Archived Posts from this Category
Archived Posts from this Category
This coffeehouse is highly decorated by the locals. Boston Magazine named it Boston’s Best Coffee Shop 2012. It has even achieved national recognition, including listing among Food & Wine‘s America’s Best Coffee Bars and Travel + Leisure‘s America’s Coolest Coffeehouses. And you can see why: it’s a vibrant spot that serves some really good coffee.
The “main” Pavement — and there’s more than one in Back Bay — is located a couple blocks up Massachusetts Ave. from one of our favorite Boston landmarks, the Mapparium. (OK, it hasn’t hurt that we’re also big fans of the Unwound album, Challenge for a Civilized Society.) There’s patio seating along Boylston St. in front, three window counter seats along the entrance, exposed masonry painted white in back with silver, upholstered booths around many smaller tables.
While labelled a coffeeshop, they do a lot of business in meals (lunches, etc.) — making it more of a café. However, they prominently display their use of Counter Culture Coffee and also sell their beans. They additionally offer a “featured espresso” for $3 — which, when we visited, was Anyetsu from Denver’s Novo. (Thus Pavement did not opt in for Counter Culture Coffee’s exclusivity contracts for service and training.)
Using a three-group La Marzocco GB/5 and the Rustico blend from Counter Culture, they pull shots with a highly textured medium-to-darker-brown crema. For its looks, it has a surprisingly lighter body. But with a nice, balanced flavor of cinnamon, cardamom, and a light sweetness and no real smokiness. The flavor profile is very expressive in the midrange, but rather absent at either end of the flavor spectrum.
All-in-all, they serve a great shot. But for all the local and national praised heaped on this coffeehouse, we’ve found at least one place in the city we liked even better. (More in a future review.) Furthermore, we also found the busy vibe here a bit too busy. The environment can be a study in Brownian motion: a bit frenetic with customers always coming, going, and bumping into each other. It made us just want to grab our shot, drink it, and leave.
Owner Jared Mancini learned his original trade managing a Torrefazione Italia (or “T.I.”, as some old-timers in the region like to call it), later at Boston’s Steaming Kettle Starbucks, and then George Howell Coffee before starting this shop here. Jared also lent out this space after-hours to host the Dangerous Grounds cupping shoot staged a little over a week ago.
This is an unusual spot: essentially what looks like a glass greenhouse turned into a café on the open grounds of Post Office Square/Norman Leventhal Park. There’s park bench seating outdoors for those who might brave the weather. Inside there’s a curved service counter with an assortment of black wooden tables in what does feel like a greenhouse — just without the plants.
They serve George Howell Coffee (Daterra Farms Brazil Calabria Roast Espresso for espresso, plus Tarrazu Costa Rica, etc.). They even offer the Yukro Ethiopia that was the de facto “winner” of the Dangerous Grounds cupping.
Using a three-group La Marzocco GB/5 off to the side, they pull shots with a dark brown, textured crema that’s served as a thinner layer on a body-forward shot. Its flavor shows chocolate notes, some caramel and minimal brightness. Curiously, it has the texture, body, and even a bit of flavor like a bittersweet hot chocolate. Served in green “Terra” ceramics with metallic detailing (as featured in their Web site‘s graphics).
We’d score their savvy a little higher, but their medium cappuccino is a disappointing vast, milky soup bowl – swimming in milk with a light layer of blurred latte art foam. We’re scared of what the latte must be like here.
For the past couple of days, I’ve resisted writing about this topic: the recent SCAA conference and the tragic bombings at the Boston Marathon the following day. But I can’t escape it. Apologies in advance for adding little on the subject of coffee, but to do so exclusively would seem both disrespectful and inappropriate. This post is really more for myself in a cathartic way, as my heart goes out to everyone affected by this tragedy.
Of course, things didn’t exactly work out that way. What was originally announced in the SFO airport as an FAA delay caused by a small plane hitting the World Trade Center turned into something horrifically worse. No civilian aircraft in North America would become airborne again until a few days later.
With the fog of what just happened, who did it, and what’s coming next still on everyone’s minds, the HR department and a few coworkers told me to simply make the announcement over the phone — that my team would understand under the circumstances. But I was stubbornly determined to take personal responsibility for my decision, no matter how ugly it had to be. I owed them that much. So once air travel resumed, I caught the next flight I could get into Boston that following weekend.It was one of the most white-knuckled flights I’ve ever taken. Not because of any turbulence, but because everyone on that plane could not get the television images of 9/11 — and the thought of further hijacking attempts — out of their heads. Everyone was on edge, suspiciously sizing up all of their fellow passengers. You got the sense that if anybody even attempted something that looked like a false move, that person would be forcefully subdued and probably beaten to death by a plane full of anxious passengers mentally prepared to fight or die.
I had flown into Boston Logan multiple times before, but never like this. The airport was a ghost town, largely abandoned of people and planes with a skeleton crew left running things. The taxi driver who picked me up was desperate for a fare, as he told me that, “Boston Logan is still an active crime scene.” The two flights that struck the World Trade Center towers both departed from Boston, from gate areas I was eerily all too familiar with from previous travels.
I was fortunate that a few people on my newly-laid-off staff thanked me for giving them the news in person. But I did not again return to Boston until last week.
What brought me back to Boston after all these years wasn’t the SCAA Conference — at least directly. It was more an invitation from Todd Carmichael (of La Colombe) to do a shoot for the second season of his TV show, “Dangerous Grounds”. Todd was insistent on a scene in the new season that wasn’t just his “Tarzan bit” through wild coffee jungles, but rather a social cupping discussion among a few invited guests — which included the likes of Doug Zell of Intelligentsia, Aleco Chigounis of Coffee Shrub (a sort of sister to Sweet Maria’s), Mette Marie of 49th Parallel Roasters, Ryan Brown now at Tonx, Andrew Ballard of Forty Weight Coffee, and the entertaining JP Iberti (co-founder of La Colombe).
Everybody brought some coffee to showcase and discuss. (Special thanks to Justine Hollinger of Barefoot Coffee Roasters for helping me represent their great work.) Despite Todd’s worry that some snarky infighting could develop, a great camaraderie developed among the cuppers that will hopefully come out in the program when it airs later this year. (And for the record, the overall favorite was the Yukro Ethiopia coffee from George Howell Coffee, sourced by Aleco.)
With the shoot out of the way, I had a few days to check out the SCAA conference and get reacquainted with Boston. It had been years since I had set foot in either.
For those who haven’t been to the SCAA conference, I’ll offer a perspective of someone not in the industry — and rather of just someone who really loves coffee. Like all industry conferences, it’s a great occasion to meet people and network. If you’re slinging coffee at a retail location all day, or sourcing out in the wild corners of the world, there are few occasions where you can personally meet and greet many of those coffee “greats” — or just cool people — you otherwise only read about (or from).
And there’s a lot of great coffee to be had. A barista at a complimentary La Marzocco espresso station jumbled multiple bags of Intelligentsia beans to create an impromptu blend in his Mazzer grinder. While I was watching this, he culturally noted that, “The industry people come earlier and ask for espressos, but later the ‘show’ people come and they all drink caps.” (i.e., cappuccinos).
But there are things about the SCAA conference I am not as enamored with. For one, it’s primarily a commercial trade show with a big emphasis on an exhibition floor of people hawking their wares. Good for a lot in the industry, but often a bit tedious if you really are more into the coffee than the latest gadgetry.
There’s the symposium topics, which I had not attended but often sounded interesting. But there’s a huge “reindeer games” aspect to the highly repetitive, three-ring circus of the Barista Championship, the Brewer’s Cup, and the US Cup Tasters Championship. Even odder now, there are members of the Barista Guild of America strutting about the place, and the city, in their official logo jackets as if part of some mutant coffee geek biker gang.
But the longer I was in Boston, the more I came to appreciate and became more enamored with the even bigger event in town that weekend: the 117th Boston Marathon. There was a very positive, festive, international sports vibe to the event that I hadn’t quite experienced since the 2010 World Cup in South Africa. Everywhere in town you ran into fit people in running gear — many not running the race but at least there in spirit and to support the other participants.
Last Saturday I walked down Boylston Street past Copley Square, just two days before the horrific bombings, soaking in the environment of fans, tourists, and the final touches of the stands and barricades being set up at the finish line for the event. Arriving back in SF only some 11 hours before those terrible events took place, the news was made all the more tragic for me having experienced just how much the Boston Marathon environment converted me into a fan.
The Boston Marathon will be back next year. Boston may not want me back, given my recent track record of tragic coincidence. But I can’t say enough to encourage those even modestly interested to attend. The coffee may not be anything near as good as at the SCAA, but it deserves every bit of your support.
As time passes, I promise to write more about the coffee. But right now, there are things far more important than coffee could ever be.
The specialty coffee industry has a strangely ambivalent, love/hate relationship with the mainstream. On the one hand, it thrives on an independent spirit rooted in independent businesses, an artisinal “craftsman” approach, an often bristling indifference to its customers, and it eschews much of anything that smells like the status quo (the stereotypes about things like sleeve tattoos and body piercings are hardly an anomaly).
And yet specialty coffee is also desperate for public approval, acceptance and validation, with many in the industry applauding virtually any public mention of decent coffee in the general media, coveting a rightful place in the pantheon of food television’s popular glow, and even going so far as to be willingly (and eagerly) exploited by TED. (And don’t get us started on the resulting Coffee Common star chamber charade.) This makes specialty coffee a bit like the high school social misfit that both publicly heaps scorn on the school’s popular cliques while secretly wishing to be a part of them.For the purposes of this post, we focus on the latter part: public visibility and legitimacy. And although the public mainstream today has had more than a few regular media exposures to the world of specialty coffee, the most effective and compelling by far has been Todd Carmichael’s recent Travel Channel TV program, Dangerous Grounds.
Among some in the industry, this may seem heretical — if not unjustified. Highly respected, legendary professionals in the field such as Tom Owen (of home roasting Sweet Maria’s fame) have even created video parodies the show’s very concept — i.e., travel to coffee’s origins as a sort of danger sport — over a year ago and well before the show was even created. Others still see polar explorer and SCAA outsider Todd Carmichael, and his La Colombe Torrefaction coffee operations, as decidedly “pre-Third Wave” — akin to a shorthand for “don’t trust your coffee to anyone over 30″. (Five years ago Nick Cho, portafilter.net host and then of D.C. Murky Coffee fame, once publicly announced terminating his readership here for, among other things, a favorable post we made on La Colombe.)
However, over the years, specialty coffee has repeatedly proven itself incapable of speaking to layman consumers without trying to strong-arm them into first becoming like-minded professionals. This is a fundamental reason why Dangerous Grounds works: it hasn’t forgotten that good storytelling, even if embellished a bit, is at the heart of any legitimate mainstream media success.
Contrast an hour-long episode of Todd’s travels, trials, and tribulations with what the specialty coffee industry would otherwise celebrate as great video: sensory, stylized video montages/wannabe-TV-commercials that seem entirely designed to appeal to fellow coffee professionals. To the layman, these videos are unoriginal exercises in coffee navel-gazing — as utterly monotonous as the ubiquitous “hand-on-mouse” shots that dominated every 1990s TV show about the World Wide Web. You know it works when people who aren’t into coffee find the program entertaining, because the inconvenient truth is that video about coffee, like video about wine, is inherently boring.
Which isn’t to say that video is the only way to bring the message of specialty coffee to the masses. Regular New York Times columnist Oliver Strand achieved a kind of patron saint status among the specialty coffee industry because a) his words were distributed in the nation’s preeminent newspaper, and b) he spoke cohesively about subjects the industry is frequently too tongue-tied to speak for itself. A rare case of a layman who reports on the specialty coffee world, industry blogs, coffee Web sites, and tweets alike eulogized the recent news of the demise of “Ristretto”, his occasional coffee column in the New York Times.
A bit more of an industry insider, Erin Meister has worked in customer support for Counter Culture Coffee and has developed some of her own barista chops. She has posted coffee articles in a variety of publications, but she’s received most of her attention and accolades for her regular column at the Serious Eats Web site.
The first problem is in the Web site’s name: Eats. How can we take Serious Eats seriously about coffee when its very name excludes the subject matter? That’s like reading Men’s Health for tips on menopause. (Are you listening, Good Food Awards?)
But far more troubling is an editorial slant that seems focused on evergreen content designed for SEO rankings, with insipid article titles like “Our 5 Favorite TV Coffee Shops“, “5 Coffee Tattoos We Love“, and “5 Reasons to Hate Starbucks“. Although we’re sure Ms. Meister has no say in the copy-editing matter, it follows the old ladies’ home journal formula of the words “secrets” and “perfect” plus a numeral combined with warmed-over content that’s been posted on the Web 120,000 times prior. There’s also something creepy about reading articles written more for computerized Web crawlers than for actual humans.
Curiously enough, all three personalities have had to confront the specialty coffee industry’s excesses of preciousness in recent times: Meister with barista attitudes (one of her best pieces of the past year), Strand berating industry pros for not even providing basic contact information in a speech at this year’s Nordic Barista Cup, and Carmichael’s rants against hipster coffee. That gives us strange comfort in knowing we’re not alone in trying to escape the dysfunction.
Copy-editors are strange beasts. They can take a perfectly valid story, dress it up with titles and subheds, and transform it into something that sounds completely irrelevant to the contents within. Take yesterday’s Wall Street Journal piece on efforts seeking the genetic diversification of consumable coffee: The Indiana Jones of Coffee – WSJ.com (subhed: “Companies Go Deep Into Africa in Search of Perfect Bean”).
No, it’s not a bio piece about some swashbuckling snake-charmer in search of lost coffee gold. The Orchid Thief would be a more appropriate movie reference for just one of the characters in the article. It’s also not about Africa, as the genetic diversification effort is global. It’s not even about the ever-abused mythical “perfect bean” — as any single genetic coffee bean lineage would be just as susceptible to a mass extinction event as the limited coffee progeny we enjoy today.
But peel back the superficial layers of Hollywood pomp, general cluelessness, and deceit, and you’ll discover a decent article on efforts to develop more genetically robust and diverse options for our drinkable coffee stocks — something of a follow-up to a post we wrote six years ago. Of some 26 documented coffee species, only two are cultivated to produce something humans would actually pay money to consume. And of those two, many consider only one of them as drinkable.
My brother lived in Austin years ago, and the town has changed a lot since then. That is, besides the construction of a fence and pillars at the North Congress Ave. end of the Great Walk in front of the Texas state capitol — to prevent people like my brother from accidentally driving vehicles down the front steps and chipping the pavement.
But being a college down, Austin also seems to try to capitalize on its “Keep Austin Weird” vibe — and yes, they sell T-shirts that say that, just as in Santa Cruz. However, looking down on the Austin walk-of-fame sidewalk on Trinity St. between 4th & 5th Sts., you’ll find a star for Sandra Day O’Connor right next to a star for Mean Joe Greene. So who is going to argue?
Another change in Austin is the improvement of its coffee scene. Patika Coffee is one of several examples. Except this example is really a coffee cart that sits in an otherwise vacant-looking parking lot downtown, next to the beached trailers of a couple of other food purveyors. Think of it like Réveille Coffee Co. — just grittier, less mobile, and with sketchier neighbors.
The parking lot is separated from the sidewalk traffic by handrails, and there’s an outdoor table/picnic bench and an over-hanging tarp for shade.
Inside their two-person cart, two staffers run the operation with a two-group Synesso machine, using Cuvée Coffee. They are apologetically required to use paper cups by city ordinance, as they are classified as a “food truck” and thus have limitations on the vessels and utencils they can pass out. (Apparently, food trucks are required by Austin law to generate disposable waste.)
They pull shots with a rich, medium brown, even crema on a layer of a thinner-bodied, more acidic espresso than served by the Caffé Medici serving Cuvée across the street. It’s potent, narrower in flavor profile, and lighter on body: a stereotypical “third wave” North American espresso — you know, the kind that’s high on punch and low on balance and finesse.
Read the review of Patika Coffee in downtown Austin, TX.
Last week we were down in Austin, TX for the first time in over a decade. We managed to do just a little coffee exploration downtown. However, we were primarily there attending the SXSWedu conference. No, that’s not SXSW — once a cool independent music conference 20-25 years ago that’s now a bloated, corporate-sponsored wankfest that also sports “film” and “interactive” themes. SXSWedu is related to the main SXSW, but it is crawling with teachers and educators with no money and — in the spirit of teachers buying their class pencils and much unlike the gaudy entertainment bashes and freebies of SXSW — features a cash bar where attendees have to buy their own drip coffee.
Last Friday the conferences crossed over. Suddenly a cold, rainy wind kicked up as all the teachers left, and the town was invaded by an army of rich white people who dress like 8-year-olds and spend all day tweeting on Apple products about their food-trucks-for-dogs start-ups and their trips to Haiti. KMN. Arguably we couldn’t have left at a better time.
But before we did leave, we became quite enamored with the downtown location of Caffé Medici. It’s a small, three-shop chain of Austin coffee bars, and at the downtown location the coffee is excellent and the environment is also great.
They offer patio sidewalk seating in front on metal tables and chairs of what looks like a rather corporate office building. Inside, you can sit at the center bar where the barista works behind one of two red, three-group La Marzocco FB/80 MP machines. There are a few indoor tables, leather bench seating along one wall, and an upstairs for more seating. Order at the counter in back, beneath the massive red wall with Caffé Medici’s “Cosimo” on it, and your order will electronically beam over to the center barista area.
They mostly pull shots of local roaster Cuvée Coffee with a very even, medium brown crema. They serve it properly short and potent, with a rich body and a nice, blended flavor of spice, herbal pungency, even a little wood and yet a noticeable brightness over the top.
It has a complex flavor, though oddly served in cheap Delco cups and with a side of sparkling water. One day they brought in bags of Verve‘s Sermon blend, so they do a rotation at times. Though one word of warning: the Cuvée Coffee roasts sold at the bar were about three weeks old. But that’s more of a minor complaint.
Their milk-frothing is very wet and somewhat dense — there’s no real foam here — and it comes with decent rosetta latte art.
Read the review of Caffé Medici in downtown Austin, TX.
It was the best of times, it was the worst of times. Saturday, February 25, 2012 offered a curious contrast between the very different worlds of consumer appreciation for wine and coffee. For the former, I attended La Paulée de San Francisco 2012 — arguably the most over-the-top consumer wine event in America. For the latter, my brother Vince simultaneously attended CoffeeCon 2012 — billed as the “first-ever international consumer coffee conference” — in the global coffee Mecca (and his hometown) of Warrenville, IL.
First off, I’d like to apologize for continuing to harp on the hackneyed wine analogy for coffee. However, I still often feel like one of the few people who knows just enough about both wine and coffee appreciation to make a comparison when attending events for either beverage.
Because the facts remain that we read plenty about how much coffee wants to be taken as seriously as wine. And yet the coffee industry still craps on its customers at virtually every opportunity. This weekend’s events provided evidence of that in great contrast.
First up: the consumer coffee event. Kevin Sinnott has been a layman coffee enthusiast for years (and he also just so happens to a neighbor and friend of my brother back in the dark recesses of the Chicago suburbs). He may be an independent video production consultant for his “day job”, but coffee is far more than just a hobby for him. And more power to him, because he recognized the need for a consumer-oriented coffee event — which inspired him to put on the first ever CoffeeCon.
The best opportunity coffee consumers had to get involved with the coffee industry was to muscle in to events such as the SCAA’s annual conference — all under a sort of “don’t ask, don’t tell” policy. Since then, the policy has shifted towards outright consumer abolishment. But even if you buy the argument that the industry needs its own for its own, it has offered nothing even close to an olive branch. We hear the coffee industry give plenty of lip service to the importance of “educating the customer”, and yet opportunities to do so are turned into closed-door industry events where the consumer is treated like an unwelcome leper.
Slow Food Nation ’08 was perhaps another example, but it turned out to be a one-time event. Out of it came the Good Food Awards. But even if you look past coffee playing the red-headed stepchild under the “Food” banner, here the focus of a once-public event has again turned to industry insiders locking out consumer participation. Or take the related Coffee Common effort. Even putting my disdain for the shallowness and faux elitism of TED aside, public events that require over $1,000 in membership and registration fees to attend are hardly “consumer friendly”. This makes the steep $300 I shelled out to attend La Paulée’s Grand Tasting seem like a bargain by comparison.
CoffeeCon suffered from an almost accidental location (Warrenville’s “IBEW Local Union 701″) and virtually zero coverage among the coffee industry — most of the industry being preoccupied with the self-absorbed, industry navel-gazing going on at the Northeast Regional Barista Competition (or NERBC). But CoffeeCon managed to draw about 1,000 attendees and even pull a few coffee luminaries including the likes of George Howell, home espresso legend Jim Schulman, and Intelligentsia‘s Geoff Watts.
Attendees apparently got to taste a lot of different coffee, experiment with different brewing methods, meet a few others in the coffee industry, learn more about coffee farming and production, and even witness a poor tongue-in-cheek debate on coffee vs. wine. My brother reported that they had a huge crowd, a good representation from nationwide roasters and equipment manufacturers, and the unveiling of a new Bunn Trifecta at a “lab” event.
While not a bad event and certainly a promising attendance, this is, folks, about as good as it gets for coffee consumers today. And good luck getting anybody in the coffee industry to acknowledge that it existed.
One thing I like from the CoffeeCon FAQ — which flies in the face of Coffee Common’s “Exceptional coffee. No sugar.” byline — is this bit:
Can I take cream and sugar in my coffee or will I be asked to leave? No worries. Serious coffee lovers know how different everyone’s palate is. 80% of coffee consumed in the world is taken with milk and/or some sweetener.
This week I had dinner again at one of my favorite SF restaurants who also makes some of the best restaurant espresso in the entire city. The two owners, in their own polite and self-depreciating ways, each relayed to me the story of a recent visit to Sightglass where they were essentially made to feel as if they were both clueless about both coffee and their flavor palates. (I’ve omitted their names as they mentioned this in personal confidence.)
Interestingly, they both felt that Sightglass’ coffee tasted “too salty.” When they asked the Sightglass barista to cut the shot pour short, as a sort of ristretto, he replied that he could not interrupt the espresso machine from running its full cycle. And when they asked for sugar, they were looked upon as if they must have walked in thinking Sightglass was a Dunkin’ Donuts.
Here were two people who grew up with high coffee standards in Italy, developed a much-loved and highly regarded regional Italian restaurant in SF, serve some of the best espresso in the city at said restaurant (and I virtually never have coffee with sugar), where one of the owners previously served as a sommelier at another Michelin-starred SF restaurant with a legendary wine list — and they were basically told that they were coffee Philistines, purely because of coffee orthodoxy. As snobbish as you might think the wine world might get, this simply does not happen with wine.
Speaking of sommeliers and a barista’s desire to become an equivalent of one, let’s contrast with La Paulée’s Grand Tasting at the Westin St. Francis. Daniel Johnnes, a noted wine director for noted New York restaurants that today includes Restaurant Daniel (read: a guy who works in the industry), started the event about a decade ago, alternating between New York an San Francisco. It is based in a traditional Burgundian event, and in Mr. Johnnes’ words for the SF event:
La Paulée is my homage to La Paulée de Meursault, a convivial Burgundian fête shared by growers and their guests. At La Paulée guests will sample current releases and older vintages from nearly thirty of the most sought after Domaines of Burgundy. The wine service will be led by fifty of our nation’s most noted sommeliers.
They ain’t messing around. (Here’s a magazine write-up [PDF] on last year’s La Paulée in New York.) The Grand Tasting may cost $300, but that’s cheap compared to the $1,400 Gala Dinner (or compared to the registration fee to experience Coffee Commons at TED2012 in Long Beach).
There are people in traditional Burgundian wear, regularly breaking into traditional Burgundian drinking songs, flown in from Burgundy for this event — Les Cadets de Bourgogne. And there are many booths of elite winemakers, offering wines that you could only be lucky enough to even access a bottle to purchase, all poured by notable sommeliers. In coffee terms, this is akin to an event featuring several of the world’s Cup of Excellence microlots for tasting, each served by award-winning baristas.
And they don’t skimp on the food either, with restaurant representation from the likes of Boulevard, Farralon, Gary Danko, Napa’s Meadowood and REDD, Quince, RN74, etc. You know that the food world takes the event seriously when not only are sommeliers from New York pouring at the event, but the likes of Traci des Jardins (of Jardinière and Top Chef Masters fame) is there personally cooking up and handing out plates of food.
As a consumer event, what’s not there? No hucksters promoting the latest technology in synthetic corks. No pitchmen telling you how to expand your revenue lines with wine coolers. No patent-pending bottle openers that promise to revolutionize wine consumption. Just a lot of people who want to share great wines and learn more about them and an industry that is trying to make that possible in ways it previously was not.
We can only hope just a fraction of that is possible with coffee — if only the industry would allow it, let alone participate in it. It’s beyond the time for quality coffee to get out of its insular ivory towers and to start reaching out to the many customers it so claims to love and adore.
Opening in May 2009, this Blue Bottle Coffee outlet is located inside the SFMOMA museum on the fifth-floor Rooftop Garden. It’s a rather elite affair, given the open space and the artworks that surround it. There’s seating on concrete floors and benches among modern sculptures, but there are also white metal café tables for seating.
They use Mazzer and Astoria grinders, offer Bonmac filters for single origin drip, and (quite unusual for Blue Bottle) a three-group
Mistral Mirage Idrocompresso Triplette with manual levers.
They pull espresso shots with a medium brown crema and darker brown spots. It’s served quite short for a doppio, but it’s the right amount of potent: very well balanced, broad flavor profile of herbs, pungency, and some tobacco and honey. They use a special SFMOMA blend of five different beans, and it is a true blend — almost something of a rarity in the U.S. It’s one of the best homogenized examples of a blend that Blue Bottle offers. Hopefully they will make a blend like this more widely available.
Served in a Heath ceramics demitasse with a side of sparkling water. About as good as museum coffee can get.
Read the review of Blue Bottle Coffee Co. at the SFMOMA Rooftop Garden.
Some five years ago we wrote about the problem of espresso sameness in the SF Bay Area. At issue is the challenge for local communities to preserve a diversity of quality coffee purveyors. On that subject, today’s Washington D.C. City Paper posted an article on their city’s growing quality coffee monoculture: How Did Counter Culture Coffee Take Over D.C.? Freebies – Young & Hungry.
A regional diversity in roasting styles, bean sourcing, and even plain old philosophical approaches towards coffee (for example, industry-centric practices vs. being customer-centric) is a prerequisite for any vibrant coffee culture to exist. Too much of one philosophy or approach without a foil, and it becomes hegemony — if not also a little monotony.
Given this age of large corporate buy-outs and company financial failures — to which D.C. is no stranger — having all your eggs in one basket is also a recipe for disaster. The article also offers up some local purveyors that give hope for more of a balanced coffee economy in the area.