This is gonna sound cliché, but while I’ve been a longtime fan of Jon Stewart, I never quite warmed up to John Oliver.
Oh sure… on his new show Last Week Tonight with John Oliver, now in its third season, Mr. Oliver can amp up the incredulity and indignation, throw in contrived comedic riffs, and preach to the choir of his liberal-minded audience as Mr. Stewart did for years on The Daily Show. But Mr. Stewart was always so much more adept at it.
Even if Mr. Oliver is trying a bit too hard to follow in Mr. Stewart’s Daily Show footsteps, there are times — like his rant on FIFA — where he can nail a topic with obliterating precision. This week’s episode on scientific research in the media did exactly that, where coffee-related medical research is one of the more popular topics among cited studies.
Coffee today is like God in the Old Testament: it will either save you or kill you depending upon how much you believe in its magic powers.
Reading news headlines on my Flipboard these days has been an exercise in dismay for the future fate of the species. “Science” is regularly quoted in headlines as if it were an individual person, spouting off the most inane opinions on the most vapid subjects. But these opinions are treated as fact — as if chiseled in stone and handed out from high atop the mountain.
Yet study after cited study is inevitably flawed, distorted, and/or spun as click-bait. And no matter what, each and every study is almost certainly unverified — each a quotable example of what has been brewing as science’s massive replication crisis that’s been quietly underway for the past decade. The lone hope is that the scientific process can still call out these replication gaps. But as Mr. Oliver points out:
There is no reward for being the second person to discover something in science. There’s no Nobel Prize for fact-checking.
So why the sudden interest in coffee from Myanmar? While it is still more curiosity than serious demand, coffee from Myanmar is still something of an exotic export — despite Myanmar being overshadowed by its neighbors in China, Vietnam, Thailand, and Indonesia.
The country formerly known as Burma is just now opening up to the world much like Cuba is currently opening up to the U.S. Once a prosperous nation, Myanmar succumbed to a coup d’état in 1962 and it had been under military rule until only recently. Borders were closed, the economy stagnated, civil guerilla wars proliferated among Myanmar’s many tribal minorities, and multiple generations of Burmese citizens were lost to an oppressive regime stuck in the past.
That’s all changing today — and ridiculously fast. Last month, and for the first time in 17 years, a co-worker of mine and all-around cool guy — Anjo — recently returned to his Burmese birthplace. He witnessed a vastly different place with paved roads, modern construction, saturated trucking routes to and from China, the proliferation of smartphones and $1.50 SIM chips, and local Burmese wearing more Western clothes. In the three weeks he was there, he witnessed Myanmar swearing in its first democratically elected president in 50 years and the opening of a new Myanmar stock exchange.
Anjo also brought me back some coffee.
At first Anjo hoped to pick up some coffee at origin near his original home in the Shan State, where much of Myanmar’s coffee has been grown ever since it was first introduced by missionaries in 1885. Instead, he picked some up at a City Mart, a popular supermarket in the former capital of Yangon.
This was even more interesting to me, as it represented what is consumed in the domestic coffee market — not just what’s shipped out for export. While the difference between domestic and export market coffee can be dramatic in many coffee-producing countries, Myanmar’s history of closed borders likely means the locals have become used to drinking “the good stuff” as its only market.
Italian Coffee Myanmar
The first 200g bag of coffee I tried was simply labeled — in English — “Italian Coffee Myanmar” from Ananda Cocoa & Coffee Ltd. It was 100% organic, 100% Arabica coffee designed for “Italian espresso” shade grown in the Pyin Oo Lwin of the North Shan State at about 1200m. As for the coffee varietal, it claimed to be Kenyan — which coincides with the SL 6, SL 14, SL 28, and SL 34 cultivars introduced to Myanmar in 2004.
Purchased in mid-March 2016, I couldn’t help but notice the expiration date stamp of 28-Jan-2017 on the bottom of the decorative bag. Taking a wild guess, that was probably an annual stamp and thus the roast date was probably about 6 weeks prior to purchase. It’s also worth noting how much English labeling is on a package of coffee sold in a Yangon supermarket. (Thank you, British colonialism.)
Myanmar coffee is more typically Arabica (two-thirds of its production, the other third being robusta that was originally planted by tribesmen of the Karen minority) and tend to be higher elevation Catimor cultivars — known more for their body and earthiness. Which is why it was a little bit of a surprise — especially on a bag labelled “Italian espresso” — to find a more medium City/Full City roast that barely made the second crack. There was no visible signs of surface oils on the beans. Have Myanmar coffee roasters been following Third Wave hipster protocol all along?
Brewed as espresso, though not on my most meticulous espresso machine setup (a consumer-typical Saeco Syntia Focus), it produced a cup with a medium-to-blonde crema that was relatively slight (6+ weeks since roasting will do that to you). The body was pretty solid but not heavy. The flavor profile lacked sweetness but also that dense, roasted fullness — and thus centered more around the midrange of the palate. I suspect it wasn’t quite a single origin, but it was a close approximation for some relatively similar green stocks.
Overall, an impressive coffee if you compare it with anything you could get in a supermarket bag labeled “Italian espresso” in Vietnam, Thailand, or China.
The packaging appeared far more commercial and lacked any designation for coffee origin other than “Arabica from Shan State”. While not labelled “100% organic”, they claimed their beans were grown without chemical fertilizers. Plus an expiration date also showing January 2017 and what looks like an indicator that it was roasted January 2016.
As a bag labelled “Espresso – whole bean”, the roast was more of what I expected for SE Asia supermarket coffee: a dark roast with a sheen of oils. As with the Italian Coffee Myanmar, the beans are a healthy, Arabica-friendly size which you might not normally associate with coffee in this part of Asia.
Brewed as espresso on the same machine as before, it produced a cup with a slightly more blonde crema of weak thickness. The body was decent, not great, and the flavor profile dipped into that burn-the-crap-out-of-my-identity territory: not quite a watery cup of ash, but definitely heavier on the smoke and tobacco with only some midrange and no real brightness to speak of. Which is a shame, because it was essentially roasted to taste like coffee from anywhere else.
In conclusion, I can’t say I wasn’t fully convinced of the exotic magic of Myanmar coffee. But there was clearly something going on here that I wasn’t quite expecting — and that coffee from Myanmar clearly has the distinctive potential to be something that could stand on its own relative to other quality coffee producers around the world. So at a minimum, I’ve been put on notice for what’s to come from this rapidly evolving country.
As the local T-shirts put it, “New Mexico: It’s not new, and it’s not Mexico.”
Even the food here is its own thing. Between sopapillas, calabacitas, carne adovada, and Hatch Valley chiles (and ordering things “red”, “green”, or “Christmas”): it’s not Mexican, and it’s not Tex-Mex either.
New Mexico can probably even lay claim to its own state of mind, defining the term high desert. Anywhere you turn starts from at least 6,000 feet of altitude. The combination of the altitude and arid climate can leave you with mild headaches and nosebleeds for days after arriving. Any notable breeze will result in red dust and grit in your teeth.
I last visited this region one winter in the 1990s, passing through one bleary-eyed day in the high-desert driving across I-40 from Flagstaff, AZ to Oklahoma City as part of a marathon trek across the country. Even back then I found Albuquerque more than a little odd, with the entire stretch of the town littered with “experimental speed limit” caution road signs. Experiencing it close up two decades later, it’s far stranger than I could have imagined.
Albuquerque aka ABQ aka The Duke City
It seems rather apropos that humanity’s nuclear era started in the neighborhood, just up the road at Los Alamos. The town of Albuquerque strikes you as a post-apocalyptic world where someone entered a typo in their nuclear launch codes and accidentally overlooked this place. Add the many locals who convincingly impress you as veterans of earlier (and multiple) alien abductions, and to this day there is perhaps no better movie that captures the essence of Albuquerque than the 1984 cult film Repo Man:
Repo Man:This could easily have been set in Albuquerque, NM
Yes, even more than No Country for Old Men and the excellent TV series Breaking Bad and Better Call Saul. While New Mexico may not directly feature in Repo Man, it’s the film’s origin story and its influence permeates throughout. (Sorry, L.A.)
The residential areas are typically a criss-cross of wide East-West-bound boulevards littered with strip malls, with North-South streets (like Washington St. NE) jaggedly intersecting like misfit puzzle pieces so there’s never a continuous line through the many lots of ranch homes, covered car ports, and gravel landscaping.
On the subject of food, simply eating here reminds you that Albuquerque is not your typical American city. The most exclusive restaurant in town — universally voted the biggest “splurge” restaurant in ABQ — is run by a three-time James Beard nominee. In true ABQ style, it resides in a local strip mall, next door to a hydroponics shop and across the street from a drive-thru emergency loan shark/cash station called Fastbucks. That’s how ABQ rolls.
Among friends I’m known for identifying the TV trope of the generic “fancy restaurant”: high-end dining establishments that have zero distinguishable interior design. Meanwhile, real-life restauranteurs often bleed ridiculous amounts of money to heavily brand their high-end dining room experiences so you always know exactly where you’re eating. For all that Better Call Saul gets right about the town, there was a scene in an episode last month where they dine at one such generic “fancy restaurant” in Albuquerque. If you spend any time in ABQ, you’d immediately recognize that no such place could exist in town.
Better Call Saul does, however, nail the region on lawyers. Albuquerque is overflowing with courthouses and law offices, with the billboards of personal injury attorneys lining Interstates 25 & 40 with come-ons such as, “Hurt? Call Bert”. Is it any wonder why Bugs Bunny should have turned left?
Downtown ABQ gets even stranger. There’s a vast sea of multi-story parking garages, largely filled with cars, scattered among the remains of aging U.S. Route 66 kitsch and the tinted glass monoliths of more modern-yet-nondescript bank and energy company towers. And yet walk the downtown streets on a weekday afternoon a couple hours before rush hour and it is eerily devoid of pedestrians or even traffic. Which gives downtown ABQ the feel of a giant long-term airport parking lot for alien abductions: nobody is here, and yet everyone has left their cars behind.
We’ve written before about Austin, TX and their “Keep Austin Weird” motto. But the people here, although very friendly, are simply just too weird for Austin. More to the point: they’re blissfully unaware of their weirdness, thriving as an amalgamation of teen and adult runaways, Native Americans, silver-toothed street urchins, and the progeny of prior vehicle breakdowns along U.S. Route 66 to California.
All of this makes Albuquerque a more than unusual base for developing a quality coffee culture, which most cities typically identify with urban hipsters. The bizarro culture of ABQ essentially renders a hipster’s raison d’être as pointless and irrelevant. If anybody from Portland, OR ever ended up here, I’d put them on a suicide watch.
Quality coffee is a relatively new thing in this town that normally celebrates commodities, down to its streets named after mining and minerals. Hence it is surprising to see a few $3 espresso shots here without the “moral outrage” you’d normally expect from most cities that love to gripe about the cost of a cup of coffee.
In Albuquerque, the espresso shots tended to run a bit thin on body and were often served in various presentation contraptions involving carved wooden blocks (or serving trays) and sparkling water on the side.
One of the local oddities I came across was piñon coffee. Much as New Orleans has been known for blending regular coffee with chicory for a unique local variation, piñon coffee is made by combining regular coffee with nuts of the piñon pine tree (the official state tree). Native Americans traditionally harvested these pine nuts. Once roasted and brewed, it exhibits a sweet, spiced smell like an amped up Arabic coffee, but it tastes more like regular coffee with an earthy, nutty edge to it.
An hour up I-25 from Albuquerque is the town of Santa Fe. Founded in 1610 by Spanish colonialists, the New Mexico state capital carries a lot more history — including one of the oldest houses and the oldest church in the U.S.
Very much unlike Albuquerque, Santa Fe is a deliberately preserved town. This makes the stark contrast between the two not unlike the city of Napa versus St. Helena in the Napa Valley: one grows through big-box-store sprawl and lower costs of living while the other prefers a controlled aesthetic gentrification that makes it attractive to tourists with money.
This means that Santa Fe, like New Orleans, is one of the few places in the U.S. where you know exactly where you are — i.e., not in some random urban center lined with all the same chain stores. Sure, there are many fancy restaurants and massive hotels and spas about town, but everything is harmoniously dressed up in Pueblo or Spanish style. Every building is some variation of an earthtone and the architecture is remarkably consistent.
Despite the million-dollar Pueblo homes near the old city center, there are still plenty of tourists parading through town in rumbling two-story pickup trucks with tinted windows, Oklahoma or Texas plates, and blasting some variation on death metal out their windows. Yet at the same time there’s an extensive arts community and even the relocation of many Tibetan expatriates in town.
Although Santa Fe is where locally roasted coffee was first introduced to New Mexico, the coffee culture here has generally been slow to evolve — with more options growing in just the past few years. Like Albuquerque, there’s often an unusual emphasis on an inventive rotation of specialty drinks. But here there is also a strange validation of the Paleo diet as something more than the snake oil fad that it is: a few places place their own buttered coffee knockoffs prominently on drink menus.
Synesso espresso machines can be found in uncommon locations — cart services, ice cream shops, etc. — which makes us suspect there’s a local distributor with service and influence in the area. If you’re going to cover this high desert service area, my advice — based on ample empirical evidence — is to listen to a lot of Guadalupe Plata on the car stereo:
I originally noted a lack of sweetness in the coffee of Santa Fe and Albuquerque, which I partly blamed on the altitude at first. But I eventually found examples that broke that stereotype, such as the excellent Iconik Coffee Roasters — easily one of my more favorite coffee house finds of the past couple of years.
In conclusion, fallout from the Manhattan Project and Trinity tests may have left behind one unusual place and its residents, but the global advance of good coffee has infiltrated even here in just the past few years. Though for the record: Los Alamos scientists still drink pretty crummy coffee for the most part.
This art café is located where downtown Albuquerque gets more industrial the further south you get. Opened by Trevor Lucero, a self-proclaimed “coffee guy”, in June 2013, this 1,000-sq-ft space and 600-sq-ft outdoor covered patio serves as much as a community gathering space as it does a coffee bar or art space. Third places are apparently a more natural setting in Albuquerque than they are in Santa Fe.
There’s a short, wooden high counter with stools at the front windows. The white-painted brick wall in the rear is adorned with color photographs. Larger wooden block tables and a bench scatter about in the in-between spaces for contemplating with headphones or laptops under a white-painted wood ceiling. The laptop zombie quotient being higher as it is in ABQ.
The Zendo name apparently refers to an international feng-shui-like term for the supposed spacial zen-like state of the joint. Or so we’re told.
Whatever you call it, the place is packed with locals. It seems heavily frequented by a younger, more female clientele who take to eating take-out lunches at the bar stools and conversing with friends for the day. Rather than mistaking them for UNM students from the campus across the I-25 freeway, like much of downtown Albuquerque there’s little indication that the folks hanging out here do much of anything professionally besides, well, hanging out here.
Señor Lucero bought a three-group manual Victoria Arduino Athena Classic for $6k that’s used at the bar. They originally relied on independent roasters but have since started roasting their own at a facility further down 2nd Street, though they do feature a rotation of guest roasters Denver’s Boxcar was featured on my visit.
Using the Zendo Espresso blend, they pulled a shot with an medium brown, even crema with lighter heat spots from the spouts. It tastes of an edge of tobacco over more spices and herbal pungency. Good, but there are noticeable flaws.
Served on a custom wooden block with even a spoon holder as well as sparkling water — like you do in ABQ — in a World Market China cup with no saucer. Cheap at $2 though.
And like a number of ABQ coffee shops, they offer their own inventive specialty coffee drinks — except here they go a bit crazy with it: the London Fog, the Sweet Bonnie, the Maroccino, the Golden, the Regis, Red Cappuccino, Lapsang Latte, etc. Mixologists Gone Wild.
This is a coffee shop fitting for downtown Albuquerque, which feels like it’s at the fringes of the known universe. (More on that in a later post.)
Located along the old US Route 66 along the Duke City’s Central Avenue — next to Lindy’s Diner and somewhat kitty-corner to the landmark KiMo Theater — this bare space opened in January 2016.
Its interior is stark black and white, frequently adorned in stripes, with cement or brick walls, scuffed square tile floors, and a worn wooden service counter littered with woodcut puzzle pieces of their logo (aka, their “business card”). There are several tables inside, often attended by students and/or laptop zombies, with window counter seating in front beneath glass block windows.
They work closely with Chad Morris, roastmaster at the Las Cruces, NM Picacho Coffee Roasters – one of the best roasters in the state. They serve V60 pour-overs in addition to espresso drinks.
Using a two-group La Marzocco Linea at the back of the rectangular space they pulled shots of Picacho’s Sidami Ardi Natural to produce a cup with a mottled medium-to-darker brown crema. As a single origin Ethiopian, it exhibits a broader flavor profile than you might expect — with some bright fruit balanced with body and darker herbal elements with more spice and warming elements at its core. Served in a cheap Tuxton cup with a glass of sparkling water on the side.
It’s a pretty solid espresso shot: not exceptional, but worthy in a town ruled by the odd and bizarre — albeit pricey at $3.
After my discouraging visit to the much-lauded Ohori’s Coffee Roasters, I was worried that the coffee wasn’t getting much better in Santa Fe. Then I arrived at Iconik.
Opened in May 2013 by Albuquerque native Natalie Slade, her brother Darren Berry, and their longtime friend Todd Spitzer, this café inspires a bit of local controversy. Some of the controversy originates from the intentions of this team: with Ohori’s being such a beloved local institution, they opted for more defiance and a dare — down to naming their flagship espresso blend “Iconoclast”.
The rest of the controversy comes down to Santa Feans, as evidenced in local social media commentary and reviews. Although many locals have taken to Iconik, some seem a little resentful of the interloper — complaining about the coffees being roasted too lightly, about the service staff being too arrogant and snobbish, or perhaps even just expressing resentment over a $3 espresso.
Only the second commercial coffee roaster to open in Santa Fe, their roasts are decidedly lighter — even if they are made in a very rare, 1927 vintage Otto Swadlo roaster that was found in an Oregon warehouse. The roaster sits at the café’s rear entrance.
There’s outdoor patio seating in front with cushioned patio tables and chairs. Inside there are cement floors, a counter with stools, a long shared wooden table, multiple short café tables at the window seats, and even a sofa — giving it more of a vibe like a brighter version of SF’s The Grove.
It’s a little loungey, and it would be a hipster magnet if not for New Mexico’s dearth of self-aware hipsters. There are also a number of older and colorful local Santa Fe patrons about, as the neighborhood is deep into the cheaper rents in town. There’s a wall of merchandising with Chemex equipment, grinders, and roasted coffee. They serve salad, bagels, and lunch items, but it’s all about the coffee.
Using a three-group La MarzoccoStrada, they pulled a shot of their single origin Sumatra Takengon Mandheling as the house espresso for the day. It came with a mottled medium-to-dark brown crema, a solid body, a good pungency, but little spice: a more narrowband flavor profile due to its single origin (not their Iconoclast espresso blend). Served as a long three sips in black Espresso Parts cups with sparkling water on the side.
I normally prefer a more complex flavor profile for my espresso, but it was interesting — daring for Santa Fe even. And I had every indicator to expect that their Iconoclast blend wouldn’t be half-bad.
Milk-based drinks come with rosetta latte art and gentle, even, quality milk frothing that somewhat integrates well with the espresso emulsion. Their V60 pour-overs are properly flavorful and included options such as a Mexico Oaxaca, a Guatemalan Panchoy, their Sumatra Idido Yirgacheffe, and Panama Hacienda La Esmerda.
There is simply no contest about the best coffee in Santa Fe. Local loyalty to Ohori’s seems analogous to South Africa’s complicated relationship with the ANC: i.e., deep appreciation for something revolutionary achieved decades ago, but selectively blind to all of its shortcomings and failings in the years ever since.
Some local haters might complain of the “burning acidity” of Iconik’s lighter roasts, but anything to make it taste this side of Ohori’s ashy wet fireplace is a good thing in my book. As for complaints of arrogant service, that’s always the risk when you’re dealing with someone who is really into their coffee. Customers can feel insecure, if not offended, when they casually order their favorite caffè latte and are suddenly confronted with a question such as, “Do you want it with the Sumatra Takengon Mandheling or the Mexico Oaxaca?” The nerve of those arrogant bastards.
Santa Feans deserved better, and they’re now finally getting it. But it’s not just for Santa Fe. I’d very much enjoy coming to a place like this wherever it’s located.
This is a difficult trip report to author. Because on the one hand, we have to pay respects to what Ohori’s Coffee Roasters pioneered in Santa Fe, NM. But on the other hand, we have to call out product failures as we experience them.
Like Peet’s, Ohori’s Coffee started as a take-home bean sales store. Also like Peet’s, as consumer preferences changed over the years, it evolved into a retail coffee beverage shop. This was particularly innovative in Santa Fe, where communal “third places” are rare and most social gatherings take place in private homes. Susan Ohori sold the company to her longtime accountant in 2002, and the tiny chain has operated rather consistently to this day under the “newer” ownership.
This location on Cerrillos Road was the second retail shop they opened, and of the two it is designed to be more of a social gathering space. As I entered, even without knowing Ohori’s Peet’s origin story, I felt like I was in another Peet’s chain café. There are four café tables offering sparse seating in a vast space with tall ceilings with exposed wooden framing. There’s a service counter setup with a heavy emphasis on bean and leaf sales that looks lifted out of the Peet’s interior design catalog. And as for the roasted coffees themselves, many hearken back to a flavor profile of dark roasted ashiness popularized by Peet’s some 40 years ago.
There’s a wall of merchandising (cups, machines, Chemex and pour-over paraphernalia), and the art on the walls here is generously showcased without commission.
As for the retail coffee service, they may have dated roots but have not missed out on many coffee fads. They offer pour-overs, buttered coffee for those most recently into Paleo snake oil, and as a sort of health thing they avoid syrups and artificial sweeteners. Ask for a flat white, which is still not yet on the menu, and they will know how to make you one.
Using a two-group Nuova Simonelli machine, they pull espresso shots in a short paper cup (what’s that the deal with that?) with a creamy-looking medium brown crema of a smooth texture that’s relatively thin. There’s a definite ashy edge to the cup: it’s very harsh with a flavor combination of smoke and ash. This is not a pleasant espresso, and we have consumed hundreds of cups of outright rot-gut espresso before.
And yet Ohori’s has won the “Best of Santa Fe” by the Santa Fe Reporter for 7 of the last 10 years, and even the New York Times recently recommended this location in a 36-Hours piece. At first this lead me to believe that many local fans of the place must rarely ever drink the espresso straight here.
But if that were only the case. The milk-frothing here is dishwater-like: thin with irregular bubbles, producing what seems like little more than milk-flavored air. My wife found the macchiato to be simply undrinkable and abandoned it after the first sip. She never does that. I tried it and sympathized with her assessment. I’ve never experienced this at a Peet’s Coffee, for example.
Thus we can’t be sure that the coffee adoration here is rooted in local loyalty, nostalgia, or layers of milk and natural sweeteners that disguise the raw taste of their espresso. There may be other product lines worth trying besides their straight espresso and macchiato. Ohori’s offers medium- and even light-roasted coffees, even though they believe you often need a medium roast to at least develop the coffee’s flavor more fully — of which I am generally in agreement.
But when the core espresso is this dubious for a best-in-town consideration, something is clearly wrong. And I would be the last person some might accuse of being a Third Wave apologist. Unless you are a die hard, dark roasted Peet’s Coffee fan, we have to recommend that you seek your coffee elsewhere in Santa Fe.
Here in that other SF, this postage-stamp-sized espresso kiosk has a very outsized reputation, and why not? The husband and wife team of Bill and Helen Deutsch got their espresso start in Seattle back in the early 1990s era of ubiquitous coffee carts. They brought that same spirit to Santa Fe and have been operating here since 1993.
Which makes Holy Spirit Espresso akin to an archeological find designed to puzzle future anthropologists; it’s like finding 1990s Seattle espresso cart DNA in the middle of the New Mexico high desert. And like an origin story, its name is the English name for the town.
Out in front of the cart cubbyhole are four four metal chairs and two small tables along the sidewalk with a lone parasol above them. Inside is essentially a parked mobile cart dominated by a two-group Synesso machine (formerly a La Marzocco) — surrounded in a bizarro motif of various postcards, photographs, foreign money, and travel tchotchkes covering every one of the few square inches inside the tiny space.
There’s even St. Drogo, the patron saint of coffee. (He’s also the patron saint of ugly people, but we’re not going to infer anything from that.)
Using old Astoria grinders and very-Seattle Caffé d’Arte bags of coffee, Bill or Helen pulls a shot with a medium brown striped crema of modest thickness. The doppio ($2.25) is filled extra high in the cup. It has an old world Italian-leaning flavor profile of mild tobacco smokiness, spices, and some woodiness and is served in mismatched ceramic cups without saucers when you ask “for here”.
The milk-frothing is dense, not too airy, and with uneven microfoam bubbles. Posted as a “Best of Santa Fe 2012” winner, Bill was awarded for best local barista. No matter when, they’re still pretty good and you have to do something right for such a tiny business to remain in operation this long.
This central Santa Fe coffee house resides in the Santa Fe Arcade on the 2nd Floor. Opening in December 2015, it was developed as a new coffee house “concept” by an area restaurant group lead by Gerald Peters called Santa Fe Dining Inc.
Yes, apparently coffee has become a restaurant theme in America, with this concept being self-described as “full-service third wave coffee house”. Which only underscores how the term third wave has become the modern coffee equivalent of the hackneyed gourmet label from the 1980s.
We’ve been mocking the wannabe hipster use of third wave for a decade now, so most of you are probably glad we’ve largely given it a rest over the years. But ten years later and we’re still surprised that so many relative newbie coffee lovers come to its defense — and so much so that desperate marketers continue to use it.
For the many Millennials who were too young to know the 1980s, a little social history lesson about the term gourmet may provide context. As Wikipedia notes for the word:
In the United States, a 1980s gourmet food movement evolved from a long-term division between elitist (or “gourmet”) tastes and a populist aversion to fancy foods.
Sound anything like the many curmudgeons today who seem offended by the mere existence of “fancy coffee”? Also note that this transformation followed the establishment of supposed “second wave coffee” stalwarts such as Starbucks and Peet’s.
The 1980s saw the popularization of many otherwise commodity foodstuffs to an elevated status with an obligatory gourmet label. Orville Redenbacher became synonymous with gourmet popcorn. Jelly Belly popularized the concept of gourmet jelly beans. Lather, rinse, repeat. Thus at the time, the word gourmet became a sort of shorthand nudge-and-wink to let consumers know that this wasn’t your father’s foodstuff and that its distinguished quality commanded a higher price.
Compared to our coffee wave, your coffee wave is tough and chewy.
Problem was that the term gourmet wasn’t backed by any real definition, guarantee of quality, nor certification. This left the barn doors open for every profit-minded copycat and charlatan to rush in and lay claim to its meaning.
Thus today the term gourmet has since been relegated to downmarket product come-ons in the aisles at commodity goods stores such as Wal-Mart; meanwhile the premium quality/price vanguard has moved on to terms like artisan. Just this week at the ABQ Sunport (airport), I walked up to a Comida Buena with bold “gourmet deli” branding that served me a soggy croissant sandwich wrapped in tin foil and left under a heat lamp for who knows how long. What does gourmet really mean when this happens?
The same is true today of third wave coffee, which has become an unqualified label boasted by wannabes in an attempt to claim some sort of false legitimacy. Meanwhile, virtually all of the top-quality roasters and coffee shops in the world distance themselves from the term. What does third wave really mean when this happens?
When Food Entrepreneurs Extend to Coffee
Which brings us back to the 35° North Coffee concept. Their slogan, coined by restaurant vet and manager Rob Rittmeyer, is “Find your latitude”. Its name refers to Santa Fe’s latitude as well as the number of grams of coffee used in their pour-overs.
As part of a concept restaurant chain, the food gets a bit more of the attention here. They serve beignets, a croque monsieur, and banh mi sandwiches as a sort of French-influenced theme — even if French is a poor choice for a coffee affiliation.
Accessed from inside the mall, there are five nicer faux marble café tables along a back booth and a marble rear counter with a half-dozen stools. There’s also a separate seating room (the “War Room”) with more and larger tables across of the main entrance. The kitchen, and its vent, are massive: these are clearly food people. And the food sensibilities don’t stop with edibles, as they even offer (as is creative coffee in New Mexico) an oatmeal latte: complete with actual oatmeal, brown sugar, and granola as influenced by Colorado ski bums.
They do roast their own coffee on-site with all the space they have, but any labeling of blend, coffee origin, or other pedigree is virtually absent from a supposed third wave coffee house. They offer drip, pour-overs (supposedly single origin, but how could you tell?), nitro coffee, and espresso service. And yes, they even offer something called a “Latitude Adjustment”: a nod to the Paleo snake oil types seeking a Bulletproof Coffee(tm) knock-off.
All said, they use the three-group La Marzocco Linea behind the counter on shots of their “dark roast blend” to produce an even, medium-to-darker-brown crema of decent thickness. Whatever wave they are supposed to belong to, I have had identical coffee experiences in the late 1990s. But to their credit the espresso body is good, and despite being served in a short paper cup the results are better than expected. It has a darker flavor profile of herbal pungency with some tobacco but no ashiness.
Opening in August 2014, this independent coffee shop is a casual space located in the strip-mall avenues of NE Albuquerque. It’s in an odd part of town (like what isn’t odd in ABQ?) … located in something of a no-name neighborhood.
However, just a mile and a half further down Lomas Blvd. NE this weekend will be the sixth annualSouthwest Coffee & Chocolate Fest at the New Mexico State Fairgrounds — a 135-vendor consumer coffee and chocolate event that has inspired more than a few New Mexico roasters and cafés. Yes, this is a true Southwestern coffee fest and not the grotesquely bloated, shark-jumped SXSW affair simultaneously going on in Austin, TX.
Driving eastbound on Lomas Blvd. NE, you can’t miss it for the dayglow orange painted building out front — a space (and a Web site) it shares with Baker Architecture + Design. Pull into any one of its five parking spots in the front lot, and you’ll notice a couple of café tables on the sidewalk out front. There are a few simple café tables inside for seating.
There is a turquoise-painted, weathered wood counter with a three-group UNIC Stella di Caffè machine for serving their espresso shots. No pour-overs here, folks, but they’re also known for their cold brew — as is required in these high desert parts. Bottles of which also make an appearance on their wall of coffee merchandising.
They promote their heavy use of local food and drink producers (e.g., Rasband Dairies for milk, etc.), and they’ve ventured into burritos and pastries such as the notorious “pie tart” — a sort of less unnatural version of the Pop Tart.
Their coffee — while private labeled as Honest Coffee — is roasted by Prosum Roasters in town. They also feature a guest roaster as an alternative, and on this visit it was Arizona’s Cartel Coffee Lab. (Speaking of artisan Pop Tarts…)
Pulling a shot of a three-bean Central American/Ethiopian blend with a darker roast on it, they served the shot a little hot with a modest body and multi-colored crema that thinned out. The flavor was a bit weaker on first sip but oddly strengthened with greater concentration towards the bottom of the cup — with chocolate, some caramel, some woodiness and a bit of cherry brightness for a darker roast espresso.
Served in a quadrilateral-cut wooden block with two holes for a sparkling water glass and the espresso shotglass. It’s particularly a New Mexico thing. Milk-frothing here can be a little uneven, but the quality is generally good.
It’s a good introduction to New Mexico’s newer breed of coffee shop, which we’ll review more over the coming weeks.