Archived Posts from this Category
Archived Posts from this Category
Opening in August 2015 in one of the rougher parts of this softening town, Brett Walker combined his experience as a former Four Barrel Coffee barista with his love of houseplants and large-format prints of his photography in establishing what is very much a personal space. It also happens to serve coffee.
On the ground floor beneath new residential apartments (The Lofts at Seven) and nearby UC Hastings and its law students, this café’s name is an homage to his favorite book (John Steinbeck). There’s often a selection of eclectic music playing on the turntable, blaring through cheap speakers.
Besides Brett’s massive plot printer off to the side, the space includes two live-edge cut counters at the front windows with two wooden stools (courtesy of his wife, furniture designer Katie Gong). There’s also a short, two-person wood bench out front for sidewalk seating.
Inside the chairs are mismatched and, along with the occasional cactus, cover the concrete slab floors. He sells Chemex brewers, filters, and roasted coffee plus baked goods, pour-over coffee, and espresso from a three-group La Marzocco Linea Classic. There’s even a chalk menu of drinks and prices that states “Butter Coffee – Yes”.
He pulls shots of Four Barrel’s Friendo Blendo (he also serves De La Paz) with a moderately thick, even, medium-to-pale brown crema. Served out of a short glass jelly jar, it has a distinctive brightness that you can sense at the back of your throat and tastes of spices, some apple, and a little molasses. But this is mostly about the brightness.
Some SF smartphone zombies with a jones for the gram might whine about the lack of WiFi here, but that would detract from Brett’s one-man-show of a coffee space. This place reminds me of some of the edgier SF coffee bars of the 1990s — just with much better coffee.
This Sightglass location was announced in 2015, in the middle of SFMOMA’s three-year hiatus while being expanded into the largest modern art museum in America.
It opened with the museum in May 2016, inhabiting a modern, open air space among photography and interactive exhibits on the third floor. The space employs blonde wood and a sleek, minimalist design and is surrounded by modern sofas, small café tables, and video art installations.
This is the new coffee stop in the expanded museum. Cafe 5 on the fifth floor is where the former Blue Bottle Coffee at the Rooftop Garden used to be (with its three-group, manual Kees van der Westen Mirage Idrocompresso Triplette espresso machine relocating to the Outer Sunset‘s Andytown Coffee Roasters during the hiatus). Cafe 5 now serves illy coffee, and they’ve added two more floors to what was once the museum rooftop.
This was the third incarnation of SFMOMA I’ve visited — the first being at the cramped and dated War Memorial on Van Ness, where the collections were more heavily weighted towards interactive and video arts. Some of these installations have returned on the 7th floor of the new building.
Despite my inability to relate to much of the new Fisher Collection on the 5th and 6th floors, overall the new museum is quite impressive — including the extensive outdoor space. Of the new things on exhibit there, I was perhaps most drawn in by Wayne Thiebaud’s Canyon Mountains, excerpts from Jim Goldberg’s poignant Rich and Poor photography/essay series, and the gravity-bending Sequence from Outer Sunset mega-sculptor Richard Serra. Nina Katchadourian’s Under Pressure was also rather comical, but you need to put on the headphones.
A line forms away from the Sightglass service counter to allow pedestrians to pass through, and behind the counter there are dueling two-group Kees van der Westen Spirit machines and bags and bags of Sightglass coffee. For retail sale they also sell their roasted coffee, over-packaged and in a reduced-size (8-oz).
Other than some pastries, it’s largely about the coffee service here. They pull shots with a complex medium-brown mottled crema of lighter thickness. It has the flavor of mild spices, some acidic brightness of lemon peel, wood, and some limited cherry fruit but yet it’s not the stereotypical Sightglass brightness bomb you’d expect. Served two-sips short in logo porcelain cups with a glass of sparkling water on the side.
About as serious an espresso shot as you will find in an American art museum.
Read the review of Sightglass at SFMOMA.
In the greater Mylanta area, Octane frequently ranks as one of the preeminent quality coffee chains. As an example, in December 2014 Atlanta Magazine named it the city’s best coffee chain.
This location of the seven-store, three-state chain — in Atlanta’s trendy Buckhead district — seems wedged in a building that looks like what Georgians think is the norm for Silicon Valley. Imagine if a bunch of ex-Yahoo! employees on H1-B visas decided to open a Georgia-themed biscuits and gravy shop in Sunnyvale. Yeah, it’s kind of like that.
Buckhead’s Atlanta Tech Village, or ATV, comes complete with airy glass-and-steel construction and designated Razor scooter parking in front (no, seriously, I am not making this up): surely 33% more startupy than the leading brand. Octane’s role here is to fit the tech worker coffee stereotype: chug coffee, write code.
Outdoors there’s patio seating in front under parasols — which don’t offer much help when Atlanta is hot enough to melt your face. (It was 100°F out, and “feels like 105°F” per my weather app, on my visit.) Inside the space curves around the outside contour of the building, with a service counter (and a King of Pops popsicle case) in front and several tables and a long, shared wooden bench towards the back. Along the glass windows there is a series of white modern stools.
They offer Japanese cold drip, a nitro-brewed iced coffee (which is rather tepid, btw), three pour-over coffee options, and espresso. Their standard blend is the Gravy Espresso.
Using a two-group La Marzocco Linea, they pull shots with a healthy, evenly shaded medium brown crema. It has a good mouthfeel and density and exhibits excellent flavor balance in the cup: an even blend of mild spices, some wood, and some fruit. A friend who lives in the neighborhood told me that it can run a bit green-plant bitter, but I quite liked it and thought it showed great balance and restraint while still having a thick consistency.
If there’s any complaint, it’s that it’s too smooth and lacking strongly distinctive characteristics — making this more of a multiple-times-per-day Italian style espresso. Served with sparkling water on the side in Cuisinox cups by a cringe-worthy barista who calls it “spro”.
For their cappuccino they employ detailed Rosetta latte art with restricted, overly gentle milk-foam: it’s more liquid milk blended in the body and is thus too runny or liquidy. My friend also complained about the cortado here running a bit lukewarm on the serving temperature, which could be explained by their generous use of tepid milk. But despite the sterile office park location, it’s one of the better espresso bars in town.
I hadn’t seen the illy caffè North America crew since attending Università del Caffè at CIA Greystone. I’ve long admired them as a privately-owned company: run by cool people, with an attention to coffee quality and investments in coffee science long before anybody thought that made any sense, and even being named a world’s most ethical company for four years running now. So when they invited me to another San Francisco illy caffè opening last month, of course I accepted.
This is another illy Caffè in SF (and not another Espressamente) — this one located in the eastern shadow of the Transamerica Pyramid, in the heart of the Financial District. Like the other illy caffè on Union St. that predated it, the food menu is a bit more involved and the service levels are just a touch higher than you’d get at an Espressamente.
It’s a 1352 square-foot space capable of seating 32 patrons, and there’s the requisite illy Art Collection chandelier made of their designer cups as you walk in. Tall windows overlook the modern SF firehouse across the street with various café tables spread about for lingering.
Behind a large pastry counter (from City Bakery and Tout Sweet Patisserie) they operate a two-group La Marzocco Strada machine. With it they’ve pulled shots with a picture-perfect, medium brown tiger-striped crema of modest thickness. The flavor profile is classic illy: mild spices, wood, and a broader flavor profile. Served in designer IPA logo cups.
Milk-frothing here is good: it may not be the prettiest, but it has a good texture and density. As illy has gotten into signature drinks lately, upon visit they were featuring their summer-ready illy Espressoda and a dessert-worthy illy Cinnamon Vanilla Affogato. For those bored with good coffee.
This is gonna sound cliché, but while I’ve been a longtime fan of Jon Stewart, I never quite warmed up to John Oliver.
Oh sure… on his new show Last Week Tonight with John Oliver, now in its third season, Mr. Oliver can amp up the incredulity and indignation, throw in contrived comedic riffs, and preach to the choir of his liberal-minded audience as Mr. Stewart did for years on The Daily Show. But Mr. Stewart was always so much more adept at it.
Even if Mr. Oliver is trying a bit too hard to follow in Mr. Stewart’s Daily Show footsteps, there are times — like his rant on FIFA — where he can nail a topic with obliterating precision. This week’s episode on scientific research in the media did exactly that, where coffee-related medical research is one of the more popular topics among cited studies.
Readers of this ancient blog may recall many past rants of mine on many of the identical issues raised in this short — from a 2006 story about caffeine studies on rat libido to my 2008 calling out of the media-medical-research complex to a 2014 lament on the scientific shallowness of TED talks.
As Mr. Oliver says in the video:
Coffee today is like God in the Old Testament: it will either save you or kill you depending upon how much you believe in its magic powers.
Reading news headlines on my Flipboard these days has been an exercise in dismay for the future fate of the species. “Science” is regularly quoted in headlines as if it were an individual person, spouting off the most inane opinions on the most vapid subjects. But these opinions are treated as fact — as if chiseled in stone and handed out from high atop the mountain.
Yet study after cited study is inevitably flawed, distorted, and/or spun as click-bait. And no matter what, each and every study is almost certainly unverified — each a quotable example of what has been brewing as science’s massive replication crisis that’s been quietly underway for the past decade. The lone hope is that the scientific process can still call out these replication gaps. But as Mr. Oliver points out:
There is no reward for being the second person to discover something in science. There’s no Nobel Prize for fact-checking.
As the local T-shirts put it, “New Mexico: It’s not new, and it’s not Mexico.”
Even the food here is its own thing. Between sopapillas, calabacitas, carne adovada, and Hatch Valley chiles (and ordering things “red”, “green”, or “Christmas”): it’s not Mexican, and it’s not Tex-Mex either.
New Mexico can probably even lay claim to its own state of mind, defining the term high desert. Anywhere you turn starts from at least 6,000 feet of altitude. The combination of the altitude and arid climate can leave you with mild headaches and nosebleeds for days after arriving. Any notable breeze will result in red dust and grit in your teeth.
I last visited this region one winter in the 1990s, passing through one bleary-eyed day in the high-desert driving across I-40 from Flagstaff, AZ to Oklahoma City as part of a marathon trek across the country. Even back then I found Albuquerque more than a little odd, with the entire stretch of the town littered with “experimental speed limit” caution road signs. Experiencing it close up two decades later, it’s far stranger than I could have imagined.
It seems rather apropos that humanity’s nuclear era started in the neighborhood, just up the road at Los Alamos. The town of Albuquerque strikes you as a post-apocalyptic world where someone entered a typo in their nuclear launch codes and accidentally overlooked this place. Add the many locals who convincingly impress you as veterans of earlier (and multiple) alien abductions, and to this day there is perhaps no better movie that captures the essence of Albuquerque than the 1984 cult film Repo Man:
Repo Man:This could easily have been set in Albuquerque, NM
Yes, even more than No Country for Old Men and the excellent TV series Breaking Bad and Better Call Saul. While New Mexico may not directly feature in Repo Man, it’s the film’s origin story and its influence permeates throughout. (Sorry, L.A.)
The residential areas are typically a criss-cross of wide East-West-bound boulevards littered with strip malls, with North-South streets (like Washington St. NE) jaggedly intersecting like misfit puzzle pieces so there’s never a continuous line through the many lots of ranch homes, covered car ports, and gravel landscaping.
On the subject of food, simply eating here reminds you that Albuquerque is not your typical American city. The most exclusive restaurant in town — universally voted the biggest “splurge” restaurant in ABQ — is run by a three-time James Beard nominee. In true ABQ style, it resides in a local strip mall, next door to a hydroponics shop and across the street from a drive-thru emergency loan shark/cash station called Fastbucks. That’s how ABQ rolls.
Among friends I’m known for identifying the TV trope of the generic “fancy restaurant”: high-end dining establishments that have zero distinguishable interior design. Meanwhile, real-life restauranteurs often bleed ridiculous amounts of money to heavily brand their high-end dining room experiences so you always know exactly where you’re eating. For all that Better Call Saul gets right about the town, there was a scene in an episode last month where they dine at one such generic “fancy restaurant” in Albuquerque. If you spend any time in ABQ, you’d immediately recognize that no such place could exist in town.
Better Call Saul does, however, nail the region on lawyers. Albuquerque is overflowing with courthouses and law offices, with the billboards of personal injury attorneys lining Interstates 25 & 40 with come-ons such as, “Hurt? Call Bert”. Is it any wonder why Bugs Bunny should have turned left?
Downtown ABQ gets even stranger. There’s a vast sea of multi-story parking garages, largely filled with cars, scattered among the remains of aging U.S. Route 66 kitsch and the tinted glass monoliths of more modern-yet-nondescript bank and energy company towers. And yet walk the downtown streets on a weekday afternoon a couple hours before rush hour and it is eerily devoid of pedestrians or even traffic. Which gives downtown ABQ the feel of a giant long-term airport parking lot for alien abductions: nobody is here, and yet everyone has left their cars behind.
We’ve written before about Austin, TX and their “Keep Austin Weird” motto. But the people here, although very friendly, are simply just too weird for Austin. More to the point: they’re blissfully unaware of their weirdness, thriving as an amalgamation of teen and adult runaways, Native Americans, silver-toothed street urchins, and the progeny of prior vehicle breakdowns along U.S. Route 66 to California.
All of this makes Albuquerque a more than unusual base for developing a quality coffee culture, which most cities typically identify with urban hipsters. The bizarro culture of ABQ essentially renders a hipster’s raison d’être as pointless and irrelevant. If anybody from Portland, OR ever ended up here, I’d put them on a suicide watch.
Quality coffee is a relatively new thing in this town that normally celebrates commodities, down to its streets named after mining and minerals. Hence it is surprising to see a few $3 espresso shots here without the “moral outrage” you’d normally expect from most cities that love to gripe about the cost of a cup of coffee.
In Albuquerque, the espresso shots tended to run a bit thin on body and were often served in various presentation contraptions involving carved wooden blocks (or serving trays) and sparkling water on the side.
One of the local oddities I came across was piñon coffee. Much as New Orleans has been known for blending regular coffee with chicory for a unique local variation, piñon coffee is made by combining regular coffee with nuts of the piñon pine tree (the official state tree). Native Americans traditionally harvested these pine nuts. Once roasted and brewed, it exhibits a sweet, spiced smell like an amped up Arabic coffee, but it tastes more like regular coffee with an earthy, nutty edge to it.
An hour up I-25 from Albuquerque is the town of Santa Fe. Founded in 1610 by Spanish colonialists, the New Mexico state capital carries a lot more history — including one of the oldest houses and the oldest church in the U.S.
Very much unlike Albuquerque, Santa Fe is a deliberately preserved town. This makes the stark contrast between the two not unlike the city of Napa versus St. Helena in the Napa Valley: one grows through big-box-store sprawl and lower costs of living while the other prefers a controlled aesthetic gentrification that makes it attractive to tourists with money.
This means that Santa Fe, like New Orleans, is one of the few places in the U.S. where you know exactly where you are — i.e., not in some random urban center lined with all the same chain stores. Sure, there are many fancy restaurants and massive hotels and spas about town, but everything is harmoniously dressed up in Pueblo or Spanish style. Every building is some variation of an earthtone and the architecture is remarkably consistent.
Despite the million-dollar Pueblo homes near the old city center, there are still plenty of tourists parading through town in rumbling two-story pickup trucks with tinted windows, Oklahoma or Texas plates, and blasting some variation on death metal out their windows. Yet at the same time there’s an extensive arts community and even the relocation of many Tibetan expatriates in town.
Although Santa Fe is where locally roasted coffee was first introduced to New Mexico, the coffee culture here has generally been slow to evolve — with more options growing in just the past few years. Like Albuquerque, there’s often an unusual emphasis on an inventive rotation of specialty drinks. But here there is also a strange validation of the Paleo diet as something more than the snake oil fad that it is: a few places place their own buttered coffee knockoffs prominently on drink menus.
Synesso espresso machines can be found in uncommon locations — cart services, ice cream shops, etc. — which makes us suspect there’s a local distributor with service and influence in the area. If you’re going to cover this high desert service area, my advice — based on ample empirical evidence — is to listen to a lot of Guadalupe Plata on the car stereo:
Guadalupe Plata may be from Andalucía, Spain, but if it was good enough for The Good, the Bad and the Ugly…
I originally noted a lack of sweetness in the coffee of Santa Fe and Albuquerque, which I partly blamed on the altitude at first. But I eventually found examples that broke that stereotype, such as the excellent Iconik Coffee Roasters — easily one of my more favorite coffee house finds of the past couple of years.
In conclusion, fallout from the Manhattan Project and Trinity tests may have left behind one unusual place and its residents, but the global advance of good coffee has infiltrated even here in just the past few years. Though for the record: Los Alamos scientists still drink pretty crummy coffee for the most part.
|Name||Address||City||Espresso [info]||Cafe [info]||Overall [info]|
|Deep Space Coffee||504 Central Ave. SW||Albuquerque||8.10||7.50||7.800|
|Humble Coffee Company||4200 Lomas Blvd. NE, Ste C||Albuquerque||7.50||7.80||7.650|
|Zendo Coffee||413 2nd St. SW||Albuquerque||7.50||7.50||7.500|
|35° North Coffee||60 E. San Francisco St.||Santa Fe||7.40||5.50||6.450|
|Holy Spirit Espresso||225 W San Francisco St.||Santa Fe||7.10||6.50||6.800|
|Iconik Coffee Roasters||1600 Lena St., Ste A2||Santa Fe||8.10||8.20||8.150|
|Ohori’s Coffee Roasters||505 Cerrillos Rd., Ste B103||Santa Fe||5.80||5.50||5.650|
|Santa Fe Espresso Co.||56 E. San Francisco St.||Santa Fe||7.30||7.00||7.150|
This art café is located where downtown Albuquerque gets more industrial the further south you get. Opened by Trevor Lucero, a self-proclaimed “coffee guy”, in June 2013, this 1,000-sq-ft space and 600-sq-ft outdoor covered patio serves as much as a community gathering space as it does a coffee bar or art space. Third places are apparently a more natural setting in Albuquerque than they are in Santa Fe.
There’s a short, wooden high counter with stools at the front windows. The white-painted brick wall in the rear is adorned with color photographs. Larger wooden block tables and a bench scatter about in the in-between spaces for contemplating with headphones or laptops under a white-painted wood ceiling. The laptop zombie quotient being higher as it is in ABQ.
The Zendo name apparently refers to an international feng-shui-like term for the supposed spacial zen-like state of the joint. Or so we’re told.
Whatever you call it, the place is packed with locals. It seems heavily frequented by a younger, more female clientele who take to eating take-out lunches at the bar stools and conversing with friends for the day. Rather than mistaking them for UNM students from the campus across the I-25 freeway, like much of downtown Albuquerque there’s little indication that the folks hanging out here do much of anything professionally besides, well, hanging out here.
Señor Lucero bought a three-group manual Victoria Arduino Athena Classic for $6k that’s used at the bar. They originally relied on independent roasters but have since started roasting their own at a facility further down 2nd Street, though they do feature a rotation of guest roasters Denver’s Boxcar was featured on my visit.
Using the Zendo Espresso blend, they pulled a shot with an medium brown, even crema with lighter heat spots from the spouts. It tastes of an edge of tobacco over more spices and herbal pungency. Good, but there are noticeable flaws.
Served on a custom wooden block with even a spoon holder as well as sparkling water — like you do in ABQ — in a World Market China cup with no saucer. Cheap at $2 though.
And like a number of ABQ coffee shops, they offer their own inventive specialty coffee drinks — except here they go a bit crazy with it: the London Fog, the Sweet Bonnie, the Maroccino, the Golden, the Regis, Red Cappuccino, Lapsang Latte, etc. Mixologists Gone Wild.
Read the review of Zendo Coffee in Albuquerque, NM.
This is a coffee shop fitting for downtown Albuquerque, which feels like it’s at the fringes of the known universe. (More on that in a later post.)
Its interior is stark black and white, frequently adorned in stripes, with cement or brick walls, scuffed square tile floors, and a worn wooden service counter littered with woodcut puzzle pieces of their logo (aka, their “business card”). There are several tables inside, often attended by students and/or laptop zombies, with window counter seating in front beneath glass block windows.
They work closely with Chad Morris, roastmaster at the Las Cruces, NM Picacho Coffee Roasters – one of the best roasters in the state. They serve V60 pour-overs in addition to espresso drinks.
Using a two-group La Marzocco Linea at the back of the rectangular space they pulled shots of Picacho’s Sidami Ardi Natural to produce a cup with a mottled medium-to-darker brown crema. As a single origin Ethiopian, it exhibits a broader flavor profile than you might expect — with some bright fruit balanced with body and darker herbal elements with more spice and warming elements at its core. Served in a cheap Tuxton cup with a glass of sparkling water on the side.
It’s a pretty solid espresso shot: not exceptional, but worthy in a town ruled by the odd and bizarre — albeit pricey at $3.
Read the review of Deep Space Coffee in Albuquerque, NM.
This is a difficult trip report to author. Because on the one hand, we have to pay respects to what Ohori’s Coffee Roasters pioneered in Santa Fe, NM. But on the other hand, we have to call out product failures as we experience them.
Like Peet’s, Ohori’s Coffee started as a take-home bean sales store. Also like Peet’s, as consumer preferences changed over the years, it evolved into a retail coffee beverage shop. This was particularly innovative in Santa Fe, where communal “third places” are rare and most social gatherings take place in private homes. Susan Ohori sold the company to her longtime accountant in 2002, and the tiny chain has operated rather consistently to this day under the “newer” ownership.
This location on Cerrillos Road was the second retail shop they opened, and of the two it is designed to be more of a social gathering space. As I entered, even without knowing Ohori’s Peet’s origin story, I felt like I was in another Peet’s chain café. There are four café tables offering sparse seating in a vast space with tall ceilings with exposed wooden framing. There’s a service counter setup with a heavy emphasis on bean and leaf sales that looks lifted out of the Peet’s interior design catalog. And as for the roasted coffees themselves, many hearken back to a flavor profile of dark roasted ashiness popularized by Peet’s some 40 years ago.
There’s a wall of merchandising (cups, machines, Chemex and pour-over paraphernalia), and the art on the walls here is generously showcased without commission.
As for the retail coffee service, they may have dated roots but have not missed out on many coffee fads. They offer pour-overs, buttered coffee for those most recently into Paleo snake oil, and as a sort of health thing they avoid syrups and artificial sweeteners. Ask for a flat white, which is still not yet on the menu, and they will know how to make you one.
Using a two-group Nuova Simonelli machine, they pull espresso shots in a short paper cup (what’s that the deal with that?) with a creamy-looking medium brown crema of a smooth texture that’s relatively thin. There’s a definite ashy edge to the cup: it’s very harsh with a flavor combination of smoke and ash. This is not a pleasant espresso, and we have consumed hundreds of cups of outright rot-gut espresso before.
And yet Ohori’s has won the “Best of Santa Fe” by the Santa Fe Reporter for 7 of the last 10 years, and even the New York Times recently recommended this location in a 36-Hours piece. At first this lead me to believe that many local fans of the place must rarely ever drink the espresso straight here.
But if that were only the case. The milk-frothing here is dishwater-like: thin with irregular bubbles, producing what seems like little more than milk-flavored air. My wife found the macchiato to be simply undrinkable and abandoned it after the first sip. She never does that. I tried it and sympathized with her assessment. I’ve never experienced this at a Peet’s Coffee, for example.
Thus we can’t be sure that the coffee adoration here is rooted in local loyalty, nostalgia, or layers of milk and natural sweeteners that disguise the raw taste of their espresso. There may be other product lines worth trying besides their straight espresso and macchiato. Ohori’s offers medium- and even light-roasted coffees, even though they believe you often need a medium roast to at least develop the coffee’s flavor more fully — of which I am generally in agreement.
But when the core espresso is this dubious for a best-in-town consideration, something is clearly wrong. And I would be the last person some might accuse of being a Third Wave apologist. Unless you are a die hard, dark roasted Peet’s Coffee fan, we have to recommend that you seek your coffee elsewhere in Santa Fe.
Here in that other SF, this postage-stamp-sized espresso kiosk has a very outsized reputation, and why not? The husband and wife team of Bill and Helen Deutsch got their espresso start in Seattle back in the early 1990s era of ubiquitous coffee carts. They brought that same spirit to Santa Fe and have been operating here since 1993.
Which makes Holy Spirit Espresso akin to an archeological find designed to puzzle future anthropologists; it’s like finding 1990s Seattle espresso cart DNA in the middle of the New Mexico high desert. And like an origin story, its name is the English name for the town.
Out in front of the cart cubbyhole are four four metal chairs and two small tables along the sidewalk with a lone parasol above them. Inside is essentially a parked mobile cart dominated by a two-group Synesso machine (formerly a La Marzocco) — surrounded in a bizarro motif of various postcards, photographs, foreign money, and travel tchotchkes covering every one of the few square inches inside the tiny space.
There’s even St. Drogo, the patron saint of coffee. (He’s also the patron saint of ugly people, but we’re not going to infer anything from that.)
Using old Astoria grinders and very-Seattle Caffé d’Arte bags of coffee, Bill or Helen pulls a shot with a medium brown striped crema of modest thickness. The doppio ($2.25) is filled extra high in the cup. It has an old world Italian-leaning flavor profile of mild tobacco smokiness, spices, and some woodiness and is served in mismatched ceramic cups without saucers when you ask “for here”.
The milk-frothing is dense, not too airy, and with uneven microfoam bubbles. Posted as a “Best of Santa Fe 2012” winner, Bill was awarded for best local barista. No matter when, they’re still pretty good and you have to do something right for such a tiny business to remain in operation this long.
Read the review of Holy Spirit Espresso in Santa Fe, NM.