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On Coffee and Design — and a Cup Review: notNeutral’s LINO and MENO

Posted by on 09 Aug 2014 | Filed under: Café Society, Consumer Trends

Today This Thing We Call Coffee (substitute “third wave” or “craft coffee” or whatever nonsense marketingspeak one prefers here) seems to have discovered a new toy. It’s called design. Although around since the first coffee retailer opened in Damascus in 1530, lately design has become a rather acutely faddish obsession that has permeated café design, espresso machine design, and even the package design of retail coffee bags.

So much so, the coffee industry has lately given off the impression that it’s become bored or satiated (if not both) with its prior focus on coffee quality. Evidence of that has already started to come out in the cup. We’ve noticed some coffee bars missing the point that while we love great design and ambiance from our best restaurants, it’s not why we primarily want to eat there.

Opening in 2013, Truth. coffee's steampunk cafe in Cape Town, South Africa Packaging design for Origin coffee in Cornwall, England

It’s not hard to see how we got here. Today’s Internet is fueled by a Pinterest- and Instagram-inspired obsession with superficial looks, celebrating form over function. Social sharing, mainstream coverage, and Kickstarter hype have all elevated interest in coffee accoutrement based on visuals rather than performance. After all, who wants to dig into the gritty details when you can look at a pretty infographic?

Sometimes design is overdone like the self-indulgent noodling of a 14-minute Neil Peart drum soloAs with today’s world of pop celebrities, elaborate visuals and outrageous price tags — rather than talent — are what capture the fickle attention spans of layman consumers. Like everything else, perhaps it isn’t surprising that quality coffee is giving in to the temptations of Kim Kardashian’s asp. (You see what we did there.)

This isn’t to understate the many virtues of good design, not all of which are visual decoration. Design is a way of bringing art into the everyday things of life, but it is also a means of eliminating the friction and the senseless from how things work.

We all need espresso machines shaped like V-12 enginesNor am I a stranger to the values of design. My father is a retired commercial artist and designer of some 45 years, and long ago I even pulled a stint as a graphic designer whose work appeared in the displays of a national chain of department stores. While I see design as a very useful tool, I stop well short of treating it as a religion.

Because one man’s Apple logo sticker on the rear of their vehicle is another man’s Jesus fish. There are those who so subscribe to the “Better Life Through Design” mantra, they believe the crisis in Gaza could be averted if only someone designed an Israeli wall that was user-friendly enough.

When coffee’s current love affair with design becomes this noticeable, it borders on religion. As with all religions, when the object of its focused attention drifts from its original premise, things can get ugly.

To make my meal in a box taste better, I decided to tweak the logo rather than the ingredients

notNeutral Cappuccino Cups

notNeutral offices in L.A.Bringing the high-minded topic of coffee and design down to the level of cups, the folks at notNeutral recently reached out to us to pay a closer look at their coffee line. In the 11+ years that CoffeeRatings.com has been posting formal coffee and café reviews, many other blogs and Web sites picked up on the habit of noting espresso machines and other brewing equipment. But for whatever reasons, we still haven’t found any other online coffee review resources to date that have been logging cups unless they’re made as custom one-off designs.

So as a CoffeeRatings.com first, what do we look for in coffee cups? Our 2007 post citing the Espresso Italiano Tasting manual outlines some of the key qualities. But the primary objective is this: does it enhance my coffee drinking experience?

LINO cappuccino cup on two saucers MENO cappuccino cup on two saucers

Rios Clementi Hale Studios, an award-winning multidisciplinary L.A. design firm, founded notNeutral as something of a retail consumer arm for their designs. They do a lot of commercial buildings, parks, water projects, train stations, homes, and landscaping, and through notNeutral they get to do pillows, rugs, furnishings, and housewares such as coffee cups.

De rigueur of many designers today, they make overtures to sustainability and “green living,” but it’s not heavy-handed. One of our pet peeves is the hypocrisy of some retailers and media properties that are devoted to the concept of saving the planet by consuming more things (instead of, say, picking something up from a garage sale or a second-hand store).

notNeutral Coffee even promotes the Modbar design on their home page

notNeutral’s coffee home page opens to a photo of their cups beneath the group head of a Modbar, today’s patron saint of form-over-function in coffee, reenforcing design-aware aesthetics. We tested their cappuccino cups since we have collected dozens of espresso cups from cafés around the world.

First, the white, handled LINO cups. These were the cups they designed in partnership with Intelligentsia. Made in Bangladesh, they have good heft and a relatively compact size: filled to the rim, they can hold up to 6-oz/175ml. Design-wise, they clearly take on a modernization of the ACF or Nuova Point classics.

There are a lot of curves, including the saucers, with an inverted-dome-like rounded bottom and tapering up the sides of the cup: there are no edges inside. The handles are distinctive — sticking out in a wider loop, but cleverly flush to the top edge of the cup, allowing the coffee drinker to place their thumb over the top.

notNeutral's LINO cappuccino cup notNeutral's MENO cappuccino cup

We also checked out their black matte, no-handle MENO cups. These suggest the form and function of more elegant Japanese-style tea cups. Made in Sri Lanka, they are also curved inside with no edges — although not as rounded as the LINO cups. The longer basin also means it can hold up to 7-oz/200ml of liquid to the rim (despite their product graphic to the contrary).

The MINOs have a glaze on the matte finish, as these cups are meant to be handled to experience any heat within them. Without the handle, of course, drinking requires you to rotate your hand further back to angle it when you bring it to your mouth: something you’re either used to or will have to accommodate.

We wouldn’t say the LINO and MINO cups are our absolute favorite cappuccino cups. With all its comparatively under-designed flaws, the classic ACF M66 5.5-oz/150ml tulip cup is still something of a sentimental favorite — even if they no longer make them and they’re increasingly hard to come by. But both the LINO and MINO cups are real good — very good. They are thought out in detail, modern, attractive, and also (and here’s the important part) quite functional at what they’re supposed to do. We prefer them over the many modern ACF replacement knockoffs that have appeared since ACF’s demise — such as Cremaware or those from Espresso Parts.

The inverted dome inside the LINO cappuccino cup A MENO cappuccino nicely complements Silkworm

We also asked Hannah Bartholomew Block, who runs noNeutral’s coffee division, a few questions about these cups.

Q & A with Hannah Block of notNeutral

CoffeeRatings.com: With the LINO cups, some design objectives are clear – such as ensuring that the handle is flush with the rim, allowing the user to place their thumb comfortably across the top of the cup when they bring it to their lips. What design problems/solutions were you seeking to address with the LINO cups?

notNeutral: A lot of thought went into that handle. We tried a variety of forms that extended from the cup in different ways, but the final shape provided the most control for the barista and the most comfort for the user. Our design team considered the entire sensory experience of drinking coffee: the diameter of the cup was kept wide so drinker could enjoy the aroma, not just the taste of the espresso. The cup walls are thinnest at the lip for the best mouthfeel, and thickest at the bottom to retain heat. The bottom of the cup is rounded for optimal fluid dynamics, making it easier for baristas to pour latte art. Beyond those functional aspects, of course we wanted the cups to look modern, unique, and interesting.

The design advantages of the LINO cup

CR: In contrast to the previous question, where do you feel most coffee cups fall short in offering customers a better coffee-drinking experience?

nN: The most important consideration is comfort of the user. Are the cup walls thick enough to protect the user’s hand from heat? Is the handle comfortable and stable to hold? Will the shape of the lip cause coffee to drip down the outside? When you swirl an espresso shot in a demitasse, is it going to slosh over the sides? We consider all these factors when designing or choosing cups for a café.

CR: At CoffeeRatings.com, we’re an odd lot who have also liked using traditional Asian tea cups for brewed coffee service at times: no handles, matte black finish. So in that way, the MENO cups remind us of some classic tea cups. Was the MENO design inspired by those cups?

nN: Yes. We did look at Asian tea cups as precedents. We looked at Japanese ceramic glazes and liked the way the matte black got distressed over time. We also liked the way the dark, non-reflective finish not only drew attention to the graceful cup profile, but also felt warm and satiny to the touch.

CR: Whether inspired by Asian tea cups or not, you’ve clearly labeled your MENO cups as part of your coffee line. Anything about the experience of these cups, or the experience of drinking tea, did you want to carry over with these cups over the traditional cups?

nN: The handle-less cup completely changes the sensory experience of holding and drinking a cup of coffee. There’s a comfort in savoring the warmth of the cup directly in the palm of your hand. That’s a little unexpected for coffee. It makes you reconsider the ritual. We definitely envision MENO crossing over from specialty coffee service to vessels for tea.

CoffeeCon San Francisco 2014

Posted by on 30 Jul 2014 | Filed under: Consumer Trends, Home Brew, Local Brew, Machine, Roasting

You may not have noticed it through most of the usual “coffee media” channels, but this past Saturday San Francisco hosted CoffeeCon‘s first-ever road tour. You might recall our coverage last year of CoffeeCon 2013, held at its Warrenville, IL mothership. In its fourth year, CoffeeCon has been enough of a success at addressing unmet coffee consumer interest to take the show nationally for the first time — with SF on July 26, NY on October 11, and finally in L.A. on November 8.

CoffeeCon is somewhat unique as a consumer-oriented coffee event, where layman coffee lovers and enthusiasts can participate without being overlooked for coffee professionals or shunned by trade show hucksters. We may have derided the widespread abuse of the term “Third Wave” as self-promotional marketing babble for some eight years now. But if there was ever an experience that epitomized coffee lovers “enjoying coffee for its own sake,” this has to rank right up there.

Crowds inside CoffeeCon SF 2014 More crowds inside CoffeeCon SF 2014

Chromatic at CoffeeCon SF 2014 Ritual Roasters at CoffeeCon SF 2014

George Howell Coffee at CoffeeCon SF 2014 Stephen Vick of Blue Bottle Coffee and Alex pumping the Faema of Mr. Espresso at CoffeeCon SF 2014

Event Exhibitors

They held it in SOMA’s Terra Galleries art gallery/event space, which operated with a surprisingly heavy security detail. A great number of area coffee purveyors came to show off their goods to attendees — including roast-to-order Artís in Berkeley, Blue Bottle, Chromatic, De La Paz, Equator, Flywheel, Four Barrel, George Howell (from MA), Henry’s House of Coffee, Mr. Espresso, Old Soul Co. (a gem from Sacramento), Peerless, Ritual Roasters, Sightglass, and Verve. A favorite overheard non-sequitur of the day reflected the variety on display: “Oh, there’s Blue Bottle… but I can get that anywhere.”

Besides sampling a lot of coffee, attendees could also take courses, experience hands-on demonstrations of consumer equipment, hear talks from professionals (CoffeeCon has contractually locked up much of George Howell‘s speaking tours), and even check out home roasting equipment in the outdoor space.

We caught Mr. Espresso’s Luigi di Ruocco‘s “Italian Espresso” talk and even had an epiphany or two. For example, the Italian art of balance in espresso blends makes all the more sense when you think of how many each Italian sips in a given day. Punchy, overbearing brightness bomb shots would create more palate fatigue if experienced multiple times daily. It also dawned on us how important a rounded espresso flavor profile is to end a meal on as a complement, rather than competitor, to the food you’ve just eaten.

Brewing classroom at CoffeeCon SF 2014 George Howell serving up glasses after his course at CoffeeCon SF 2014

Home roasting sessions at CoffeeCon SF 2014 Luigi di Ruocco of Mr. Espresso teaches Italian Espresso at CoffeeCon SF 2014

Old Soul at CoffeeCon SF 2014 Flywheel Coffee at CoffeeCon SF 2014

KitchenAid was one of the event’s key sponsors, and they announced a new home coffee brewer currently in factory production. It attempts to automate manual pour-over coffeemaking with an enclosed system of water-pulsing that follows a programmable pour-vs.-steep algorithm. In that sense, it seems a little like a consumer version of Clover‘s Precision Pour Over concept, which has seemingly gone dark over the past couple of years.

While KitchenAid has been long known for its mixers, it first got into the coffee business with the A-9 and A-10 coffee mills back in 1937. They still do amateurish things, such as exclusives with Williams-Sonoma (who notoriously offer some of the most overpriced and most substandard/landfill-bound consumer coffee appliances on the market). But in recent years KitchenAid has introduced decent-for-the-price-point Pro-line Burr grinders and other worthy consumer coffee products targeting what they now, unfortunately, call the craft coffee market.

Craft Coffee: Third Wave by any other name…

Side note: the term “craft coffee”, appropriated from the beer world, is really just a pound-for-pound stupidity surrogate for the ever-more-embarrassing “Third Wave” term these days. Use of the term is made all the worse by the decades-old homonym, “Kraft coffee“: i.e., the Big Four coffee purveyor more commonly known as “Maxwell House.” This is akin to the craft beer market calling itself the “blue ribbon beer market”. *Facepalm*

So it’s with curious irony, lost on KitchenAid, that they’re now offering an appliance that push-button automates a manual pour-over in the name of craft coffee. (And not an Alanis Morissette “irony” either.)

KitchenAid's new consumer take at Clover's Precision Pour Over CoffeeCon SF 2014's illustrious gray-hairs: LtoR Kevin Sinnott, Kenneth Davids (CoffeeReview fame), and Alan Alder (Aeropress fame)

Artís Coffee at CoffeeCon SF 2014 Four Barrel at CoffeeCon SF 2014

Tasting session during George Howell's talk at CoffeeCon SF 2014 Spent coffee tasting glasses at CoffeeCon SF 2014

As a home-grown event with little professional event staffing, CoffeeCon seemed to experience a bit of chaos outside of its mothership confines for the first time: running out of badge-holders, a lack of pre-event press, some improv when an occasional speaker didn’t show on time, and a couple of classrooms separated only by a hospital-room-like thin cloth barrier. The last one generated audible cacophony when the class next door would roar with coffee grinders. But all in all, the event was anything but disappointing.

We even reconnected with Aleco Chigounis, whose coffee sourcing we’ve long been big fans of. He’s since established Red Fox Coffee Merchants. (No relation, however, to “This is the Big One. Elizabeth, I’m coming to join you, honey!“.)

Trip Report: Saint Frank (Russian Hill)

Posted by on 10 Jun 2014 | Filed under: Beans, Café Society, Consumer Trends, Local Brew, Machine, Quality Issues

This café is the brainchild of former middle school teacher and Ritual Coffee barista, Kevin “Tex” Bohlin. Starting as a pop-up in SF’s South Park (which has since closed in Dec. 2013), this over-designed flagship café opened in Oct. 2013 to a considerable amount of gushing praise.

It took over the former Teashi spa, and the spirit of past mani/pedis and Brazilian waxings still sort of haunts the place. On the sidewalk out front there’s limited wooden café table seating. Inside in front there’s window counter seating for four on stools right next to shelves of coffee merchandising, just shy of the long service counter.

Entrance to Russian Hill's Saint Frank Wall o'coffee inside Saint Frank

It’s a long space that is deceptively airier than its limited seating would suggest. There’s an array of a few café tables against a shared wall bench; these are typically the domain of laptop zombie squatters. Further back there’s an upstairs under bright skylights that offers two larger, semi-private tables.

Here there is an overwhelming sense of someone’s idyllic vision that a café should be more like an Apple Store. There are stark, plain walls and wood grain paneling plus a wannabe kanketsu “service philosophy” of removing as many barriers as possible between barista and customer.

This is exemplified by their unique, Modbar-like espresso machine: a two-group, under-the-counter job either called the Jepy Minim (per the engineer/designer John Ermacoff, aka Jepy) or the Ghost (per project designer Ben Kaminsky). It’s the guts of a perfectly acceptable Synesso Sabre, but Frankensteined beyond recognition as a sacrifice to form. This worship at the Holy Church of Makerdom might promise greater temperature control, etc., but what only matters to us as coffee lovers is what it produces in the cup.

Malkhoning K30 Twin grinders at Saint Frank's service entrance Coffee menu inside Saint Frank

Laptop zombies and service counter in Saint Frank Still life at Saint Frank: just as they've designed it

They specially source limited coffees and roast them through Ritual Coffee Roasters for their own private label, and our review here is of their Little Brother Espresso — which comes at a whopping $3. (They also served a Costa Rica Los Crestones for $4.) It’s served slightly full with an even, medium brown crema. There’s a balance to the flavor with hints of bright fruit, but there’s primarily a mid-palate of herbal pungency.

In short: it’s a very good shot. But for all the pomp, technology, design, and the price, it doesn’t measure up to expectations — failing to rank in the Top 35 of SF coffee shops. We need to revisit to ensure we didn’t catch them on an off moment, but that would be surprising given they’ve been open for eight months and their machine has dialed down espresso shots to a push-button level. The good news for Saint Frank is that there are clear opportunities to improve. (That might also include banning all employees here from openly calling it “spro”, dude.)

Served in white Le Porcellane d’ANCAP cups. They also offer V60 pour-overs and use Malkhöning EK 43 & K30 Twin grinders.

Read the review of Saint Frank in SF’s Russian Hill.

Closer look at Saint Frank's under-the-counter Jepy Minim or Ghost machine The Saint Frank espresso


Café Arms Races That Don’t Involve Coffee

This will read like an attack on Kevin when he’s done some very interesting things with unique coffees, and he’s certainly trying things. Yet Saint Frank is also symptomatic and emblematic of what seems so very lost and misguided with what the industry holds as the new standard of coffee shop today. Among all the toys and distractions of late, coffee quality in the cup seems to have again taken a back seat.

If you’re going to charge $3 for an espresso, it should at least break the Top 35 in the city. Among the 700 active espresso purveyors currently surveyed in SF, Saint Frank’s standard espresso shot is the most expensive in the city that’s served outside of a restaurant setting. (Presuming the Nespresso Boutique & Bar qualifies more as a restaurant, where you’re paying more for white tablecloth service and a global smoke & mirrors marketing campaign.)

We should all be paying more for coffee — but for better coffee. Based on our ratings, it’s not better. For the reported pedigree of their sourced coffees, it doesn’t even have a different or unique flavor profile. So what exactly am I paying extra for?

Ghost in the Machine

First, there’s the promising lure of shiny new equipment and it’s empirically consistent failure to deliver better coffee. In the past we’ve noted the likes of Sightglass who have been guilty of this for years. In Saint Frank’s case, it’s not even so much a “better brewing” sales come-on than superficial aesthetics: i.e., a low-profile workspace primarily conceived to address the First World coffee problem where my barista doesn’t get to see more of my crotch.

When the world's gone ModbarFortunately the Modbar isn’t weighed down by outrageous costs — you can get a full system for under $10k. Hopefully Saint Frank’s custom lookalike (the Jepy Minim or Ghost, depending upon whom you ask) follows suit in that department. But with new, “revolutionary” ways to brew coffee even more perfectly being announced every week, we’ve often wondered if any of the takers ever get the chance to dial-in on them, with a serious dose of experience, before they roll on to the next big thing — looking to technology to bail them out from substandard practices.

This is a little of what former USBC champ Kyle Glanville recently called the “fancy equipment arms race”: “People are spending shit tons on machines to brew coffee when they should be investing in their own palates and understandings of flavor, and the knowledge of how coffee brewing actually works”

When Service Design Forgets to Design for Product Quality

So what about making your café look like an Apple Store? Blue Bottle Coffee has been compared to the Apple of coffee shops, and they’re even sporting Apple-inspired service table designs. And CoffeeRatings.com has had plenty of good things to say about Blue Bottle.

Blue Bottle Oakland's Apple-inspired service table topExcept Blue Bottle’s resulting coffee quality is noticeably better than Saint Frank’s. Now any café owner is entitled to invest hundreds of thousands of dollars in a custom espresso machine, killer grinders, and a Zenlike service design experience. But if it doesn’t translate to a better cup of coffee, those costs are being passed on to me to satisfy completely different concerns. You’d be better off having your baristas selling me $400 sweaters.

What results is a place that seems enamored with all the trappings of what’s expected of a wannabe Fourth Wave coffee place, but with no improvement in the coffee itself. Which suggests more of our cynical definition of a Fourth Wave coffee shop from four years ago. We then joked that if the Third Wave was about letting the coffee speak for itself and enjoying coffee for its own sake, the Fourth Wave was about appreciating so much of the gadgetry and trappings surrounding coffee service that any actual coffee was no longer required.

Rewarding The Wrong Behaviors

But can any of us blame Kevin? The status quo of the industry’s most popular coffee media encourage this focus. For example, a Dear Coffee, I Love You seems to care more about subway tiles than coffee roasting. While Sprudge heavily promotes their “Buildouts of the Summer” promotional series as if coffee were a construction project. And in professing “we would never grade coffee shops”, Sprudge seems too terrified to lift a judgmental finger to critique any of the coffee and potentially hurt someone’s feelings.

In the absence of critical opinions, these become our public coffee thought-leadersThis leaves a massive void of any popular critical thought about retail coffee quality. Instead of learned coffee professionals, this gap is filled instead by the arbitrary standards of “top 20 coffee shops in America” lists on popular news and travel web sites — often written and compiled by interns most enamored by double-tall, four-pump vanilla caramel macchiatos in paper to-go tubs, whose understanding of coffee quality extends little beyond the MSRP price tags of the commercial coffee machine fad of the month.

Or worse: the void is left to the whims of the “man in the street” on review sites like Yelp!: where electrical outlets for laptops, cute baristas who flirt, and cheap extra large muffins count for more than any coffee quality.

Putting Coffee Quality Back at the Center

Imagine a perverse wine world where the like likes of Wine Spectator or Wine Enthusiast gave everything identical 90-point scores while devoting the bulk of their writing to the wood and fixtures used to build their tasting rooms and the designers of their high-tech wine openers. It’s of little surprise that we have ended up with coffee writing that reads more like an interior design arms race sponsored by Home Depot®. Meanwhile any actual quality judgement on coffee is suppressed to the level of American youth soccer: everybody is recognized with a trophy just for participating. Why even bother with the farce of barista competitions if “everyone is a winner”?

Over a decade ago, one of the major inspirations for creating CoffeeRatings.com was our immense frustration with all the existing books and online reviews of coffee houses at the time: it was impossible to find any critical reviews of coffee places that critiqued any actual coffee. Most of the attention was spent on ambiance: the style of the clientele who hung out there, what novels they read, and how good the bagels were. With all the attention now given to new machines, service counter layouts, and who makes the wooden countertops, we seem to have relapsed to those more ignorant days.

The things we read while dragging on cigarettes in fashionable cafés

I never thought I’d miss what six years ago I called the Malaysian street food experience. Then the environmental design slight-of-hand was in making you feel like a hipster for sipping your espresso while sitting on a cinder block in an alley filled with spent heroin needles. Even so, at least the quality of the coffee still ran as the headline. Today I’m not so sure anymore. Maybe it’s time to go back to those days.

What great chefs can tell us about good coffee

Posted by on 10 May 2014 | Filed under: Café Society, Consumer Trends, Quality Issues, Restaurant Coffee

Is René Redzepi gonna school us on coffee? Roast Magazine believes so.The short answer: absolutely nothing.

Still reading? OK, here’s the long version. So what made me lob such an incendiary, sweeping, and judgmental hand grenade? This past week I came across this headline from Roast Magazine‘s news feed: Daily Coffee News by Roast Magazine – Coffee Recommendations From the World’s Greatest Restaurant Chef.

The post cites a Telegraph travel article that’s completely innocuous. But it’s the loaded presumptions behind Roast‘s headline that forcibly poked me in the eye and compelled me to respond.

Because, you see, I’ve never trusted a great chef’s opinion about good coffee. And I’ve come to believe that I probably never will. This is yet another example of why all journalistic efforts and awards that classify coffee as some mutant, orphaned subdivision of food seem misguided and wholly inadequate.

Most great chefs are quite poor at even desserts — at least when compared to their hired gun pastry chefs, for example, they often reach for odd savory creations given palates that are often clueless at how to deal with sweet. Thus it shouldn’t be of great surprise that most great chefs are outright lame when it comes to quality coffee. The continually sad state of restaurant coffee being additional supporting evidence.

So why does public perception seem convinced of the complete opposite?

The Celebrity Chef as Martha Stewart

Because chefs eat better than you ever couldIn recent years, food has firmly become a form of entertainment, and the highest profile chefs have morphed into something strangely akin to lifestyle consultants. As the social status of celebrity chefs has risen, so has a sort of cultural belief that these chefs have come to represent all things fine dining and living — each of them harboring great secrets of a modern illuminati. So much so, today our popular culture is immersed in this mistaken fantasy that chefs always eat out better than you, eat at home better than you, and even vacation better than you. (Yes, there are even absurd apps based on the premise that chefs eat better than anyone else on the planet.)

The reality is that even the best chefs often have terrible diets, have no time to eat well, chain smoke, marinate themselves in hard alcohol, and even shoot up with a little smack or crank now and then. (I’m looking at you, Anthony Bourdain.) And yet consumers seem overly willing to make a misguided mental leap: that just because someone is qualified to make a meal for King Louis XIV, they must therefore eat and live it up like King Louis XIV (though maybe on a slightly leaner budget).

So when American super-chef, Thomas Keller, says he can often be found eating at an In-N-Out Burger, that might help elevate public esteem for the cult favorite burger chain. But that says more to me about Thomas Keller than it says about In-N-Out Burger — which is, quite disappointingly, just another mass-produced, paper-hat, greasy-burger-on-a-bun fast food chain of a slightly different hue. It might also explain why the coffee at Mr. Keller’s restaurants is so poor.

Of Chefs and Coffee

A few years ago when we dined at Keller’s notorious French Laundry, we noted how the espresso there scored lower than a Starbucks at the SFO airport. A good friend of this Web site who ranks high in the local coffee industry (who shall remain nameless) also dined there this past weekend and reported pretty much the exact same disappointing coffee experience. And that’s quite consistent with the poor coffee service we’ve experienced at virtually all of Keller’s restaurants.

But it’s not just Keller.

Top Chef's Ladma Lakshmi says, 'Bring on the Nespresso!' Wolfgang Puck's approach to quality coffee: pre-grind it and shove it in a pod

On an episode of Dangerous Grounds in Rome this season, superchef Mario Batali sent Todd Carmichael to Tazza d’Oro to experience what he thinks is the best Italian espresso, period. Now I love Tazza d’Oro. A major inspiration for this site was the battle between the locals in Rome’s centro storico for who had the better espresso — Tazza d’Oro or Sant’Eustacio il Caffè. But as good as it is, there’s a lot of local legend and historical folklore behind Chef Batali’s choice.

Mr. Carmichael eyeballs Tazza d’Oro’s roasting operations and notices all the Brazilian coffee produced by mechanically harvested megafarms, suggesting how he could do better. And as I recently concluded, even the best espresso from a recent trip to Napoli — a city known even more for the quality of its Italian espresso — could not crack SF’s Top 15. Even look at the Batali-owned U.S. locations of Eataly: there are Lavazza cafés in the U.S. where any Eataly in its native Italy would never consider hosting them on the basis of Lavazza’s vast size and pedestrian quality.

Chef Batali has an impeccable palate for Italian food. But his taste for coffee seems clearly borrowed rather than personally developed. Though who can blame him given everything else he has to obsess about? Even if his habits of hanging out with that vapid sea hag in $1,000 yoga pants, Gwyneth Paltrow, and his trademark I’ve-given-up-hope footwear might suggest that not all his tastes are winners.

As David Kinch, chef at Manresa, once said about coffee: “I focus on the caffeine.” Which, if coffee were analogous to wine, would be like saying, “I focus on the alcohol”. Connoisseurs indeed.

The French Laundry espresso: why, just why? Mario Batali and Todd Carmichael at Tazza d'Oro's roasting area

Of Chefs and Sommeliers

Speaking of that ever-popular wine analogy, let’s turn our attention to great chefs and their relationship to wine. Food and wine are like the yin and yang of fine dining. Yet nobody corners great chefs to ask their personal opinions about their favorite wines — so why would coffee even be relevant? Sure, said chefs will be asked about pairing wine with food. But almost never are they asked about their independent opinions about wine.

Why? Because all the respectable wine snobs know that’s not where these chefs excel. When Wine Enthusiast visited Chef Redzepi’s Copenhagen dining scene a few years ago, it failed to even mention wine anywhere in the article. A curious omission for a wine-obsessed magazine.

Because everything in America is better by the jug-fullIn 2007 Wine Spectator interviewed Thomas Keller and did an exceedingly rare thing: they asked him directly about his wine preferences. Did he wax about the lush qualities of his favorite vintage of Domaine Dujac Clos de la Roche Grand Cru? No, instead he noted that his favorite wines were young Zinfandels — big fruit bombs, often heavy on alcohol, that were once most commonly known as “jug wines” not all that long ago.

There’s nothing wrong with young Zinfandels or having preferences for inexpensive wines. This isn’t to suggest that great chefs have disproportionately philistine tastes when it comes to wine (or coffee). But professing favoritism for what was once associated with wine’s misery market is hardly what the public expects when seeking the sage wisdom of Thomas Keller’s “distinguished wine palate”.

Poor, poor Mario's liverAs for Mario Batali, he promotionally offers his name on a “Mario Batali Selection™” line of wines — curated by Mario and typically offered in the $15-20 range. But nobody believes that’s what he chooses to drink. In fact, Chef Batali seems too preoccupied having his team of ghostwriters come up with new material for his weekly column in the New York Times Magazine“What I’m Drinking” — where each week Chef Mario celebrates new ways to damage his liver through the versatile elixir of hard liquor.

What Chef Redzepi, Chef Keller, and Chef Batali — and many great chefs like them — all have in common is knowing the limits of their own tastes and opinions outside of food. What they all have become quite good at is knowing how to delegate, choosing surrogates whose opinions they trust: whether that’s a pastry chef, a sommelier, or someone in charge of the coffee service at their restaurant.

Celebrating the Coffee Specialists

All of which isn’t to say that René Redzepi has no taste for decent coffee. Coffee Collective is a Copenhagen, if not world class, coffee institution. But the loaded pretext here is that because Chef Redzepi knows how to forage and make the world’s most delicious moss, that somehow this qualifies him as some kind of coffee oracle. This when his coffee palate is likely far less informed than some 28-year-old local Copenhagen bike messenger who still lives with his parents. I’d rather hear that bike messenger’s opinion about coffee. However, Chef Redzepi has earned his respect and celebrity for what he’s accomplished with food — even if he hasn’t earned it for all things related to taste.

Being an outstanding chef does not bestow any magical abilities to divine good coffee from bad, just as being a certified Q grader doesn’t qualify you as an expert on modern Scandinavian cuisine. So let’s stop pretending that chefs are something they’re not — as if being the executive chef at the best restaurant in the world isn’t enough. They can barely cope with wine or dessert, let alone coffee.

Perhaps if we stop insisting that our food savants must also be multi-disciplinary Renaissance men and women in all matters of taste, we might start deservedly recognizing the coffee specialists for what they truly excel at.

UPDATE: August 21, 2014
We’ve added an update to our original Noma Restaurant coffee post. It cites a recent article on Noma’s coffee service plus a 47-minute presentation video of René Redzepi at the last Nordic Barista Cup.

Curiously enough, Chef Redzepi opens the presentation by giving complete credit to his head sommelier, Mads Kleppe, for Noma’s coffee program and suggests that Mr. Kleppe should give the talk. Chef Redzepi then proceeds to monopolize the presentation — with Mr. Kleppe standing on stage nearby.

Mission Accomplished: Mankind’s first major step towards the disposable café

Posted by on 06 May 2014 | Filed under: Consumer Trends, Home Brew, Machine, Starbucks

When not on my best of days, I’ll be the first to admit that I can sometimes be a sarcastic jerk. But even the most acrid sarcasm can be neutralized by a shocking dose of absurd reality. Case and point with this story in today’s Daily Mail: Grower’s Cup, World’s first DISPOSABLE ‘coffee machine’ lets you brew on the move | Mail Online.

You see, there’s long been a lot of consumer environmental angst when it comes to single serving coffee made from pods and capsules. That angst is not at all misplaced, but it’s largely viewed from the wrong end of the telescope. Virtually all discussions that cite the environmental impact of coffee pods obsess exclusively over recycling. Meanwhile, they throw “reduce” and “reuse” under the bus — completely ignoring them.

The Grower's Cup: the next dimension in environmental coffee atrocities

If we remember our Environmentalism 101, the ranked order of efficacy is this: reduce, reuse, and then recycle. Thus the great environmental atrocity of pod coffee machines isn’t throwing the pods away. It’s that, by design, these coffee systems seem to maximize the amount of materials extraction from the earth, materials processing, machine energy consumption, manufacturing waste by-products, excess packaging and shipping weight, and additional transportation fuel consumption with each and every serving of coffee. The introduction of coffee pods created incremental new demands for all of these, where none existed prior for “traditional” coffee formats.

To sarcastically illustrate this point over the years, I often go from zero to ridiculous in one sentence: that if they manufactured an entire life-sized, pop-up, disposable Starbucks with every coffee serving, the entire system would earn a green “pass” by most consumer definitions if the disposable Starbucks were made of recyclable materials. Imagine a cardboard Starbucks with 1,800 square feet of indoor space, including cardboard men’s and women’s bathrooms, thrown away with every serving of coffee. Can you recycle it? Say “yes” and planet earth and a choir of bluebirds will thank you.

It ruins the joke if they really do that...So imagine my shock and horror — and the death of my sarcasm — when I learned that the first step towards creating the disposable Starbucks had already been made with the 2012 introduction of the world’s first disposable coffee machine. Sure, you could say that the proliferation of pop-ups marked the first introduction of the disposable café, but the holy grail here is the single serving disposable café.

Homer facepalm indeed…

Stanford Continuing Studies hosts coffee symposium | Stanford Daily

Posted by on 05 May 2014 | Filed under: CoffeeRatings.com, Consumer Trends, Fair Trade, Local Brew, Quality Issues

Today’s Stanford Daily published an article on the Stanford Coffee Symposium that we held this past weekend: Stanford Continuing Studies hosts coffee symposium | Stanford Daily. In addition to the featured speakers mentioned in our earlier post, the event showcased espresso drinks and coffees meticulously prepared by Mr. Espresso, Barefoot Coffee Roasters, Centro Agroecológico del Café A.C. (CAFECOL, from Mexico), Coupa Café, and Café Venetia — plus an overall event coffee service provided by Peet’s Coffee & Tea.

James Freeman of Blue Bottle presents 'The Last Mile' of coffee Students at the Stanford Coffee Symposium, 2014

Vendors serving coffee at the Stanford Coffee Symposium One of the coffee evaluation sessions at the Stanford Coffee Symposium

Exclusively for the event, Richard Sandlin of Fair Trade USA (and the Bay Area Coffee Community) and Stephen Vick, green coffee buyer for Blue Bottle Coffee, jointly developed a custom coffee evaluation session where some 200 students tasted three very different coffees from different regions — each personally sourced by Stephen and prepared by Blue Bottle baristas. Richard and Stephen encouraged the students to identify & associate flavor descriptors for each coffee and compare their tasting experiences with those of their own.

I was pleasantly surprised that the Stanford University team transformed the classic, 1938-built Stanford Graduate School of Education building, with its modest power & water supply, into something that could support an event of this size: with modern espresso machines and a demanding cupping-like event with three different hand-crafted coffees served simultaneously to some 70 people in three shifts.

Mr. Espresso at the Stanford Coffee Symposium Coupa Café and Café Venetia at the Stanford Coffee Symposium

Blue Bottle bariste prepare coffee samples for the coffee evaluation session - in chambray of course Stephen VIck (left) and Richard Sandlin (right) explain the coffee evaluation session to attendees

Although I was mostly busy helping to keep things running smoothly behind the scenes, I still managed to learn quite a bit about coffee history, the coffee genome, the impacts of coffee on labor and certification practices in Latin America, and how to measure biodiversity and its effects on coffee production. That said, my favorite event logistics non-sequitur of the day had to be: “I found out that the golf cart wasn’t stolen.”

A big thanks to everyone who helped pull off a educational, fun, and highly caffeinated celebration of coffee that also increased our mindful appreciation of it.

Barefoot Coffee Roasters' truck at the Stanford Coffee Symposium CAFECOL at the Stanford Coffee Symposium representing growers from Veracruz, Mexico

Detailed notes from the coffee evaluation session at the Stanford Coffee Symposium A Mr. Espresso macchiato at the Stanford Coffee Symposium

Trip Report: Flywheel Coffee Roasters (Upper Haight)

Posted by on 22 Apr 2014 | Filed under: Café Society, Consumer Trends, Local Brew, Roasting

Haight Street has taken decades to emerge from its Summer of Love bender. Despite locals declaring “the Death of the Hippie” and the end of an idealized Haight-Ashbury by October 1967, runaway teens and drug addicts continued to flock to the neighborhood seeking social escape while lacking any support networks.

By the time I first visited the area in the late 1980s, the stories of wars between drug dealers, crime epidemics, and kids on LSD falling to their deaths out of Victorian windows had long since vanished. But the chronic problems of homelessness and drug addiction remained. Other than seeing live music at the I-Beam or experiencing the camp of Rock & Bowl (now Amoeba Records), this part of the neighborhood was something you generally avoided after dark.

Stanyan St. entrance to Flywheel Coffee Entering Flywheel Coffee with service bar on the left

Today, things are very different. In place of the sketchy Cala Foods (whose closing was celebrated by locals), there’s now a Whole Foods. Gentrification hasn’t scrubbed everything clean, but at least the Golden Gate Park area across the street no longer looks like a refugee camp from a condemned methadone clinic.

And located in a large, tall space adjacent to the Whole Foods parking lot — at what used to be the San Francisco Cyclery — is Flywheel Coffee Roasters, opening in April 2012. They have added to the growing coffee legitimacy of the Upper Haight by roasting their own beans — using a Portuguese Joper Roaster in the back.

The space has a sunny entrance with tall windows facing west over Stanyan St. Inside there is counter seating along the windows, simple stool seating at taller tables, and several other tables indoors. Out back there’s something of an enclosed deck that’s exposed to a little bit of the occasional outdoor breeze. Up wooden stairs is a low-ceiling space with a bit of coffee roasting supply storage.

Coffee menu and drippers at Flywheel Coffee Joper roaster at the rear of Flywheel Coffee

The laptop zombie quotient is on the high side here (ah, the price of gentrification). This gives it a rather cavernous, library-like feel. They offer cold brew drippers ($4), syphon-brewed coffee ($5), Hario V60 pour-overs, and a new three-group Faema Enova for espresso drinks.

They pull shots with a mottled medium brown crema of some coagulated thickness. It tastes of cloves and other, deeper herbal pungency without much spice nor tobacco: it’s actually a rather narrow, limited flavor profile with little roundedness. This perhaps reflects their usual choice of single origin coffees from Colombia, Kenya, Ethiopia, etc. Served in black Espresso Parts cups with a short glass of mineral water on the side.

It may be far from the better espresso shots in town. However, that a decent coffee house serving decent coffee could exist here was difficult to imagine 25 years ago. At least that much is progress, and we always have a soft spot for truly independent cafés.

Read the review of Flywheel Coffee Roasters in the Upper Haight.

Service bar inside Flywheel Coffee The Flywheel Coffee espresso

Espresso nel caffè: Rai 3 Report

Posted by on 07 Apr 2014 | Filed under: Barista, Beans, Consumer Trends, Foreign Brew, Home Brew, Machine, Quality Issues, Robusta, Starbucks

As we noted last month, tonight on Rai 3 — a regional TV news network in Italy — they aired an investigative exposé on the state of espresso in Italy titled “Espresso nel caffè”: Report Espresso nel caffè. Rai 3 produced this as an episode of their Report program, which has been something of a platform for barebones investigative journalism since its inception in 1997. (Think a scrappier 60 Minutes on a shoestring budget.)

This nasty shot of an unclean espresso machine in Napoli won't qualify as coffee pornThe 51-minute segment isn’t groundbreaking for either journalism nor for any awareness of coffee standards. That said, it is aspirationally legitimate coffee video and television. Far too often on the Internet, the idea of a good “coffee video” — with few exceptions — is equated with a sensory montage on YouTube or Vimeo packaged like a roaster’s wannabe TV commercial.

There’s never any storytelling (“Plot? We no need no stinkin’ plot!”) — just coffee porn close-ups of the stuff either roasting or brewing, complete with a coffee professional’s platitudes voiced over B-roll. Coffee fanatics have largely only encouraged these low standards by joining in on the self-congratulatory social media circle jerk that follows video after identical video.

How a coda di topo should not look...The Report episode begins by covering the necessary espresso machine hot water purge before pulling an espresso shot — and by noting how few baristi know to follow this practice. A Lavazza trainer notes how 70% of the aromatic properties of coffee are lost within 15 minutes of grinding it. Comparisons are shown of a correct and incorrect coda di topo (or “rat’s tail”) pour from an espresso machine, showing how equipment can get gummed up without proper and immaculate cleaning. The program also reviews how few baristi know how much arabica versus robusta is in their blends, noting the resulting impacts on flavor and costs.

Luigi Odello on ReportThey visit cafes such as Gran Caffè Grambrinus and Caffè Mexico at Pizza Dante, 86 in Napoli. They interview some heavy hitters — from Lavazza to Caffè Moreno to Kimbo, from Biagio Passalacqua himself to Davide Cobelli of the SCAE (featured last month in Barista Magazine) to Luigi Odello of Espresso Italiano Tasting fame. And probably too many guys in lab coats.

Overall, the program is a bit condemning of espresso standards across all of Italy. But remember, this is a national news program that targets the general public: the goal is to educate and, in some ways, outrage the public about what they may be putting up with currently. If only one percent of the coffee porn videos in English would attempt something so high-minded as that.

UPDATE: April 8, 2014
Effective communication often changes behavior. In response to Rai 3′s Report yesterday, a Campania region commissioner has come to the defense of the region’s espresso: Campania Report, Martusciello: “Il caffè napoletano è una eccellenza”.

Defensive posturing aside (he’s not alone), the commissioner also welcomes those interviewed for the program to visit local Napoli coffee shops and producers to witness the mobilization Napoli has mounted in response. As such, Andrej Godina has done God’s work: raising public awareness of lagging coffee standards, starting a dialog, and inciting action to improve these standards.

UPDATE: April 14, 2014
Antonio Quarta, president of the Associazione Italiana Torrefattori (AIT, Italian Roasters Association), commented on the Report in today’s paper: Quarta: «Il caffè fa bene, ma è importante che sia di qualità». In short, he notes that the SCAE has its own high professional standards, but that applying them to every gas station and airport serving espresso in Italy doesn’t exactly tell the whole story either. He’s a little defensive, as you might expect, but investigative journalism thrives on finding worst-case scenarios and drawing much more widespread conclusions from them.

Trip Report: Linea Caffe (Mission District)

Posted by on 19 Mar 2014 | Filed under: Café Society, Consumer Trends, Local Brew, Roasting

This coffee shop opening in Sept. 2013 received an almost inordinate amount of fanfare. It still gets some of it. One of the latest examples being the New York Times Travel section with a recent piece by their former coffee scribe, Oliver Strand.

Andrew Barnett (of Ecco Caffè fame — now Intelligentsia SF — and currently the Good Food Awards and Cup of Excellence judging) established the coffee side of the operations, starting with his own micro-batch coffee roasts. So there’s some definite reason to get excited about that.

Entrance to Linea Caffe from 18th Street Linea Caffe at the corner of 18th St. & San Carlos with sidewalk seating along the latter

Frankenstarter

But here’s where things get convoluted. Grafted onto this perfectly good coffee bar is GreenSalads.org. Overlooking the folly of naming your brick & mortar business after your electronic address (e.g., “1800 Flowers? But I only need a dozen.”), they serve salads that read like a checklist of 2013′s most trendy and overdone ingredients: kale, quinoa, Brussels sprouts. Is a cauliflower salad in the cards for 2014? It’s honestly hard to tell if the menu here is meant as a self-parody of SF salad menus or not.

But wait — that’s not all. Also grafted onto this place is Lt. Waffle, offering sweet and savory Brussels-style waffles. One even garnered local 7×7 cover press as the #1 item of their “The Big Eat 2014″ list of 100 things we absolutely must eat before we die. (I know I’m holding off on including that DNR in my advanced health care directive until I eat one.) The salad and waffle offerings come courtesy of Anthony Myint, who partnered up with Mr. Barnett while he was a regular customer at Mr. Myint’s Mission Chinese Food.

We may be established fans of Mr. Myint’s Commonwealth and certainly of Mr. Barnett’s coffee. But the resulting café is a bit of a Kickstarter Frankenstein: an odd fusion of waffles, salad, and coffee with the feel of a schizophrenic food consignment shop.

Even so, that hasn’t deterred SF foodies any. Ever since the 2008 economic meltdown, the restaurant world has been downsizing their menu ambitions while simultaneously upsizing their revenue-per-plate on lunch fare for the common man. Out are top-dollar amuse-bouches, tasting menus, and culinary foams. In are glorified comfort foods: pimped out burgers, pizza, grilled cheese, and salads offered at twice the price we used to pay, and demonstrating less than half of the culinary creativity pre-2008.

If SF diners proved financially apprehensive about splashing out for a new BMW, they’ve proven more than happy to spend almost as much on a tricked out Honda Civic. The fetishized $4 toast was only a matter of time.

GreenSalads.org - or is that Lt. Waffle? Who knows Linea Caffe's La Marzocco Linea

About that coffee…

But enough about salads and waffles. While good, we’ll leave those details to Mr. Strand’s quoted restaurant review. The coffee side of the house has its act in order even if it doesn’t quite “wow” for the area. It’s a small corner space with virtually only outdoor sidewalk seating along San Carlos. Inside the wide windows open out to the street and there’s a tiny bench for two.

Using a three-group La Marzocco Linea namesake and Mazzer grinders, they pull shots of espresso with an even medium brown crema and a potent aroma. It’s two-sips short and has a moderate body with a flavor profile of some spice and a slightly bright fruity edge. Served in red Heath cups for espresso (white for caps), Illy spoons, and sparkling water on the side.

Things get a little more unusual when milk is involved. Their macchiato has a dense and creamy milkiness that borders on cappuccino territory, despite its diminutive size. It comes with a latte-art heart. We do like the fact that Linea ruffles some coffee fad feathers in not offering any drip coffee options at the small bar here.

Read the review of Linea Caffe in the Mission District.

The Linea Caffe espresso The Linea Caffe macchiato: the abundance of thick milk even blurred our visual focus

Coffee, Academically — and announcing the Stanford University Coffee Symposium

Posted by on 08 Mar 2014 | Filed under: Barista, Consumer Trends, Local Brew, Quality Issues

I’ve had a long, strange history with academics. Before succumbing to the dark side of money-plundering dot-com entrepreneurs, I worked in scientific research labs at The Johns Hopkins University and at Stanford University. It was also a joint graduate PhD program in bioengineering at UC Berkeley/UCSF, with a focus on neuroscience, that first brought me out to the SF Bay Area some 25 years ago.

Thus the idea of academia is something I know well, albeit with ambivalent feelings. For me, there’s always been an inherent conflict between the practicality of “real world” grounding and the legitimate need to follow intellectual pursuits to advance any field of interest — whether that be neuroscience or coffee — even at the risk of building ivory towers.

The University of Coffee in Trieste, ItalyThat people in the coffee industry today swear by using measuring scales, monitor things like total dissolved solids (TDS), and continually experiment with this pressure control or that pre-infusion time are all baby-step examples of the need for an academic approach — the building of a more comprehensive coffee science, as it were.

UC Davis Coffee Center

And yet while you can earn a PhD in Coffee Science from the University of Trieste (Italy) studying the scientific papers of Ernesto Illy, in America you can’t even earn so much as a bachelor’s degree in the field. So it’s with encouragement that we read yesterday’s announcement: UC Davis establishes center for coffee science study center; possible major to follow – Our Region – The Sacramento Bee.

UC Davis Coffee Conference - March 11, 2014If you don’t know UC Davis, they are an amazing ag (and veterinary) school. As just a personal example, a fellow Chicago native and husband of a lifelong close friend of the family, Chris Carpenter, moved from Chicago to Napa years ago to earn a masters in Horticulture from the viticulture and enology (i.e., wine) department at UC Davis. He’s now earning 100-point scores as a winemaker and recently served four years as chairman of the board for Slow Food USA. If you can judge an academic program based on the success of its graduates, and you should, UC Davis is no slouch when it comes to food and drink.

UC Davis just formally announced their Coffee Center and their first Coffee Center Research Conference, which will take place this coming Tuesday, March 11. All initial steps, but definitely promising steps in the right direction. Unlike their world-famous viticulture program, for example, the question still remains whether such an ambitious scientific initiative can truly thrive so far from origin for an ag school — rather than in a place like Kona, Hawaii. Greenhouse coffee can only go so far in vitro.

Much of their conference agenda, like their Coffee Center, seems focused on the microbiology of coffee. However, there are also talks on coffee genetics and sensory evaluation — the latter naturally tapping into the university’s expertise on the subject in the wine world.

TED 2014 Coffee Service

Coincidentally, a little over a week from now the 2014 TED Conference will take place in Vancouver, and there promises to be continued servicing of TED attendees by various luminaries of the professional coffee world. Recall that an invitation from TED is what inspired the now-defunct Coffee Common.

TED 2014TED fashions itself as a sort of intellectual gathering of big minds and big ideas for the betterment of the world. Sounds great for the academic and scientific advancement of good coffee, right? But if you thought I’d be a fan of TED, you could not be more wrong.

Fortunately I was able to attend a past TED conference on the tab of an ambitious dot-com entrepreneur rather than having to fork over the $7,500 hazing price myself. (I.e., “Your hedge fund must be this large to ride this attraction.”) TED has done an amazing job of marketing and self-promotion, and I felt I should have every reason to support TED and its aims on the surface. But I found the TED event and organization to be intellectually shallow and ethically dishonest.

Nassim Nicholas Taleb, famed author of The Black Swan, once famously called TED a “monstrosity that turns scientists and thinkers into low-level entertainers, like circus performers.” Part of that is the event’s general preference for infotainment over substance, as exemplified in its famous 18-minute videos that run like infographics set to moving pictures — optimized for people who prefer to be entertained rather than informed.

How most TED attendees view its coffee serviceMore objectionable to me were many of the event attendees themselves. They seemed fixated more on asserting or reaffirming their own special status in the world by the company they keep — or, perhaps as Mr. Taleb would put it, by those circus performers they invite to entertain them. Imagine The Great Gatsby, but with ostentatious material wealth replaced by grand displays of intellectual vanity.

The professionals of the coffee world are some amazing, impassioned, bright people capable of making their own brave decisions of free will. Yet I cannot help but feel that TED has cynically invited many of them merely to exploit for a premium event coffee service, helping the world of TED to maintain their personal façade of elitism in the process. I wish the best for the attending coffee pros and only hope they come out unscathed, unlike myself.

The Stanford Coffee Symposium

Location of the 2014 Stanford Coffee SymposiumMuch closer to home, about a year ago Stanford University Professor of Biology, Virginia Walbott, approached me to help co-organize a Stanford Coffee Symposium to be held in the spring of 2014. Prof. Walbott organized a similar, highly successful event for chocolate in May of 2011, tapping into both the university (Depts. of Biology, Latin American Studies, Economics, etc.) and industry (Scharffen Berger, Monique’s Chocolates, etc.).

Our goal for the event is to balance some higher-minded academics with a practical, consumer-friendly grounding in what makes coffee enjoyable and fun. (Read: check your self-congratulatory intellectual elitism at the door!) To be held Saturday, May 3 at the Cubberley Building of the Stanford Graduate School of Education, Stanford Continuing Studies just published its course catalog entry last week:

WSP 172 – Coffee: From Tree to Beans to Brew and Everything in Between
https://continuingstudies.stanford.edu/courses/course.php?cid=20133_WSP+172

Registration is now open at $195 per student with a deadline of April 26. The featured speakers and topics thus far are as follows:

  • From Tree to Bean to CupJames Freeman – Founder and CEO, Blue Bottle Coffee [see their blog post]
  • The History of Coffee – Denise Gigante – Professor of English, Stanford
    How to Evaluate Coffee Flavors (includes a tasting session) – Richard Sandlin – Fair Trade USA (SCAA cupping trainer ninja and co-founder of the Bay Area Coffee Community, I might add)
  • Caffeine and Health: Myths and Mysteries – Christopher D. Gardner – Professor, Stanford School of Medicine
  • Colombian Coffee Landscapes – Eric Lambin – George and Setsuko Ishiyama Provostial Professor, Stanford Department of Earth System Science; Senior Fellow, Woods Institute for the Environment
  • Coffee in Veracruz: Linking Quality of Coffee to Quality of Life – Madeline R. Weeks – Fulbright-García Robles Scholar
  • Fair Trade and Sustainability – Christopher Bacon – Assistant Professor of Environmental Studies and Sciences, Santa Clara University
  • Coffee Genome and Defense Against Pathogens – Lukas A. Mueller – Assistant Professor, Boyce Thompson Institute for Plant Research, Cornell
  • Biodiversity and Ecosystem Services in Costa Rica – Chase D. Mendenhall and Daniel Karp – Department of Biology, Stanford

In addition to the planned talks there will be various Bay Area coffee vendors and an interactive tasting session. My current challenge? Following a location visit last Tuesday, I’m now working with the university to get sufficient power into the 1938 building to run sufficient numbers of espresso machines and grinders.

That said, I’m genuinely excited about the event and hope many of you will be too.



UPDATE: April 6, 2014
The Sacramento Bee featured some of the research coming out of the UC Davis Coffee Center: UC Davis geneticist tries to build a better cup of coffee – Food & Drink – The Sacramento Bee.

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