin pie flavoring, and tubs of Cool Whip — but for the sake of argument, we will consider it negligible (which it isn’t).
That comes to about a $50 capital outlay plus $6 every two weeks = about $200 in the first year.
Now let’s factor in labor costs. Starbucks’ costs are dominated by labor, not coffee. To say that your labor comes out in the wash is deceiving yourself: your time is money. The federal minimum wage is $5.85 per hour (in SF, it is $9.36) — and let’s say her time is only as valuable as the lowest fry cook at McDonald’s at $6 an hour. And let’s say that making these coffee drinks at home takes about 15 minutes of her time — between grinding, watching the stove, steaming milk, washing dishes, cleaning the espresso machine, etc. All the work that Starbucks pays someone else to do for you. Three times a week for a year comes to about 40 hours of labor a year = $240.
So in her first year, you compare her $600 Starbucks habit to $200 + $240 = $440. So she saved maybe a whopping $160 in the first year — minus her additional expenses for milk, pumpkin pie flavoring, and Cool Whip. And her coffee wasn’t probably nearly as good as the kind and variety she had buying out: the coffee supplies were probably more stale, the consistency wasn’t right, and she was using equipment and skills that were a fraction of what the pros have. (After all, a moka pot doesn’t even technically make espresso to begin with.)
Add that she had to put up with this inferior coffee for a whole year. Then add that she just valued her own time at the lowly wages of a fry cook working a burger joint fronted by a clown.
A small fortune? Indeed.
But at least she didn’t buy some $1,200 Jura (likely without a decent grinder, we might add) that will require her to grin and bear hundreds of inferior espresso shots before she breaks even on the purchase price alone. Or worse…
Home espresso machines, for most buyers today, are the home exercise treadmills of the previous decade. She could easily tire of the inferior shot quality she gets at home, and she could tire even more of doing all the labor herself. After all, we live in a society that can’t even be bothered to slice an apple or toss a salad because it’s too much effort. This means that not only does she return to her regular Starbucks habit, but she does so with an additional $1,200 hole burned into her pocket — now that her home espresso machine is gathering dust in the kitchen corner.
This is why we generally recommend a home espresso setup for less than five percent of the people who ask about one. Unless you’re in it for the pursuit of higher quality shots, you’re going to be gravely disappointed. Don’t even think that you’re going to save much money with a home espresso setup unless you can make the time commitment — and if your taste buds can’t tell the difference in quality.
Sipping a double espresso at Blue Bottle Cafe earlier this afternoon, I felt like a million bucks. In fact, that espresso shot of single origin, dry-processed, Ethiopian Sidamo was so good, it deserved its own post. (To be continued…)
All this talk about “doing the math”… You know who has done the math several times over, before any of us even considered it?: Starbucks’ marketing department, that’s who. You can bet your double-tall, four-pump vanilla caramel macchiato that they know the lifetime value of their customers. And if Starbucks is devoting expensive retail space to selling home espresso machines in their cafés, how naïve does one have to be to think they’re doing it at a known net loss of customers and profits?
Today the Daily Herald (Chicago suburbs) republished a Wall Street Journal story (no subscription required!) covering the growing consumer interest in home latte art: Daily Herald | Coffee drinkers show their latte love with artistic creations. The article notably takes a San Francisco bias in its choices for interviewees. However, it properly cites the founder of Seattle’s Espresso Vivace, David Schomer, as the father of modern latte art.
The article also notes how coffee shops are now offering classes in creating latte art designs and how the latte artists themselves are organizing contests (events that have been around for some time, but with new, prosumer players). But while the article fusses over the prices of home espresso machine models, it makes no mention of the equally important role of a decent grinder.
Last year we expressed how latte art is about as relevant to coffee quality as, say, bathroom towels are to a good restaurant meal. (Unlike Wikipedia, at least we don’t liken latte art to a nuclear holocaust.) So what resonated with us most in the article were closing comments from Chris Baca — barista at SF’s Ritual Coffee Roasters and winner of the 2008 Western Regional Barista Competition. The article cites Chris saying that he’s “tiring of latte-art buzz”: “It’s part of what we do, but we like to focus more on the coffee. You could have a drink that’s totally beautiful with the most amazing design – and tastes like garbage.”
Don’t get us wrong: aesthetics do count. When my wife attended an advanced boot camp at the Culinary Institute of America (CIA) last month (her class was also written up in the Atlanta Journal-Constitution, btw), the instructors made a big point about how you eat with all of your senses — and that you typically always start with the eyes. This is why all our ratings have Presentation scores.
But coffee as a medium for art almost as an ends to itself? When we really want to perfect our art at home, we’ll skip the rosettas and leave the coffee as a drinking medium. For a legitimate art medium, paper and charcoal or pen and ink wash still do just fine.
Video: Taking the concept of latte art to its next natural (and ridiculous) stage of evolution…
Yesterday’s The Age (Melbourne, Australia) published an article on the growing business of home espresso education: Short, strong grounding in espresso – Epicure – Entertainment – theage.com.au. The author noted how cafés, roasters, and other retail locations are creating “coffee classrooms” for instructing consumers on how to “create the perfect coffee at home”. The reason for this? Citing the article: “Many of the classes around town grew from pressure by consumers who were disappointed with their home espresso making.” The Age has published essentially the same story before — so this was more of an update.
On the one hand, that consumers are seeking out better quality espresso is good news. It means they are becoming more aware of its potential beyond the bitter, over-extracted dreck that’s an American staple. And for many home espresso enthusiasts, scouring the Internet for forums and blogs isn’t their favorite method of self-education, so more formal training courses make sense.
However, there are multiple reasons why home espresso consumers are disappointed. For one, most home machines are ineffective slabs of future landfill that produce lame espresso. For another, there is a home espresso industrial complex actively convincing consumers that they all need their own home setup — when it’s actually inappropriate for many people. And they are luring consumers with false promises of convenience, quality, and cost savings as part of their pitch.
Although it is true that just about anyone can make great espresso at home, just because you can doesn’t mean you should. It depends on the person. For most consumers, we believe good home espresso is possible but impractical — as it requires a special combination of financial investment, time commitment, and a willingness to learn for the home espresso hobbyist to make it all worthwhile.
So what are your best options?
This option gets dismissed most often by personal finance columnists and home espresso machine hawkers, but it’s still one of the best options out there. Even those of us with decent home set ups still want the occasional retail espresso (CoffeeRatings.com is ample evidence of this) — for convenience when on the road or for the variety of trying something different.
New homes are regularly sold today with these ubiquitous appliances built into their kitchens — even if the appliances themselves are built more for convenience than quality. And the convenience vs. quality question is the major theme with this option — as consumers must pick one, and only one, of the two for it to work.
This is also really the only option if you are seeking the God shot. But for every home espresso zealot committed to the religious cause, there are dozens who are merely window shoppers enamored with the concept. (You know the type: copper pots in the kitchen that are never used, etc.)
For these reasons, this is the option we absolutely recommend least out of the three.
This is the option we recommend most often for people interested in a home espresso set up. Oh, sure, it’s not really espresso (as if the SCAA-awarded “Red Espresso” [sic] is any more so). But neither is some of the stuff poured at a lot of retail cafés — and even less so for what a lot of home machines produce.
This is the Italian family’s home coffee staple. Though in Italy, good retail espresso is around every corner. And if you’re buying a Moka pot larger than the 4-cup variety, you must either like stale brewed coffee or you’re throwing a Bar Mitzvah.
Last week, the Guardian (UK) published an article on a home espresso enthusiast’s journey to obsession: In pursuit of the ‘God shot’ | Food and drink | Life and Health. Having reviewed almost 600 espresso shots in SF proper ourselves — most of them pretty bad — we’d like to believe we know a thing or two (a thing or two too many) about obsession. But the pursuit of the “God shot” — the unachievable attainment of the perfect espresso — is a common story among home espresso enthusiasts.
As highlighted in the article, the story typically starts with a “starter” espresso machine — the gateway drug. It then soon leads to machine upgrades, grinder upgrades, and tampers. Conversations with fellow home enthusiasts via online forums (what they were known as before “social networking” became the phrase du jour — and the beginning of the end of the Internet’s second bubble) lead to more areas for obsession, lost kitchen counter space, and financial ruin. These typically include home roasting, naked portafilters, and the point of no return: PIDs.
PIDs, or Proportional-Integral-Derivative devices, are a programmable digital control unit, relay, and a temperature probe combined into one. They enable owners to control the temperature of a boiler to one-tenth of a degree for maximum brewing precision. Now I may be an electrical engineer by way of college degree, but I’ve always seen the PID as the first step of the descent into espresso madness. The point of no return.
Fact is that my home machine is a “simple” manual Gaggia G106 — the modest, illegitimate sister to the author’s original La Pavoni Europiccola. And OK, I also own a Mazzer Mini (pre-doserless model). I’m obviously part way to madness there. But why haven’t I been lured by the siren song of the “God shot”?
I could easily improve my home espresso set up. But there’s this thing called the law of diminishing returns. There comes a point where after every few hundred dollars of investment, how much better does your home espresso really get? And what is the dividing line between simply “enjoying coffee” — and enjoying only something that requires the equipment and budget of a high-energy physics lab that recreates the first few microseconds of the universe’s Big Bang? (My apologies to James: I like that you own a $20,000 siphon bar — so I don’t have to!)
I’m sure I’m missing out on something by not taking my obsession further. But then there’s a lot else in life I could be missing out on too.
Having a wife who runs her own private supper club (for which I am the front-of-the-house/”beverage guy”), I’ve been known to occasionally read the goings-on in the food world. This week, my wife introduced me to a post from a renowned food writer, Michael Ruhlman, who recently wrote about the virtues of percolator coffee: ruhlman.com: Percolator Love. It’s the thinking behind posts such as Mr. Ruhlman’s that are contributing to the Philistine state of coffee in American restaurants.
Mr. Ruhlman has made a culinary career out of “writing about food and the work of professional cooking,” including co-authoring The French Laundry Cookbook with Thomas Keller (himself representative of the odd food savant/coffee idiot phenomenon) and authoring The Making of a Chef, a narrative about life in the Culinary Institute of America (CIA). (The CIA thankfully just announced a new coffee program to help dispel coffee quality ignorance among so many budding star chefs.) Combine this with a call this afternoon from Josh Sens, of San Francisco magazine — who asked for clarification on the issues with percolator coffee for his article deadline looming tomorrow — and the subject of percolator coffee seems worth a mention.
Mr. Ruhlman’s post laments the demise of the percolator, a 1940s and 1950s staple which fell out of favor once the prototype Mr. Coffee machine and the ensuing family of filter drip coffee machines rose to prominence in the 1970s. So why was the percolator brushed aside so abruptly? It wasn’t a manufacturing conspiracy — percolators were one of the greatest atrocities modern man ever committed upon good coffee. Coffee is cooking. It’s about using the right temperature, time, and pressure to extract the right flavors from the beans and to leave the nasty stuff behind.
And based on these merits, using a percolator on coffee is akin to baking a cake with a blow dryer. It’s surgery with a shovel. Take ground coffee; scald it with boiling water unevenly sprayed on some exposed grounds and not the rest; guess when the heating element kills itself off; hope for the best; serves 12.
Nostalgia makes some people long for the flavors and smells of their youth, but it also gets Communist Party members re-elected in Russia and sends divorcées back to bad marriages. While most home filter drip coffee machines even today suffer from temperature control problems (their #1 deficiency), they are still largely a step up from our culinary Dark Ages that were characterized by Potato Buds, instant Tang, instant coffee, and percolators.
Today’s Seattle Times reported on how the exchange rate wreaked havoc on the American waiting list for the La Marzocco GS/3 — their first machine designed with home use in mind: Retail Report | Espresso-machine price leaves some steaming | Seattle Times Newspaper.
For two years, La Marzocco promised a hefty $4,500 price tag for the device. But when the device was finally unveiled for sale by the American distributor for Franke late last year, two years of Bush Administration spending like a drunken sailor on shore leave depressed the U.S. dollar enough to jack up the price of the Italian-manufactured machine to $7,500. Thus making the New York Times‘ exaggerations earlier this week seemingly rank a little lower on the hyperbole scale.
But like the confused Food Network viewers who insist upon commercial ovens in their home kitchens, regardless of the Byzantine building codes for ventilation systems required by these megaliths, somehow we doubt that the extra $3,000 is really going to stop someone that hell bent on consumption.
Today we came across a New York Times-syndicated article that alluded to the shortcomings of most home espresso machines: Life: Get off to a healthy start in the morning | juice, cup, milk, divide, servings – OCRegister.com. What attracted us to it was some “unconventional” wisdom about home espresso machines — something we rarely find in mainstream media.
Instead of the typical “check out these $150, landfill-bound, plastic pieces of junk that will save you money over your daily Starbucks habit,” someone actually published a consumerism-unfriendly viewpoint: that joining the consumer chum floating amidst the shark feeding frenzy that is today’s quorum of entry-level home machine manufacturers — many just trying to cash in on the “Starbucks phenomenon” — might not be a good thing for every consumer.
Oddly enough, we then quickly discovered that the article was attributed to none other than Martha Stewart. We say “attributed” because although the article rang with the bizarre style of Martha’s “voice,” we know that it is her handlers and underlings who do all her writing. Even down to the regular utterances of the word “perfect” on her TV programs, thus creating one of the more unusual drinking games.
But props to Martha’s underlings for questioning the wisdom of many a misguided home appliance purchase. In the article, “she” mentions, “I tried all sorts of machines – all-in-ones, stove-top espresso makers, frothers, drippers – but I could not duplicate the perfect cappuccinos or wholesome lattes I had imbibed.” (Now did everyone drink at the word “perfect”?)
So she apparently turned to a barista at New York City’s Via Quadronno for a segment on her TV series to demonstrate how to make a “perfect” cappuccino. The wisdom from that episode led Martha to purchase a professional-grade, dual-group La San Marco machine — which has since made regular appearances in her TV kitchen. Martha also deferred to Via Quadronno’s choice of Antica Tostatura Triestina coffee beans.
It’s not often we find common ground with Martha Stewart. Too often, the celebrity food types fawn over their own ignorance about coffee and treat it as if it were no more involved than purchasing the right batch of cilantro. Martha erred in opting for an imported roaster over a much fresher domestic supplier, and she may have turned to a relatively unremarkable espresso purveyor for advice on quality. However, she’s shown far more research and competency in her approach towards espresso than we’ve seen from most other heralded foodiscenti.
Of course, at the time Martha approached their barista, Via Quadronno was regarded as one of New York City’s best purveyors of quality cappuccino. Before the likes of Ninth Street Espresso and Joe the Art of Coffee reached critical public awareness, places like Via Quadronno were it for this (encouragingly improving) espresso backwater of a metropolis.
This post is also another excuse to highlight some non-San Francisco espresso reviews that we’ve been able to recently surface in our database: read the review of Via Quadronno in New York City, last updated in 2005.
In the “unclear on the concept” department, this weekend’s Toronto Star published an article that, in its opening paragraph, mentioned “coffee’s elevated status as the new wine.” However, it then proceeded to discuss coffee-pod-based home espresso machines in the same context: TheStar.com | living | Specialty coffees become the new wine.
This is as incongruous as all the luxury cars that now tout their mp3-compliant sound systems — given that the audio quality of mp3s is more like the vintage 78 rpm record when compared with their audio CD predecessor. Just because a technology is new and trendy doesn’t necessarily mean it has made the quality any better (orange-flavored Tang, anyone?).
Even if we buy this silly notion that coffee is the new wine, these pod-based espresso machines are the equivalent of distributing and consuming wine from single-serving juice boxes with straws. Between the pre-ground, stale beans; the inability to alter the time, temperature, pressure, coffee tamp, and other variables of the espresso shot; and the environmental waste of excess packaging — these systems are more akin to a step backwards towards our instant coffee/percolator dark ages.
And if coffee is really going to be the new wine, is there any chance we can please drink it out of something other than a paper cup?